This new history of Italian cinema is in fact a translation of Gian Piero Brunetta’s 2003 volume Guida alla storia del cinema italiano 1905–2003 [Guide to the History of Italian Cinema 1905-2003]. It is difficult to give an accurate sense, for the non-Italianist, of Brunetta’s stature within the field of Italian film studies.
The co-authors of this volume are David Haslam, the Chair and Clinical Director of the National Obesity Forum and Fiona Haslam, a former physician, art historian, and the author of a distinguished study of From Hogarth to Rowlandson: Medicine and Art in Eighteenth-Century Britain.(1) This summarizes both the strength and the weakness of this comprehensive stud
As the title of the book suggests, Geographies of Empire covers the period roughly from the beginning of the ‘scramble for Africa’ – following the British invasion of Egypt in 1882 – to the year by which many of the territories formerly acquired by European colonial powers had been lost or given up.
The Blackwell Companions to British History enjoy a reputation for quality of scholarship, clarity of text and range.
This is a very interesting volume, which aims to bring together the variety of contexts and genres in which ancient history was employed and studied during the Enlightenment.
‘Earth, earth, do not cover our blood and do not keep silent’.
In 2001, during a Round Table discussion at the College Art Association Conference in Chicago, the Czech art historian and critic Martina Pachmanová raised the issue of agency in the construction of the dominant narratives of East-Central European art.
In December 1916 the new British prime minister, David Lloyd George, sought to overcome the problems of waging the First World War through an unwieldy Cabinet by establishing a smaller, streamlined mechanism, the War Cabinet. He also set up a secretariat, the cabinet office, which would be overseen by the cabinet secretary, Maurice Hankey, and his deputy, Tom Jones.
Sascha Auerbach’s Race, Law and ‘The Chinese Puzzle’ in Imperial Britain is a truly unsettling account of how in the 19th and early 20th centuries media, politicians, trade unionists, writers, thespians, film makers, and not least police and court officials across the British realm stolidly and uncompromisingly articulated and executed racist, Sinophobic judgements, deliberately whippe
Small and Special is the database of the historic admission records for the Great Ormond Street Hospital for Sick Children.