%PDF-1.3 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 14 0 R 31 0 R 39 0 R 41 0 R ] /Count 5 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R >> /XObject << /I1 11 0 R >> >> /MediaBox [0.000 0.000 595.280 841.890] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Creator (DOMPDF) /CreationDate (D:20140930113807+01'00') /ModDate (D:20140930113807+01'00') /Title (Restoration: fact and fiction in the stores of history) >> endobj 6 0 obj << /Type /Page /Parent 3 0 R /Annots [ 12 0 R ] /Contents 7 0 R >> endobj 7 0 obj << /Length 2553 >> stream q 381.750 0 0 120.000 34.016 687.874 cm /I1 Do Q 0.000 0.000 0.000 rg BT 34.016 676.469 Td /F1 12.0 Tf [(Published on )] TJ ET BT 99.356 676.469 Td /F2 12.0 Tf [(Reviews in History)] TJ ET BT 190.016 676.469 Td /F1 12.0 Tf [( \()] TJ ET 0.000 0.000 0.800 rg BT 197.012 676.469 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 197.012 675.075 m 357.332 675.075 l S 0.000 0.000 0.000 rg BT 357.332 676.469 Td /F1 12.0 Tf [(\))] TJ ET 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 653.743 526.499 1.500 re S BT 34.016 615.321 Td /F3 18.0 Tf [(Restoration: fact and fiction in the stores of history)] TJ ET BT 34.016 584.699 Td /F3 12.0 Tf [(Review Number:)] TJ ET BT 34.016 570.443 Td /F1 12.0 Tf [(1176)] TJ ET BT 34.016 556.187 Td /F3 12.0 Tf [(Publish date:)] TJ ET BT 34.016 541.931 Td /F1 12.0 Tf [(Thursday, 1 December, 2011)] TJ ET BT 34.016 527.675 Td /F3 12.0 Tf [(Author:)] TJ ET BT 34.016 513.419 Td /F1 12.0 Tf [(Matthew Jenkinson)] TJ ET BT 34.016 499.163 Td /F3 12.0 Tf [(ISBN:)] TJ ET BT 34.016 484.907 Td /F1 12.0 Tf [(9781843835905)] TJ ET BT 34.016 470.651 Td /F3 12.0 Tf [(Date of Publication:)] TJ ET BT 34.016 456.395 Td /F1 12.0 Tf [(2010)] TJ ET BT 34.016 442.139 Td /F3 12.0 Tf [(Price:)] TJ ET BT 34.016 427.883 Td /F1 12.0 Tf [(60.00)] TJ ET BT 34.016 413.627 Td /F3 12.0 Tf [(Pages:)] TJ ET BT 34.016 399.371 Td /F1 12.0 Tf [(310pp.)] TJ ET BT 34.016 385.115 Td /F3 12.0 Tf [(Publisher:)] TJ ET BT 34.016 370.859 Td /F1 12.0 Tf [(Boydell)] TJ ET BT 34.016 356.603 Td /F3 12.0 Tf [(Place of Publication:)] TJ ET BT 34.016 342.347 Td /F1 12.0 Tf [(Woodbridge)] TJ ET BT 34.016 328.091 Td /F3 12.0 Tf [(Author:)] TJ ET BT 34.016 313.835 Td /F1 12.0 Tf [(Rose Tremain)] TJ ET BT 34.016 299.579 Td /F3 12.0 Tf [(ISBN:)] TJ ET BT 34.016 285.323 Td /F1 12.0 Tf [(9780099531951)] TJ ET BT 34.016 271.067 Td /F3 12.0 Tf [(Date of Publication:)] TJ ET BT 34.016 256.811 Td /F1 12.0 Tf [(2009)] TJ ET BT 34.016 242.555 Td /F3 12.0 Tf [(Price:)] TJ ET BT 34.016 228.299 Td /F1 12.0 Tf [(7.99)] TJ ET BT 34.016 214.043 Td /F3 12.0 Tf [(Pages:)] TJ ET BT 34.016 199.787 Td /F1 12.0 Tf [(416pp.)] TJ ET BT 34.016 185.531 Td /F3 12.0 Tf [(Publisher:)] TJ ET BT 34.016 171.275 Td /F1 12.0 Tf [(Vintage)] TJ ET BT 34.016 157.019 Td /F3 12.0 Tf [(Place of Publication:)] TJ ET BT 34.016 142.763 Td /F1 12.0 Tf [(London)] TJ ET BT 34.016 128.507 Td /F3 12.0 Tf [(Reviewer:)] TJ ET BT 34.016 114.251 Td /F1 12.0 Tf [(Alan Marshall)] TJ ET endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Italic /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /XObject /Subtype /Image /Width 509 /Height 160 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 3 /Columns 509 /BitsPerComponent 8>> /Mask [ 255 255 255 255 255 255 ] /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 3280>> stream x[EQ㎦fVttҒ +3O{?lGDQԯDrB^.