Courts and Conflict in Twelfth-Century Tuscany is the first English version, slightly revised, of a study that was previously published in an Italian translation (Legge, Practiche e Conflitti [Rome: Viella libreria editrice, 2000]).
This book sets out to give an account of what the foundation of The Royal Academy of Arts in 1768 meant for artistic practice in particular and cultural life more generally in Britain between 1760 and 1840. It is to be welcomed, because it fills a gap, and fills it well. The history of art institutions in Britain attracts sporadic attention.
The 1990s in Ireland witnessed intense popular and academic interest in the events of two centuries before, culminating with the bicentennial commemorations of the United Irish Rebellion of 1798.
This is an ambitious book, attempting as it does to span the whole of Europe and cover six hundred years of urbanism. It is also ambitious in trying to bridge the conventional divide drawn between the ‘medieval’ and ‘modern’ ages usually placed by historians and archaeologists somewhere between the fourteenth and sixteenth centuries.
The Holy Reich comes with substantial praise attached. According to the blurb on the back, Michael Burleigh says it is 'an important and original book' which 'deserves as wide a readership as possible'. Helmut Walser Smith regards it as 'a brilliant and provocative work that will recast the whole debate on Christianity and Nazism'.
The tenacity of the Women’s Voluntary Services (WVS: they were awarded ‘Royal’ status in 1966) in maintaining their unique position in the voluntary sector must, in no small degree, be due to the powerful personality of its founder, the redoubtable Stella Charnaud, Lady Reading.
Historians of early modern marriage have made much use of court records in uncovering the matrimonial difficulties of our ancestors.
The book I have before me feels rather expensive, well-made, a hardback with a striking dust jacket bearing an enlarged portion of an historic print. Inside, the paper is silky smooth, the ink dark and clean, the layout elegant with generous outer margins. The illustrations too are clean and clear, dropped into the text.
There are several novel things about this book that make it worth reading. The first one relates to the author. Unlike most other historians of Japan, who come from the areas of Japanese or East Asian studies, the author of this book arrives from an unexpected field. L. M.
Margaret Pelling, author ofThe Common Lot: Sickness, Medical Occupations and the Urban Poor in Early Modern England (London: Longman, 1998) and currently Reader in the Social History of Medicine at the University of Oxford, has produced a new volume in the Oxford Studies in Social History series, Medical Conflicts in Early Modern London.