Donald Hankey was – and has remained – one of the most enigmatic personalities to feature in the narrative of the Great War.
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
Over the past 15 years, a substantial, diverse group of scholars has worked to develop the concept of the ‘British world’. They have explored the various and varied connections that linked Britain with a wider British diaspora. The focus has been predominantly on the so-called ‘colonies of settlement’ or ‘white Dominions’: Canada, Australia, New Zealand, and South Africa.
When in 1882 Nietzsche had his mad messenger announce the death of God, he was well aware that he was reporting more than something of only theological significance.
Having illuminated the production of polemical print to great effect in his first monograph, Politicians and Pamphleteers, Dr Peacey addresses its appropriation in his second, Print and Public Politics in the English Revolution.
Nest of Deheubarth, a 12th-century Welsh princess, has a presence well beyond academic history and interests. She was one of the most famous Welsh princesses and over the centuries has had a significant impact on Welsh history and identity.
The transformation of Germany after the Second World War from Nazism into a prosperous and peaceful state has long exerted a particular fascination upon historians. In the last four decades, legions of scholars have sought to explain the presumably miraculous ‘success story’ of the Federal Republic by a range of factors.
Philip Murphy’s Monarchy and the End of Empire is a carefully researched and beautifully presented book that chronicles the relationship between the monarchy, the UK government, and the decolonisation of the British Empire.
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).