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The Grand Tour was ‘a phenomenon which shaped the creative and intellectual sensibilities of some of the eighteenth century’s greatest artists, writers and thinkers’. So reads the opening paragraph of Adam Matthew Digital’s new website, The Grand Tour. It is a substantial claim to make, but a fair one.
The co-authors of this volume are David Haslam, the Chair and Clinical Director of the National Obesity Forum and Fiona Haslam, a former physician, art historian, and the author of a distinguished study of From Hogarth to Rowlandson: Medicine and Art in Eighteenth-Century Britain.(1) This summarizes both the strength and the weakness of this comprehensive stud
This new history of Italian cinema is in fact a translation of Gian Piero Brunetta’s 2003 volume Guida alla storia del cinema italiano 1905–2003 [Guide to the History of Italian Cinema 1905-2003]. It is difficult to give an accurate sense, for the non-Italianist, of Brunetta’s stature within the field of Italian film studies.
During the medieval period the Benedictine abbeys of Westminster and Saint-Denis were major centres of religion, politics and power, while serving as the site of royal shrines and burials.
This important and stimulating study of the rural credit market in later medieval England, which originated as a Cambridge PhD thesis, is a carefully and thematically structured book with six chapters, each containing between four and six subchapters in addition to the conclusion and two extensive and useful appendices.
‘We are most of us governed by epistemologies that we know to be wrong’: Gregory Bateson’s observation summarizes what motivates Keith Jenkins’s latest book.(1) In this collection of essays written and published over the last 15 years (including not only a foreword by Hayden White and an afterword by Alun Munslow, but also responses from Perez Zagorin and Michael C.
Reading an edited collection of articles can be likened to dining out on a tasting menu: you’re afforded the opportunity to sample broadly but portions can sometimes be relatively puny. A standard serving, like a monograph, provides bulk whereas essays may fire up your appetite yet fail to satiate your hunger.
Historians have needed a new book-length history of the so-called Hell-Fire Clubs of the 18th century for some time.
The history of the Enlightenment can sometimes appear as a male narrative, dominated by canonical male writers, with women appearing only as subjects denied an equality of rationality and relegated to a feminine domesticity.
Most historians of sexuality, courtship, marriage and the family in Victorian and early 20th-century Britain will already be familiar with the excellent social and cultural histories produced by Ginger Frost.(1) It will come as no surprise to them to learn that Living in Sin is a wonderful book that draws on a characteristically wide range of sources from the