Although the First World War ended almost ninety years ago, it has become a truism to note that the echoes of that conflict continue to resound in Western culture.
This study connects the experience of domestic abuse to the historical development of family life from the Restoration until the passage of the Divorce Act 1857.
Wow! It is rare that a view of the civil wars and revolutions of the mid-seventeenth-century British Isles can evoke such a reaction. The historiography of the period is full of dramatic shifts in perception.
Clive Griffin’s study is a major and exciting contribution to the burgeoning field of the history of the book.
In From World War to Cold War: Churchill, Roosevelt, and the International History of the 1940s, David Reynolds seeks to bring a sense of contingency to existing considerations of the 1940s, ‘the most dramatic and decisive decade of the twentieth century’ (p. 1). As Reynolds reminds us, neither World War II nor the Cold War was inevitable.
There is an old joke that doing intellectual history is like nailing jelly to the door. The field deals with abstractions that resist clear definition. Rudimentary notions of historical causality prove difficult to establish. Selecting representative figures depends upon contested assumptions about cultural hierarchy.
This is a short book on what turns out to be a rather bigger subject than might have been expected from the title; not because the Dutch slave trade was so important, but because Emmer uses it as an entry to a wide range of issues concerning the Atlantic slave trade in general and its historiography.
Studies of the National Portrait Gallery have analysed its history as an institution, as an architectural space, or as instrumental in the development of portraiture (1).
Textiles and dress occupy a central position within the realm of material culture. Apart from fulfilling the basic human need for clothing and protection, textiles play important political, economic, and religious functions.
Every prime minister's reputation combines a mixture of image and reality, and that of Wilson has all too often been the image of the wily, pipe-smoking fixer.