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We have here two very different books utilizing two very different approaches to essentially the same period of history in Europe. And while the differences are enormous, each is excellent in its own way and both are major contributions to the historiography of Europe in the first half of the 20th century.
The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.
‘It was the best of times, it was the worst of times’, is how Charles Dickens began his stirring evocation of the French Revolution in A Tale of Two Cities. He had it about right. The first ten years of the French Revolution was a time of limitless hope and shattering violence.
This is a book about two well-known dynastic verse histories commissioned by Henry II, the Roman de Rou by Wace and the Chronique des ducs de Normandie by Benoît de Sainte-Maure.
The Weimar Republic has long been synonymous in the public mind with political instability, economic crisis and cultural ferment.
When the United States goes to the polls this November to elect a new President many will think back nervously to the corresponding event 16 years ago. Memories of hanging chads, disenfranchised African Americans, weeks of political stalemate and a controversial decision by the Supreme Court will be re-awakened.
This collection of ten articles was inspired by an interdisciplinary conference held at the University of Manchester in 2005 on ‘The Peace in the Feud: History and Anthropology, 1955–2005’.
Cathy McClive’s monograph sets out to dispel the myth of what she calls ‘menstrual misogyny’ (p. 1). That is, the belief across early modern Europe that menses and the menstruating female body, were inherently toxic and polluting.
Grootplaas, a produce farm that specialises in citrus and numbers around 900 hectares in size, is the subject of Maxim Bolt’s latest monograph, Zimbabwe’s Migrants and South Africa’s Border Farms: The Roots of Impermanence.
The mention of the Southern plantation tends to bring to mind one of two competing images: either the white-columned antebellum mansion and its manicured grounds, or the desolate home of African-American sharecroppers in the post-Civil War era.