Browse all Reviews
The World of the Salons is an ambitious book. It shoots loads of ammunition and promises much. An abridged version of Le Monde des salons: Sociabilité et mondanité à Paris au 18e siècle (Fayard 2005), this English translation includes the substantive material of the original book, minus the suavity of the original French prose.
Jim Bolton is a much respected and well liked figure in London academic circles, who took up a post at Queen Mary College (as it was then called) in 1965 and has remained there ever since, despite his official retirement in 1994. He works on the medieval economy, and kept the subject alive during episodes when specialists in that subject were in short supply in the University of London.
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
One of the oldest and most familiar tropes in the historiography of the American Civil War argues that the conflict posed an urban industrial Union against a rural agricultural Confederacy.
Death and Survival is a collection of eight previously published articles and chapters with a new preface, introduction and conclusion. Luckin is without a doubt one of the most important urban environmental historians of London.
'Space and place are central to the strategies and meaning of protest’ (p. xi) reads the opening sentence of Katrina Navickas's latest study, Protest and the Politics of Space and Place 1789–1848.
At the start of this century, Tim Hitchcock and Bob Shoemaker undertook the digitisation of the surviving editions of the Old Bailey Proceedings, with the object to create a searchable resource in a form accessible to the public and free at the point of use. Last year, 2015, was the anniversary of the launch of the first database in 2005.
Towards the end of this fascinating study, Heather Shore reflects on the difficulty of ‘trying to uncover or reconstruct something that does not exist in a concrete form’ (p. 192). For Shore, the ‘underworld’ is a ‘cipher’, through which the press, the police, the government, and the wider society represents, and tries to understand, crime as a social problem.
The name Medici is almost inextricably interlinked with the city of Florence and the idea of the Renaissance in both popular and scholarly imagination. The family dominated the Florentine republic politically for the better part of the 15th century and became, first, dukes of Florence and, then, grand dukes of Tuscany in the 16th.