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Thomas Dixon’s Weeping Britannia is a tour through six centuries of British tears, from ‘extreme weeper’ Margery Kempe to the televised ‘sob-fests’ of Britain’s Got Talent and The X Factor, via tear-stained judges, the emotionally extravagant novel of sensibility, supposedly stiff-upper-lipped politicians, and the bemused disdain of dry-eyed journalists observing the
The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla
Today, a half-century after his death, Winston Churchill stands like a colossus over the political, diplomatic and military history of the 20th century, and of its most terrible armed conflict, the Second World War. The already voluminous number of historical studies devoted to him and his career continues to grow, and amounts to a full-blown industry – never mind the ‘cottage’ part.
With the SNP decimation of all other parties in Scotland, in the 2015 General Election, Irene Morra’s engaging study of popular music and Britishness is perhaps more poignant than she might have originally anticipated!
The Rise of Political Intellectuals in Modern China offers the first English language account of how one of the most important movements in modern Chinese history affected the city of Wuhan. Shakhar Rahav highlights the critical role that regional intellectual networks played in shaping the particular form of national mass-politics that emerged during the 1920s.
In February 1862, the Pennsylvanian Republican John W. Forney read aloud George Washington’s ‘Farewell Address’ on the Senate Floor. The occasion? It was the 130th anniversary of the first President’s birth. Each year the United States Senate continues to observe Washington’s Birthday in the same manner, alternating between speakers from each party.
Early in his study of radio in the USSR, Stephen Lovell quotes Rick Altman: ‘new technologies are always born nameless’ (p. 2). New technologies, that is to say, do not arrive with a self-evident purpose, and are understood initially relative to what already exists.
Angela Woollacott’s new book is a good example of the ways in which Australian historians are being influenced by recent approaches to British imperial history. Just as importantly it shows how the interests of scholars working in these hitherto largely separate fields have converged.
Historical scholarship has experienced a number of ‘shifts’ over the last three decades, with traditional concerns about politics and economics increasingly vying with newer ‘cultural-historical’ questions around language, meaning and subjectivity. Other innovations, such as spatial and transnational approaches to history, have also come to the fore.
Both as a historical focus and as a narrative vehicle of ‘otherness’, the depiction of technological marvels has often seemed tantalizingly vague. In Orientalist scholarship à la Said, it also ended up being ultimately irretrievable across the mutually reinforcing mirrors of East and West.