This book charts the ‘experimental’ peace between Britain and France in 1801–1803, often regarded as little more than an interlude in the twenty-year struggle between the two.
Barbara Ramusack bases her study of indirect rule under British imperialism mainly on research, including her own, which has been done since the 1960s. As she reiterates throughout the book, the topic of the ‘Native States’ is not one which has attracted widespread scholarly attention.
Margot Finn’s book The Character of Credit: Personal Debt in English Culture, 1740–1914 is the first volume in a new series published by Cambridge University Press (Cambridge Social and Cultural Histories) which seeks to draw social and cultural history more closely together.
Now is an appropriate time to consider the role of the British Navy and its cultural significance. 2005 marks the bicentenary of the Battle of Trafalgar, the apogee of British naval glory. Trafalgar is a story of national tragedy as well as triumph, of course, as Britain’s stunning victory over the French came at a huge cost, namely the loss of Admiral Horatio Nelson.
The Winchester pipe rolls are among the very greatest monuments to medieval English administration and record-keeping.
Whatever happened to the history of nineteenth-century British popular culture? In the 1970s and 1980s, this was an exciting field that produced a series of invigorating and pioneering works. (1) Fulfilling the promise of E. P.
Early and silent cinema is generally ghettoised in popular culture. Early film, British or otherwise, is mostly seen by the public on television as illustrations for documentaries and is rarely, if ever, the subject of them. Yet the study of early British cinema is the study of a still relevant, living entity.
Forty years after his death, much of Nehru’s world has been lost, its certainties eroded, its structures demolished. The European empires which Nehru challenged have long since disappeared.
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
In one of his most irritated moods, Samuel Pepys, sometime naval administrator, recorded in his diary that he and his office had just had the experience of being judged by investigators who were entirely unaware of the nature of the business of running a department of the navy.