ϯ%~'0۠/2>0AG_>0j0GCfE67>rB^}@  !&y+r?INp:erc b8f=rQC!~-Wf^^zF[)G 2ޯe7V_Go3Ke GEGOo8rώ#\1ZY~N6^H}yLxS-!:412V+u\-LSO?xVvZ|GjǮT_8EYJF=Tw^ 7GxfN/S:Ʌ~ʟtt?5n÷J'JcF-GVξx{rO~tJd;#a\7}|~y'>}c2C vR}f׈**h.)_&@pfzjsx:5;S\vKhM5j=!Cn+h"u]a EUN]jn=k<,:Ք>sU!ni~6EJ)¦72?G}[y}_vc$t?iSܟ2Zݞ,VN?_`='RFK1A2qv&X_lLRWY'%:I㢖zb_UEx\>&ɆBˏ~K@ \gYØU4}$8Dv!'Q'*+Εj(UCGo[#< 2Ja(sZi9fZKE Rn`u\9r^Zmɯ׹}mstO4uc~#'jEvۼ Dx[z ޏQ4KL5,5u3>i^uÒ-53ba ~,~/pyt1fMU'CVm:qv~=Y'Es"WsφG?l_kN5}],Ow7 uh`xƫ?zMl7ٻv$A(4Dl(wwH} ?=[=S;yC]^BK>㕪9`Z'Wj;E|:bf>kCԘ#RY,iv쵗~}n'"1u" *uO΄/2^Sxr(!/DD\~mJyZ!MmrA!#u[if|99WB WΡpp}w}sh#,\ &:%˳X?D3 %W0cC?o̲^} F3XLVn]Cߖiϧ!7}yZJ#P7]=)7Ρp;>> Ye^xx{Oafw{ ;>4gfLt ʊ:q%#r/)pv!O4wGh|dS ӣݽހ-gVUC'pBxrB^} 7JA^} /'8!`:r?}}],X  }6y!`/~Br?}Q< >k7vx"] ,' .3jn{-i}|~%-};b6#U)7繎kiEw 㤳:E}[޼c"rꬊ7Dc$~"/Y&zSd:tFȌCrʙ`7u .#[-<)j ?TGS(j~oTup(hjU4PlJ=}|it.ҽ@\wʨuXÞZcx18Wo<~ikOg,ވ\^?EneyZcc0[R١z|zv7_m:_n]a?osS3~j^ hD.a_X'KfBX6w wݶ"Oa:,bvhrWH[uCF-Xfc}>x+Rz)2N-B 7y^٨;[/vg? | |2Sve}=o䑰j[vWjF0{굦?VI~}xM(_TlG__+]:#к?S} c>GŸD7 !w{S{B =x7a?oE#)+Gz:o_4Q<;n?\tt7?mGCџQGu4kņOF>F?#} hP&ђߴM#u!.СtL2^#o nIk_i.~7tr@n 1P~3?.[]=S5b߮~Yo^HFH YBi8a4iom>CKgMy*;?zqEӕ` >zB9iFzC?XF?ޟIܰ펉A}{I5ᄊx%ez#Mp@rߎpi]IOVjzuJt\۰f׺u5><,J~PTJp1)}){9N {!`/> endstream endobj 12 0 obj << /Type /Annot /Subtype /Link /A 13 0 R /Border [0 0 0] /H /I /Rect [ 197.0117 675.3895 357.3317 687.2695 ] >> endobj 13 0 obj << /Type /Action /S /URI /URI (http://www.history.ac.uk/reviews) >> endobj 14 0 obj << /Type /Page /Parent 3 0 R /Annots [ 17 0 R 20 0 R 23 0 R 26 0 R 29 0 R ] /Contents 15 0 R >> endobj 15 0 obj << /Length 7646 >> stream 0.000 0.000 0.000 rg 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d BT 34.016 784.469 Td /F1 12.0 Tf [(Sir Walter Scott, masquerading both as ?The Author?, as well as his pompous alter-ego, the historian ?Dr )] TJ ET BT 34.016 770.213 Td /F1 12.0 Tf [(Jonas Dryasdust?, inserted the following dialogue into the beginning of his historical novel of the )] TJ ET BT 34.016 755.957 Td /F1 12.0 Tf [(Restoration period, )] TJ ET BT 129.008 755.957 Td /F2 12.0 Tf [(Peveril of the Peak)] TJ ET BT 220.652 755.957 Td /F1 12.0 Tf [( \(1823\):)] TJ ET BT 64.016 717.701 Td /F1 12.0 Tf [(?Author?you mean to say these learned persons [historians] will have but little toleration for a )] TJ ET BT 64.016 703.445 Td /F1 12.0 Tf [(romance, or a fictious narrative, founded upon history?)] TJ ET BT 64.016 677.189 Td /F1 12.0 Tf [(Dryasdust: Why sir, I do rather apprehend, that their respect for the foundation will be such, that )] TJ ET BT 64.016 662.933 Td /F1 12.0 Tf [(they may be apt to quarrel with the inconsistent nature of the superstructure; just as every )] TJ ET BT 64.016 648.677 Td /F1 12.0 Tf [(classical traveller pours forth expressions of sorrow and indignation when, in travelling through )] TJ ET BT 64.016 634.421 Td /F1 12.0 Tf [(Greece, he chances to see a Turkish kiosk rising on the ruins of an ancient temple ?? )] TJ ET 