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Benjamin Franklin in London is a narrative biography of the American ‘founding father’ Benjamin Franklin. As the title suggests, the book substantively concentrates on Franklin in London between 1757 and 1775. During this time, Franklin was an agent advocating colonial interests in Parliament.
In 1775, Samuel Johnson had already identified the central paradox of United States history. He notoriously challenged British readers to explain why ‘we hear the loudest yelps for liberty among the drivers of negroes’. Generations of historians have tried to answer that question. How could a movement espousing belief in liberty include so many slaveholders?
This book considers one of the less obvious (but arguably more important) passions – wonder – and the ways in which that emotion intersected with skepticism in the Middle Ages.
Of all the Federal Arts Projects set up as part of the New Deal, the Federal Writers’ Project (FWP) was, in the words of one contemporary, the ‘ugly duckling’ (p. 35).
In the late 1960s, argues Matthew Wilhelm Kapell in Exploring the Next Frontier, ‘Americanist scholars’ (p. 6) intentionally abandoned the project of analyzing American myth. He identifies three reasons why they did so.
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
Frances Yates’ seminal book Giordano Bruno and the Hermetic Tradition (1964), which established a longstanding scholarly orthodoxy that Renaissance magic derived from interpretations of the Hermetic Corpus, has been challenged in its details by Bruno scholars and others.
Thomas Ahnert’s The Moral Culture of the Scottish Enlightenment is an unusual work. Little more than an extended essay, its brevity and lucidity belie the complexity and force of its central thesis. Whilst there is no doubt that the book represents an important historiographical intervention, it is rather harder to explain why or where it does so.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.