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Exile has long been central to our understanding of certain Early Modern topics. The flight of English Protestants, and then Catholics, to the Continent in the 16th century, or the exodus of Huguenots (many to England and Ireland) after the Revocation of the Edict of Nantes in the 17th, are perhaps the best known examples to UK audiences.
On entering Shakespeare in Ten Acts, the British Library’s contribution to the world-wide celebrations commemorating the 400th anniversary of the death of William Shakespeare, visitors are greeted by perhaps the most recognizable Shakespearean artefact: a copy of the 1623 First Folio.
In a recent blog post for the Women’s History Association of Ireland, Caitriona Clear reflected on how Irish women’s history had now reached a critical mass ‘whereby it does not need to be identified with any one historian or any group of historians’.
In 1372 Renatus Malbecco, a Milanese ambassador, arrived in Avignon for a meeting with Pope Gregory XI. His embassy was evidently unwelcome: he was ‘received with insults’ and promptly sent away. An observing diplomat recounted this event in a couple of terse lines. A little over a century later it was the turn of Ludovico il Moro of Milan to dismiss a visiting envoy.
The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.
The mention of the Southern plantation tends to bring to mind one of two competing images: either the white-columned antebellum mansion and its manicured grounds, or the desolate home of African-American sharecroppers in the post-Civil War era.
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
The Andalusian jurist Abū Bakr al-Ṭurṭūshī (d. 1126) was once asked whether or not it was permissible to eat cheese imported into Alexandria from the Christian territories along the northern coastline of the Mediterranean. The question clearly intrigued al-Ṭurṭūshī, since he went to considerable lengths to research the subject before issuing his final response.
Felicity Stout’s monograph Exploring Russia in the Elizabethan Commonwealth incorporates elements of her PhD thesis and is a welcome addition to the discussion of Elizabethan political culture and England’s mercantile interactions with Muscovy in the late 16th century.(1) Exploring the themes of commonwealth, corruption and tyranny, the book draws upon Giles F
Susan Doran is an established, well-respected Elizabethan historian, and her most recent book confirms that she can successfully analyze Elizabeth in ways accessible and interesting to both an academic audience and a popular one.