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Shortly before he left them, Christ told his disciples that the end of the world was imminent, and would be heralded by a time of tribulation. There would be wars, plagues, famines and false prophets. It would also be a time of evangelical enterprise, during which the word of God would be carried to the ends of the earth.
In 1914, as in 1882, it was still close enough to true to suggest that ‘Every boy and every gal/ That's born into the world alive/ Is either a little Liberal/ Or else a little Conservative’. 37 years later, the English political landscape was radically changed, although arguably its continuities were more remarkable than its disjunctures.
The massacres of Indians in Lancaster County, Pennsylvania, by the Paxton Boys in December 1763, have long been a notorious event in that part of the globe. A glance at Kevin Kenny’s bibliography provides a sense of the continuous interest in the killings since the 19th century.
How a country deals with enemy nationals within its territory during times of war is as much an issue today as it has ever been. In the western world these days such enemy nationals are most likely to be involved in the ‘war on terror’, and can be found masked behind a multiplicity of nationalities.
We know that London Transport was a pioneer in advertising public transport. Their posters from the inter-war period and the 1950s are a familiar sight and they are frequently used as historical sources not only by academics but students as well.
Barbara Hately-Broad’s purpose is to insert the neglected subject of British prisoner-of-war (POW) families into the history of army, navy and air force families during the Second World War, a subject that is itself rather thinly tackled by historians.
A new book in one’s specialist area, in this case the historical and cultural study of popular song, is a reason for both excitement and anticipation. Excitement because one wonders what new insights the work will disclose, what new sources will be revealed and in what ways the area of study will be moved forward.
In The Origin of the Family, Private Property and the State (1884), Friedrich Engels posited a fundamental relationship between women’s property rights, on the one hand, and changes in the social and political spheres, on the other.
In recent years Ashgate Publishing has become one of the most dominant forces in the field of early modern studies, and the recent appearance of the impressive volume edited by Michael Hunter of Birkbeck College entitled Printed Images in Early Modern Britain: Essays in Interpretation (2010) is a case in point.
Political biography has a relatively minor part in medieval and renaissance Venetian historiography when compared to other European states – such as England – or Italy’s other major republic in the period, Florence.