During the last 25 years, academic writing on film and the cinema has been dominated by two analytical systems.
Histories of the Cold War have often, for obvious reasons, concentrated on the grand struggle between 'East and West', 'Communism and Capitalism', the 'USSR and the United States'.
This book is based on a University of Durham doctoral study by Miranda Threlfall-Holmes using the extensive archives of Durham Cathedral Priory.
The work under review here owes its genesis to the Open University course of the same title, for which it is the core text. As such, it consists of ten interlinked essays, specially commissioned, on the broad theme of the dynamics of difference within and between world religious traditions.
For medievalists, the long-awaited appearance of Gerald Harriss’s volume in the New Oxford History of England constitutes a major publishing event. In this superb study a leading academic historian, K. B. McFarlane’s successor at Magdalen, offers an authoritative summing-up of a period which saw medieval England transformed.
Martin Luther King, Jr. remains arguably the most recognisable African American figure in world history.
The Metropolis is now before me: POUSSIN never had a more luxuriant, variegated and interesting subject for a landscape; nor had SIR JOSHUA REYNOLDS finer characters for his canvas than what we have already had a sitting for their likenesses to embellish LIFE IN LONDON.(1)
This is a fascinating and much-welcomed addition to the steadily increasing body of work on medieval queenship that has emerged with the development of this (still) fresh historical discipline over the last twenty years.
The concept of ‘separate spheres’, or the organisation of society into a private, domestic, female world and an active, public, male domain, is closely associated with Victorian society and, arguably, has had a pervasive influence upon gender relations since. Women’s sphere was that of the home, or activities closely connected with it.
Susan Barton's book lives up to its promise of providing a new and fuller analysis of the ways in which working-class people were able to enjoy holidays away from home, mainly in the 'age of the railway', but with reference also to the tramping artisan tradition that predated the railways, and to the ear