Books on the history of the evolution of the welfare state in Britain are numerous.
In his introduction, Matthew Lundin declares that it ‘would perhaps only be slightly hyperbolic to proclaim Hermann Weinsberg the Samuel Pepys of sixteenth-century Germany’ (p. 3). This proclamation does not do full justice to the scope of Lundin’s work.
Tracing the path of an Australian Aboriginal political activist through four decades of early 20th–century Europe must surely have been a challenging and often surprising task.
Rachel Beer first caught my attention some 20 years ago when I was trawling through Who Was Who looking for journalists. She was unusual because she was the editor of The Sunday Times in the 1890s, when no other national newspaper had a woman editor. She was also deeply conscious of her background, proud of being a member of the wealthy and important Jewish family of Sassoon.
'I HATE Cosmo Lang!’ exclaimed a member of the audience when Robert Beaken spoke to a seminar at the IHR about Lang, archbishop of Canterbury and subject of this important reassessment. As Beaken rightly notes, Lang’s reputation has suffered in the years since his death.
In 1929, Major-General (retired) Sir Neill Malcolm advised the 27-year-old J. W.
‘No one knows what George Kennan really meant [to say]!’ So did the late McGeorge Bundy, my then professor, initiate me and a half a dozen other graduate students into mystery of George Frost Kennan. I say ‘mystery’ deliberately, as both at the time and later, there was indeed something distinctly odd about two aspects of the life and career of the one-time scholar-diplomat.
Slowly but surely the history presented in museums is coming to the attention of academic historians. However, the relationship between museums, memory and history remains complex. In selecting what to collect, museums seek to define what is or is not history. In preserving their collections in perpetuity they act as a permanent, if selective, memory store.
This is a very personal book, first published in Polish in 2006. The author, Aleksandra Ziolkowska-Boehm, tells the story of Cezaria Ilyin Szymańska, a personal friend who participated in the Warsaw Rising of 1944. Kaia is the name under which the heroine is known to her friends.