0.000 0.000 0.800 rg BT 471.920 634.421 Td /F1 12.0 Tf [(\(1\))] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 471.920 633.027 m 485.912 633.027 l S 0.000 0.000 0.000 rg BT 34.016 596.165 Td /F1 12.0 Tf [(Comparisons between historical fiction and historical work of fact have become much more frequent since )] TJ ET BT 34.016 581.909 Td /F1 12.0 Tf [(Scott?s day, but the basis of the argument often seems the same. The presence of any number of novelistic )] TJ ET BT 34.016 567.653 Td /F1 12.0 Tf [(?Turkish kiosks? erected in full view of not a few historian?s own grounds and filled with ?frothy and )] TJ ET BT 34.016 553.397 Td /F1 12.0 Tf [(superficial knowledge? has been often criticised for at the least foolishly spoiling the historical view, and at )] TJ ET BT 34.016 539.141 Td /F1 12.0 Tf [(worst for looking in completely the wrong historical direction; that is, of course, where they have not been )] TJ ET BT 34.016 524.885 Td /F1 12.0 Tf [(ignored entirely.)] TJ ET 0.000 0.000 0.800 rg BT 113.336 524.885 Td /F1 12.0 Tf [(\(2\))] TJ ET 0.24 w 0 J [ ] 0 d 113.336 523.491 m 127.328 523.491 l S 0.000 0.000 0.000 rg BT 127.328 524.885 Td /F1 12.0 Tf [( The two sides seem destined to live, if not at war, then at least in state of mutual )] TJ ET BT 34.016 510.629 Td /F1 12.0 Tf [(antipathy. Nevertheless the historical novel was just as much a development of the 19th century as serious )] TJ ET BT 34.016 496.373 Td /F1 12.0 Tf [(academic history and both of these genres have, arguably, come to their full flowering in the modern era.)] TJ ET 0.000 0.000 0.800 rg BT 537.908 496.373 Td /F1 12.0 Tf [(\(3\))] TJ ET 0.24 w 0 J [ ] 0 d 537.908 494.979 m 551.900 494.979 l S 0.000 0.000 0.000 rg BT 34.016 482.117 Td /F1 12.0 Tf [(Yet the Dryasdust distain for the historical novel still lingers on in some quarters. Can historians still afford )] TJ ET BT 34.016 467.861 Td /F1 12.0 Tf [(to ignore the historical novel completely? Can it really tell us anything about our views of a particular )] TJ ET BT 34.016 453.605 Td /F1 12.0 Tf [(period?)] TJ ET BT 34.016 427.349 Td /F1 12.0 Tf [(If such literary works tend to be treated at all by historians, then it is often as a somewhat smaller, less )] TJ ET BT 34.016 413.093 Td /F1 12.0 Tf [(worthy, over-rowdy, and much more emotional younger brother, over-concerned with mere story and \(taken )] TJ ET BT 34.016 398.837 Td /F1 12.0 Tf [(as given by many historians\) often containing many an ill-conceived, ahistorical, character creation. Far )] TJ ET BT 34.016 384.581 Td /F1 12.0 Tf [(better, it is thought, to till the historical soil in our primary sources, so as to capture the genuine essence of )] TJ ET BT 34.016 370.325 Td /F1 12.0 Tf [(the factual past and only then display the results in serious academic tomes and in serious academic )] TJ ET BT 34.016 356.069 Td /F1 12.0 Tf [(language. Yet both genres possibly still have much to learn from one another. Indeed if popular and just )] TJ ET BT 34.016 341.813 Td /F1 12.0 Tf [(occasionally academic history has become more novelistic in tone at times, then sometimes historical novels )] TJ ET BT 34.016 327.557 