Professor Coss has written a splendid analysis of the changing aristocracy of the two hundred years after 1150 that will be required reading for the next century or so. What he has also attempted is even more bold and original, nothing more nor less than to explain the evolution of the English gentry.
In the popular imagination, the geographical complexity of the Holocaust has been reduced to two Polish towns, Oswiecim and Warsaw. The death camp sited in the former has emerged as not only the definitive death camp and representative of the state-sponsored factory-like mass killings of the Holocaust, but also as a synonym for evil.
In a memorandum for the Committee of Imperial Defence dated 10 July 1920 Harold Nicolson, whose family connection with these matters dated back to the time when his father Lord Carnock entered the Foreign Office, namely 1870, wrote:
Dr Quine's study of the Italian welfare state between the Liberal and Fascist eras is an impressively researched, well-written and original contribution to an under-researched field. Even in Italian there are few global accounts of early Italian welfare state.
Courts and Conflict in Twelfth-Century Tuscany is the first English version, slightly revised, of a study that was previously published in an Italian translation (Legge, Practiche e Conflitti [Rome: Viella libreria editrice, 2000]).
This book sets out to give an account of what the foundation of The Royal Academy of Arts in 1768 meant for artistic practice in particular and cultural life more generally in Britain between 1760 and 1840. It is to be welcomed, because it fills a gap, and fills it well. The history of art institutions in Britain attracts sporadic attention.
The 1990s in Ireland witnessed intense popular and academic interest in the events of two centuries before, culminating with the bicentennial commemorations of the United Irish Rebellion of 1798.
This is an ambitious book, attempting as it does to span the whole of Europe and cover six hundred years of urbanism. It is also ambitious in trying to bridge the conventional divide drawn between the ‘medieval’ and ‘modern’ ages usually placed by historians and archaeologists somewhere between the fourteenth and sixteenth centuries.
The Holy Reich comes with substantial praise attached. According to the blurb on the back, Michael Burleigh says it is 'an important and original book' which 'deserves as wide a readership as possible'. Helmut Walser Smith regards it as 'a brilliant and provocative work that will recast the whole debate on Christianity and Nazism'.