As popular television and film insists on reminding us, Jesuits were infamous in the early-modern period for plotting the deaths of monarchs. Shekhar Kapur’s portrayal of Edmund Campion in Elizabeth (1998), cloaked and dagger in hand, is a case in point.
Whether or not Michael Maas is right that ‘many excellent studies of Justinian and his age’ exist (p.
Professor Abrams has written a profound and illuminating study of a relatively-isolated, but not inward-looking, community which has been perceived by outsiders as a quintessentially masculine society and yet which was, at least until the 1960s, very much ‘a woman’s world’.
The first, main title of this volume might seem to promise too little or too much—either a very superficial work of generalization, or a heterogeneous assortment of broadly grouped pieces too diverse and disparate to cohere.
As social history’s highest tides recede, certain of its presumptions are exposed for reargument.
‘It happened once in Paris that a certain sorceress impeded a man who had left her so that he could not have intercourse with another woman whom he had married. So she made an incantation over a closed lock and threw the lock into a well, and the key into another well, and the man was made impotent.
Peter Dorey’s edited volume, The Labour Governments 1964–70 (2006), both in its methodological approach and chronological focus, is a timely addition to the historiography of the Labour Party.
A few years ago, I pestered friendly Lollard scholars with a question which tended to flummox them slightly: how did English bishops know how to prosecute heretics? The broadest outlines of a reply had been sketched, in an article from 1936 by H. G. Richardson and another by Margaret Aston in 1993. In addition, Anne Hudson and J. A. F.
In The Conservative Party and European Integration since 1945: At the heart of Europe?, N. J. Crowson sets out to analyse the thought of the Conservative Party faithful on Europe, and to investigate the role that the party played in the formation of policy at the highest levels of the leadership.
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 1800, and we are at a private party in London, attended by leading Whigs including the playwright-politician Sheridan.