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In 1977 – fifteen years after his death – a spat about the merits of the work of R. H. Tawney broke out in the letters pages of the Times Literary Supplement. The catalyst was a feature called ‘Reputations revisited’, in which contributors were asked to nominate their most overrated and underrated books and/or authors of the past 75 years.
Ephemeral City. Cheap Print and Urban Culture in Renaissance Venice is surely one of the most significant and impressive works on early modern European print culture to have been published in recent years. Its author, Rosa Salzberg, is an Assistant Professor of Italian Renaissance History at the University of Warwick.
This is a useful contribution to the growing body of research on 19th-century Irish print media (it begins with a survey of academic literature on the subject).
In the latest of our occasional Reviews in History podcast series, Dr Jordan Landes talks to Professor Jan Plamper about his new work on the history of emotions, a subject which he has memorably described as a 'rocket taking off'.
Jan Plamper is Professor of History at Goldsmiths, University of London.
The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
The title of Richard Brookhiser's biography of the 16th President indicates the innovative nature of its perspective. Brookhiser contends that new light can be shed on Lincoln's personal and political evolution by tracing his regular reflections and adaptations of the ideas of the Founding Fathers of the United States.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).
Hosking’s book was widely anticipated. I had hoped that it would be a worthy successor to Adam Seligman’s The Problem of Trust.(1) However, it is largely a rambling discourse on concepts that are often barely connected to trust. There is no clear idea of what varieties of trust are. Many of Hosking’s claims are at variance with the evidence we have on trust.
The writings of John Wyclif (c.1330–84) do not make for easy reading.
In a time of prolific and revolutionary authors Hugh of Saint Victor lit up the 12th century with a particularly unique voice, combining an intense passion for teaching with a pragmatic and systematic mind. Out of his large body of work his Mystic Ark has always provided more questions than answers.