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Hardly had the fighting petered out on the Somme in November 1916 than one American reviewer, W. S. Rusk, was warning scholars that much writing about the Great War would be lost to the ‘winnowing flail of time’.(1)
Hard Choices details Hillary Rodham Clinton’s four years as Secretary of State, from 2009 to 2013.
Michael Huckabee, former Arkansas governor, frequent presidential candidate, and former Fox News host, opens the election year reissue of his 2014 manifesto God, Guns, Grits, and Gravy with the arresting anecdote of 2012’s ‘Chick-fil-A Appreciation Day’.
Ron Paul’s The Revolution is adamant on one point: to solve the problems in modern America, Americans need to return to Constitutional values. ‘In times like these, we need a return to fundamentals’ (p. 168). The specific fundamentals to which Paul refers are as often the values of Austrian School economists as they are the Founding Fathers.
Owen Hatherley’s latest book is a compelling exploration of one way in which the British political establishment and the British public (mis)interpret, (mis)remember, and (fail to) engage with history. The history with which Hatherley is concerned is the Attlee government of 1945–51, set within the wider era described mostly, vaguely, as ‘post-war’.
Historians of pretty well every field and period have long acknowledged that historical enquiry cannot (indeed, must not) be limited to describing the actions and experiences of elites.
The disintegration of communist federations at the end of the Cold War represented the most momentous reconfiguration of the boundaries of Eastern Europe since 1945.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Peter Hennessy about his background, career, influences and forthcoming book.
Exile has long been central to our understanding of certain Early Modern topics. The flight of English Protestants, and then Catholics, to the Continent in the 16th century, or the exodus of Huguenots (many to England and Ireland) after the Revocation of the Edict of Nantes in the 17th, are perhaps the best known examples to UK audiences.
On entering Shakespeare in Ten Acts, the British Library’s contribution to the world-wide celebrations commemorating the 400th anniversary of the death of William Shakespeare, visitors are greeted by perhaps the most recognizable Shakespearean artefact: a copy of the 1623 First Folio.