I reviewed R. J. P. Kain and R. R.
However much cartoon specialists might deplore the fact, the principal academic use of cartoons originally published in newspapers and magazines is as supporting illustrative material for primarily text-based enterprises.
The authors of these two volumes are both young historians whose first books each stake a claim to a portion of the increasingly crowded field of museum studies in general, and of museum history in particular.
Evelyn Welch's Shopping in the Renaissance. Consumer Cultures in Italy 1400–1600 is a fascinating study which turns a common social practice into a compelling subject of research. The author's ability to employ different historical approaches at the same time confirms that cultural, social, economic and art history can enhance each other.
That the history of sexuality has come of age is clear. The most recent Journal of the History of Sexuality is a self-reflexive special issue on 'Theory, Methods, Praxis'.
In his seminal Ford Lecture in 1953, K. B. McFarlane argued that the 'real politics' of the later medieval period were inherent in the 'daily personal relations' between king and magnates.
Mark Hampton sets out to analyse 'the way in which British elites conceptualized the press between 1850 and 1950', examining the debates that helped to lead the British press to the point where 'informing readers and toppling governments, and never in boring fashion, could appear as the appropriate function of journalism'.
Sometimes you get lucky when you publish a book. Matthew Mulcahy's intriguing and well-written analysis of the cultural impact of hurricanes in the plantation regions of seventeenth- and eighteenth-century British America came out at an extremely apposite time for an academic publication, a month or so after one of the biggest natural disasters in American history.
In Georgian England, 'manly independence' was the most important qualification for political virtue and thus for electoral citizenship. Connoting a particularly English libertarianism, this 'independence' infused a man's political, social and gendered being, and manifested itself in sincere and straightforward forms of bodily presentation and behaviour.
The question mark in the book's title is the first indication of the caution which characterises Andrew Thompson's investigation of the impact of empire and imperialism on Britain.