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I think I would like Gerald Shenk but I am not certain that I agree with him. I like the fact that he does not make any secret of where his allegiances lie.
This is a ground-breaking social history of single men and women in England from the early to the mid-20th century. Up until recently, historians of the family have prioritised the experiences of those men and women who married and became parents.
Bradbury’s text is a delightful read. His text discusses the Capetian dynasty of kings, from the events that brought the family to power in the tenth century up to the death of Charles IV in 1328. Charles died without male heirs, and so the kingship passed to a collateral line, the Valois.
The First World War Poetry Digital Archive was launched in late 2008. The site comprises a substantially revamped version of what was previously the Wilfred Owen archive and includes Oxford University’s virtual seminars for teaching literature online series.
Stephen Gundle, Professor of Film and Television Studies at Warwick University, has written a substantial and engaging history of the elusive concept and practice(s) of glamour.
This is a book of exceptional originality and importance. Dr Martínez Hernández has written a biography of Don Gómez Dávila y Toledo (1541–1616), II Marquis of Velada, but such is the breadth of his research that his book reshapes our understanding of the courtly politics and of the policymaking processes at the Spanish court in the critically important period from the 1560s to the 1620s.
In 1990, immediately after UN Security Council Resolution 678 provided authorisation for the use of force to expel the Iraqi military from Kuwait President George H. W. Bush said in a news conference:
It has often been observed that the greatest legacy of the Paris Commune of 1871 was its myth. In its short duration the Commune failed to transform Paris in any lasting way – even its supreme gesture of repudiation of the military traditions of the French past, the toppling of the Vendôme column, was to be reversed.
Duncan Bell’s book comes with an intriguing picture on its front cover: Gustave Doré’s famous 1860 depiction of a New Zealander perched on a broken arch of London Bridge sketching the ruins of St Paul’s and its environs. The image, derived from an essay by Thomas Babington Macaulay, captures much of the Victorian premonition and anxiety about empire.