Early and silent cinema is generally ghettoised in popular culture. Early film, British or otherwise, is mostly seen by the public on television as illustrations for documentaries and is rarely, if ever, the subject of them. Yet the study of early British cinema is the study of a still relevant, living entity.
Forty years after his death, much of Nehru’s world has been lost, its certainties eroded, its structures demolished. The European empires which Nehru challenged have long since disappeared.
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
In one of his most irritated moods, Samuel Pepys, sometime naval administrator, recorded in his diary that he and his office had just had the experience of being judged by investigators who were entirely unaware of the nature of the business of running a department of the navy.
Opinions have long been divided about the subject under review, the Comintern's Third Period, which lasted roughly from 1928 to 1935. One cannot be more precise about these dates, because, as Matthew Worley points out, the transitions at both ends of the period were gradual in nature.
The central theme of this book can be summed up as ‘neither electoral sociology nor linguistic turn’. Instead, its author emphasises the micro context of politics – how local social and cultural milieux shaped the reception of political ideas, and hence the fortunes of political parties.
Simon Potter’s book is a study of ‘imperial integration’ through the analysis of what he terms ‘an imperial press system’ which emerged in the late nineteenth and early twentieth centuries (p. 1). It focuses on the Dominions of Britain, or what has in recent historiography been referred to as the ‘British world’, embraced by a common sense of Britishness.
When one thinks of the Liberation of France after World War II, one generally thinks of those weeks as ones of a transition from German control through a short, if intense period of anarchy and chaos to the establishment of centralised control by a new, if provisional, French government, with law and ord
It is not often that a tutor is handed an entire course on a plate, ready for consumption, served up complete with material for the lectures, case studies, points for seminar discussion, essay questions, as well as primary and secondary readings for student use. But that is exactly what the pair of books under review provide.
For aficionados of strong drink and a good story, there are quite a few books published on the subject of absinthe, and most of them have been published in the last ten years.(1) Perhaps it is a function of millennialism that interest has been stimulated in a drink formulated over two hundred years ago and demonised as the ruin of modern French civilis