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25 years ago, in a provocative reconsideration of English political and social history, English Society 1688–1832, J. C. D.
Another biography of Catherine the Great? Simon Dixon locates his new book somewhere between Russia in the Age of Catherine the Great by Isabel de Madariaga (1), which he terms ‘the most important (and appropriately weighty) study of Catherine’s reign in any language,’ and John T.
Imre Nagy is undoubtedly one of the towering figures in 20th-century Hungary, having had a significant impact on the current of history twice within his lifetime and again 31 years after his death.
The ‘holy grail’ for academic local historians over the past 50 or so years has been the search for regions, a search conducted partly out of genuine interest, partly as a parallel to regional geography, and partly from motives of self-preservation resulting from fears that ‘local history’ conveyed the impression of being parochial and antiquarian. W. G.
The publisher’s blurb for Marilyn Dunn’s new book claims that it is ‘the first work on the subject to combine a historical approach with insights provided by ethnography and anthropology’. As is often the case with publisher’s statements, this is something of an exaggeration.
Stephen Mileson’s book is very timely, representing the first comprehensive study of medieval parks at a time when academic interest in aristocratic identity, social landscapes, hunting culture and environmental exploitation is blossoming.
I first came into contact with Jo Laycock’s Imagining Armenia when I received the Manchester University Press catalogue and found it listed on the page after my book.
Whose culture, and more specifically whose objects, are the central questions in these two very different books. In modern Western legal systems, objects can have only one owner, though that owner may be a corporate or collective body. But what does it mean for a state or nation or community to own an object, and what should we make of claims to hold objects in trust for all humanity?
It is most unusual for a historian to go into print in the introduction to their latest book and to wonder aloud whether it should ever have seen the light of day. Joanne Ferraro has a point. This study of early modern Italy enters territory in which any historian would wish to tread carefully.
Of late, the Virgin Mary has become somewhat fashionable in academic circles. This prominence reflects her long-lasting cultural influence as an international historic and spiritual figure.