It was once a truism of modern British historiography that the history of the Conservative party was grievously understudied. This has not been the case for some time: things began to change with the pioneering work of the late John Ramsden in the 1970s, and then from the 1980s as historians such as Philip Williamson began to offer significant reassessments of aspects of the party’s past.
The London Zoological Society was founded in 1826 by Sir Stamford Raffles and Sir Humphrey Davy, emerging at a time when interest in collecting and displaying human and nonhuman fragments of the natural world was intensifying.
In 1862, Henry Littlejohn was appointed to the newly created position of Medical Officer of Health (MOH) for Edinburgh. Three years later, he published a Report on the Sanitary Condition of Scotland’s capital city, then home to more than 170,000 people.
In western Europe – thus runs one of the standard narratives of medieval history – it is only after c.1200 that we really find the beginnings of administrative bureaucracies, which allowed for the growth of centralised governments, and were fed by the rise of professional law, enabled by growing literacy at various levels of society, and were one of the key elements in what John Watts
Over the last three decades, histories of popular politics in Latin America have proliferated. It is not hard to understand why. Elections and liberalism loomed large in the present, and so their history began to assume more importance. Larger trends in the discipline reinforced the shift, as historians tipped the interpretive scales away from socio-economic structures and towards agency.
Alcohol policy never ceases to be controversial.
Introducing a 1996 translation of Alain Corbin’s now seminal work on the history of scent, The Foul and the Fragrant, Roy Porter lamented that ‘today’s history comes deodorized’.(1) As Jonathan Reinarz shows in this historical synthesis of recent work on the history of smell, Porter’s complaint has since been enthusiastically answered.
The beginnings of Europe is not a very complicated historical subject. After the end of Roman domination in the fifth century CE, so-called ‘successor states’ grew up in the territories and around the margins of what had been the Western Roman Empire, and out of those states grew France, Spain, Italy and (with greater complications) England and Germany.
With essays detailing everything from the experiences of old women to an examination of convent music, The Ashgate Research Companion to Women and Gender in Early Modern Europe promises ‘a comprehensive and authoritative state-of-the art review’ of historiography pertaining to the lives of women between 1400 and 1800 (p. ii).
In When Hollywood Loved Britain Mark Glancy used a trove of fascinating archival material to examine the ways in which propaganda and economic expedience shaped the American film industry’s representation of Britain during the Second World War.(1) For his new book, Glancy returns to the history of British-American film culture, albeit with a rather different p