Td /F1 12.0 Tf [(have become more academically serious.)] TJ ET 0.000 0.000 0.800 rg BT 230.960 327.557 Td /F1 12.0 Tf [(\(4\))] TJ ET 0.24 w 0 J [ ] 0 d 230.960 326.163 m 244.952 326.163 l S 0.000 0.000 0.000 rg BT 34.016 301.301 Td /F1 12.0 Tf [(The idea of the Restoration period has been present in the historical novel genre for some time. It has never, )] TJ ET BT 34.016 287.045 Td /F1 12.0 Tf [(of course, been the most popular of periods for the historical novelist to explore -inevitably that palm lies )] TJ ET BT 34.016 272.789 Td /F1 12.0 Tf [(with the all-powerful Tudors, who alongside Romans and Nazis seemingly dominate the popular historical )] TJ ET BT 34.016 258.533 Td /F1 12.0 Tf [(imagination of students of all ages in all forms of the media. Having said this, there are some interesting )] TJ ET BT 34.016 244.277 Td /F1 12.0 Tf [(examples of the genre of Restoration historical novels in existence. Indeed the use of the Restoration period )] TJ ET BT 34.016 230.021 Td /F1 12.0 Tf [(as a vehicle for the novel has something of a history of its own that can still give us some perspective when )] TJ ET BT 34.016 215.765 Td /F1 12.0 Tf [(examining one particular example of the genre in the context of a new and serious academic work on the )] TJ ET BT 34.016 201.509 Td /F1 12.0 Tf [(period.)] TJ ET BT 34.016 175.253 Td /F1 12.0 Tf [(The ?founder? of the historical novel, Sir Walter Scott, actually set the ball rolling on the Restoration novel )] TJ ET BT 34.016 160.997 Td /F1 12.0 Tf [(by setting one of his more unreadable than usual books in the period. This was the aforementioned )] TJ ET BT 509.948 160.997 Td /F2 12.0 Tf [(Peveril of )] TJ ET BT 34.016 146.741 Td /F2 12.0 Tf [(the Peak)] TJ ET BT 75.668 146.741 Td /F1 12.0 Tf [(, wherein Scott crashed about the period with improbable settings and even more improbable )] TJ ET BT 34.016 132.485 Td /F1 12.0 Tf [(characters and their unlikely dialogue, doing unhistorical things in a singularly ponderous manner. Others )] TJ ET BT 34.016 118.229 Td /F1 12.0 Tf [(soon followed his lead.)] TJ ET BT 34.016 91.973 Td /F1 12.0 Tf [(Rose Tremain?s novel )] TJ ET BT 144.332 91.973 Td /F2 12.0 Tf [(Restoration)] TJ ET BT 200.336 91.973 Td /F1 12.0 Tf [( is not Scott by any means; it is very readable for one thing, has engaging )] TJ ET BT 34.016 77.717 Td /F1 12.0 Tf [(characters and is not that improbable in its story.)] TJ ET 0.000 0.000 0.800 rg BT 267.656 77.717 Td /F1 12.0 Tf [(\(5\))] TJ ET 0.24 w 0 J [ ] 0 d 267.656 76.323 m 281.648 76.323 l S 0.000 0.000 0.000 rg BT 281.648 77.717 Td /F1 12.0 Tf [( Nor is it a pot-boiler or bodice-ripper romance )] TJ ET BT 510.596 77.717 Td /F2 12.0 Tf [(a la)] TJ ET BT 34.016 63.461 Td /F1 12.0 Tf [(Kathleen Winsor?s )] TJ ET BT 128.660 63.461 Td /F2 12.0 Tf [(Forever Amber)] TJ ET BT 202.304 63.461 Td /F1 12.0 Tf [( \(1944\). Instead it is really a novel about ideas, which happens to be set in )] TJ ET BT 34.016 49.205 Td /F1 12.0 Tf [(the past, and it can lead us to ponder and then go on to explore many of these ideas in a genuine historical )] TJ ET endstream endobj 16 0 obj [14 0 R /Fit] endobj 17 0 