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The introduction to this collection of twelve essays promises a taste of the 'sophisticated interdisciplinarity of recent work on material culture', a promise on which the volume certainly delivers.
The interaction between western men's and native women's sexuality makes the human body central to the articulation of colonial/imperial ideologies. Setting her study in eighteenth-century British India, Ghosh emphasises a pan-imperial understanding of body, and the role of race, gender and sexuality in empire-building in the early modern period.
Melissa R. Klapper’s Jewish Girls Coming of Age in America, 1860–1920 explores the identity of middle-class Jewish girls through use of a wide range of sources, including letters and diaries. This important contribution to the history of American Jews builds on previous work that has emphasized immigrants and working class families, the east coast, and urban centres.
The issues and themes concerning the state and its rulers have until quite recently dominated the historiography of Mughal India. While some scholars argue for the centralized character of the Mughal state, others have pointed out its contested and negotiated nature. More recent scholars have come up with studies that underline the fluidity of the state.
Professor Abrams has written a profound and illuminating study of a relatively-isolated, but not inward-looking, community which has been perceived by outsiders as a quintessentially masculine society and yet which was, at least until the 1960s, very much ‘a woman’s world’.
In Women in Business, 1700–1850, Nicola Phillips has produced a dense and absorbing study of (British) women in business. In line with contemporary usage she employs a capacious definition of ‘business’ to consider the range, nature, and discursive representations of women’s economic activities.
Previous investigators, whom Todd scrupulously acknowledges, have focused, she argues, on London and on urban communities such as Preston and the Potteries with a strong tradition of working wives—or on the world beyond work.
Until relatively recently the in-depth historical analysis of Scottish women’s lives has been the preserve of dedicated gender historians. Although it is fair to say that Scottish historians have recently begun to include the lives of women in their research, this is by no means extensive.
This study connects the experience of domestic abuse to the historical development of family life from the Restoration until the passage of the Divorce Act 1857.
Studies of the National Portrait Gallery have analysed its history as an institution, as an architectural space, or as instrumental in the development of portraiture (1).