In 1993 Amanda Vickery's now well-known historiographical review 'Golden Age to Separate Spheres?' provided an exhaustive survey of the interpretation of the position, identity and role of English women from the early modern to the Victorian periods.(1) It was a timely project in response the wealth of interest and research in that field over the previ
The main aim of this book (1) is to provide a social history of the religious architecture commissioned in the kingdom of Naples under three generations of French kings (from the conquest of Charles of Anjou in 1266 to the death of his grandson, Robert the Wise in 1343).
Eddy Higgs’s work on the census is much valued, not least because he is both a working, researching and publishing historian as well as an experienced archivist.
At first glance, Virginia DeJohn Anderson’s Creatures of Empire is a welcome addition to the growing literature on the environmental history of early America; on closer observation, the work is very much more than this. Indeed, it is more a cultural history than an environmental history.
In his review of David Howell’s MacDonald’s Party Matthew Worley praised Howell for his exposition of Labour’s ‘high’ politics and excused him for not including ‘an analysis of local Labour identities’; doing so would, Worley noted, ‘have added years to the book’s construction and probably h
Both these books have their origins in excellent PhD research theses, which have then been adapted into book form. Both books are highly original, well-written and well-organised.
‘Poor New Mexico!
Brian Weiser takes as his subject the court and politics of Charles II’s reign, examining them through the glass of access. Following the examples of earlier historians of European courts, he is interested in how a monarch’s availability to his subjects reflects his policies and attitudes.
Since the 1970s historians have been redressing the longstanding omission of women from virtually all types of history. We now know much more about women’s experiences in the past, both in their own right and as contributors to larger historical events, than had previously been the case.
During the last 25 years, academic writing on film and the cinema has been dominated by two analytical systems.