obj << /Type /Annot /Subtype /Link /A 18 0 R /Border [0 0 0] /H /I /Rect [ 471.9197 633.3415 485.9117 645.2215 ] >> endobj 18 0 obj << /Type /Action >> endobj 19 0 obj [14 0 R /Fit] endobj 20 0 obj << /Type /Annot /Subtype /Link /A 21 0 R /Border [0 0 0] /H /I /Rect [ 113.3357 523.8055 127.3277 535.6855 ] >> endobj 21 0 obj << /Type /Action >> endobj 22 0 obj [14 0 R /Fit] endobj 23 0 obj << /Type /Annot /Subtype /Link /A 24 0 R /Border [0 0 0] /H /I /Rect [ 537.9077 495.2935 551.8997 507.1735 ] >> endobj 24 0 obj << /Type /Action >> endobj 25 0 obj [14 0 R /Fit] endobj 26 0 obj << /Type /Annot /Subtype /Link /A 27 0 R /Border [0 0 0] /H /I /Rect [ 230.9597 326.4775 244.9517 338.3575 ] >> endobj 27 0 obj << /Type /Action >> endobj 28 0 obj [14 0 R /Fit] endobj 29 0 obj << /Type /Annot /Subtype /Link /A 30 0 R /Border [0 0 0] /H /I /Rect [ 267.6557 76.6375 281.6477 88.5175 ] >> endobj 30 0 obj << /Type /Action >> endobj 31 0 obj << /Type /Page /Parent 3 0 R /Annots [ 34 0 R 37 0 R ] /Contents 32 0 R >> endobj 32 0 obj << /Length 6283 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(context, which is perhaps what the really good historical novel should do.)] TJ ET 0.000 0.000 0.800 rg BT 387.644 796.469 Td /F1 12.0 Tf [(\(6\))] TJ ET 0.24 w 0 J [ ] 0 d 387.644 795.075 m 401.636 795.075 l S 0.000 0.000 0.000 rg BT 401.636 796.469 Td /F1 12.0 Tf [( Space naturally precludes an )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(examination of all of the ideas in this particular work. The novel covers many historical themes, from )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(Nonconformity in the character of Pearce, through the issue of gender, to ideas of madness and of science. )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(Clearly the suggestion of the very idea of the Restoration as aspirational is crucial to the novel. Robert )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(Merivel, the main protagonist, who has more than a touch of Samuel Pepys about him, aspires, after his )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(Candide-like adventures, to a restoration of his soul. A further theme, the idea of a historical burn-line in )] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(1660, presents the somewhat old-fashioned view that everything changed in May 1660 and nothing was ever )] TJ ET BT 34.016 696.677 Td /F1 12.0 Tf [(the same again.)] TJ ET BT 34.016 670.421 Td /F1 12.0 Tf [(Tremain?s view on this particular point is made clear through her main character?s statement that: ?The truth )] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(is that when the King restored, it was as if self-discipline and drudgery had exploded in clap of laughter. I )] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(became much too excited by and greedy for life to spend much of it at work. Women were cheaper than )] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(claret, so I drank women? \(p. 9\). This is the idea of the 1660s as the 1960s, or at least as the 1980s when the )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(novel was written: metaphorical