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As Antoinette Burton points out in the introduction to her newest work, The Trouble with Empire: Challenges to Modern British Imperialism, there has been no shortage of blockbusters about the British Empire to be found on the shelves of local booksellers. Many of these take for granted the rise and fall narrative of Empire.
The years from 1840 to 1890 constituted a ‘golden age’ of turn out in American elections. Although only white men were assured of their votes, this period saw the highest rate of political participation among the eligible electorate, with roughly 70–80 per cent of voters casting ballots in Presidential elections; as compared to today’s figure of about 55 per cent.
In 1372 Renatus Malbecco, a Milanese ambassador, arrived in Avignon for a meeting with Pope Gregory XI. His embassy was evidently unwelcome: he was ‘received with insults’ and promptly sent away. An observing diplomat recounted this event in a couple of terse lines. A little over a century later it was the turn of Ludovico il Moro of Milan to dismiss a visiting envoy.
We have here two very different books utilizing two very different approaches to essentially the same period of history in Europe. And while the differences are enormous, each is excellent in its own way and both are major contributions to the historiography of Europe in the first half of the 20th century.
The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.
‘It was the best of times, it was the worst of times’, is how Charles Dickens began his stirring evocation of the French Revolution in A Tale of Two Cities. He had it about right. The first ten years of the French Revolution was a time of limitless hope and shattering violence.
This is a book about two well-known dynastic verse histories commissioned by Henry II, the Roman de Rou by Wace and the Chronique des ducs de Normandie by Benoît de Sainte-Maure.
The Weimar Republic has long been synonymous in the public mind with political instability, economic crisis and cultural ferment.
When the United States goes to the polls this November to elect a new President many will think back nervously to the corresponding event 16 years ago. Memories of hanging chads, disenfranchised African Americans, weeks of political stalemate and a controversial decision by the Supreme Court will be re-awakened.
This collection of ten articles was inspired by an interdisciplinary conference held at the University of Manchester in 2005 on ‘The Peace in the Feud: History and Anthropology, 1955–2005’.