and sometimes actual, wealth, sun, licentiousness and sex; but, of course, if )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(the 1960s and 1980s wasn?t really like the proverbial and mythical 1960s or 1980s, neither was the 1660s )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(like the mythical 1660s.)] TJ ET BT 34.016 558.629 Td /F1 12.0 Tf [(Intriguingly, though, in this novel, as in other Restoration novels, one of the real centres of gravity in the )] TJ ET BT 34.016 544.373 Td /F1 12.0 Tf [(work lies in the character of a real person: Charles II. The invented characters, interesting though they are, )] TJ ET BT 34.016 530.117 Td /F1 12.0 Tf [(move around a King whose own restoration is the political act in the title. It is also implied that it has )] TJ ET BT 34.016 515.861 Td /F1 12.0 Tf [(botched and unsatisfactory results, even for him. While Charles II is off stage for much of the novel, there is )] TJ ET BT 34.016 501.605 Td /F1 12.0 Tf [(little doubt that it is his character, or Tremain?s view of his character, that really dominates the work. He is )] TJ ET BT 34.016 487.349 Td /F1 12.0 Tf [(the novel?s )] TJ ET BT 91.340 487.349 Td /F2 12.0 Tf [(deus ex machina)] TJ ET BT 171.320 487.349 Td /F1 12.0 Tf [(. Why is there such a fascination with this particular monarch? For it might be )] TJ ET BT 34.016 473.093 Td /F1 12.0 Tf [(said that that one of the main characteristics of most Restoration-period novels is that they always tend to be )] TJ ET BT 34.016 458.837 Td /F1 12.0 Tf [(dominated by Charles II whatever their plot, just as the Tudor historical novel is dominated by Henry VIII or )] TJ ET BT 34.016 444.581 Td /F1 12.0 Tf [(Elizabeth I.)] TJ ET BT 34.016 418.325 Td /F1 12.0 Tf [(Of course, we know, or believe that we know, where we are with Charles II. He is, so any number of authors )] TJ ET BT 34.016 404.069 Td /F1 12.0 Tf [(have told us, a `personality?.)] TJ ET 0.000 0.000 0.800 rg BT 171.992 404.069 Td /F1 12.0 Tf [(\(7\))] TJ ET 0.24 w 0 J [ ] 0 d 171.992 402.675 m 185.984 402.675 l S 0.000 0.000 0.000 rg BT 185.984 404.069 Td /F1 12.0 Tf [( In popular culture Charles II remains a hale fellow well met sort of man, one )] TJ ET BT 34.016 389.813 Td /F1 12.0 Tf [(of us really, sometimes a sort of early Blairite ?pretty straight sort of guy?, with, for a king, the ?common )] TJ ET BT 34.016 375.557 Td /F1 12.0 Tf [(touch?. He was naturally a man with faults, but was also a lover of wine, women, dogs, song and pleasure )] TJ ET BT 34.016 361.301 Td /F1 12.0 Tf [(and who could dislike such a man as that? He was also a supporter of the theatre and it might be said that in )] TJ ET BT 34.016 347.045 Td /F1 12.0 Tf [(Restoration comedy is to be found a form of drama which the King?s personal life sometimes resembled. So, )] TJ ET BT 34.016 332.789 Td /F1 12.0 Tf [(if Charles II has been frequently depicted in the modern era as a generally all-round good fellow, as well as )] TJ ET BT 34.016 318.533 Td /F1 12.0 Tf [(occasionally a shrewd reader of men, as in ?Restoration?, we feel we ought to like him and, we are perhaps )] TJ ET BT 34.016 304.277 Td /F1 12.0 Tf [(meant to feel he would probably like us. It might be said, however, that this image is arguably a hangover of )] TJ ET BT 34.016 290.021 Td /F1 12.0 Tf [(the Charles II of the Arthur Bryant School of history. While the real Charles II actually was some of these )] TJ ET BT 34.016 275.765 Td /F1 12.0 Tf [(things, and even at the time he was portrayed as some of these things, he was also a lot more than this, as )] TJ ET BT 34.016 261.509 Td /F1 12.0 Tf [(historians have tried to explain. He was actually a complex and intelligent man living in a post-revolutionary )] TJ ET BT 34.016 247.253 Td /F1 12.0 Tf [(political and cultural environment and above all a survivor, not merely the caricature Nell Gwyn-chasing )] TJ ET BT 34.016 232.997 Td /F1 12.0 Tf [(?merry monarch?. However, for the real Charles and his political space we must always turn to the )] TJ ET BT 34.016 218.741 Td /F1 12.0 Tf [(historian?s view, which is where Matthew Jenkinson?s serious and genuinely weighty work of history can )] TJ ET BT 34.016 204.485 Td /F1 12.0 Tf [(help us.)] TJ ET endstream endobj 33 0 obj [31 0 R /Fit] endobj 34 0 obj << /Type /Annot /Subtype /Link /A 35 0 R /Border [0 0 0] /H /I /Rect [ 387.6437 795.3895 401.6357 807.2695 ] >> endobj 35 0 obj << /Type /Action >> endobj 36 0 obj [31 0 R /Fit] endobj 37 0 obj << /Type /Annot /Subtype /Link /A 38 0 R /Border [0 0 0] /H /I /Rect [ 171.9917 402.9895 185.9837 414.8695 ] >> endobj 38 0 obj << /Type /Action >> endobj 39 0 obj << /Type /Page /Parent 3 0 R /Contents 40 0 R >> endobj 40 0 obj << /Length 7059 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 784.469 Td /F1 12.0 Tf [(?For the King moves like God in our world, like Faith itself. He is a fount of beauty and power, of which we )] TJ ET BT 34.016 770.213 Td /F1 12.0 Tf [(all yearn, in our overheated hearts, to feel some cooling touch? notes Robert Merivel in the novel \(p. 24\). )] TJ ET BT 34.016 755.957 Td /F1 12.0 Tf [(Jenkinson takes a similar view of the Caroline Court, its culture and its monarch. The court, a space Merivel )] TJ ET BT 34.016 741.701 Td /F1 12.0 Tf [(continually aspires to, finds a minor place in and then is catastrophically cast out from, is vitally important to )] TJ ET BT 34.016 727.445 Td /F1 12.0 Tf [(Jenkinson?s work too. Merivel finds by the end of the book that the court was not worth that much anyway )] TJ ET BT 34.016 713.189 Td /F1 12.0 Tf [(and fortunately for him he is eventually given his own space to inhabit, but few of those who aspired to the )] TJ ET BT 34.016 698.933 Td /F1 12.0 Tf [(court at the time would have thought like this and they were eager to be there whatever the consequences for )] TJ ET BT 34.016 684.677 Td /F1 12.0 Tf [(themselves. In Jenkinson?s work the Restoration court image matches this significant historical nexus. For )] TJ ET BT 34.016 670.421 Td /F1 12.0 Tf [(Jenkinson?s is a sober view of this important institution, its inhabitants and its culture, and much more )] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(penetrating than Merivel?s.)] TJ ET BT 34.016 629.909 Td /F1 12.0 Tf [(For Jenkinson the central idea is of a court culture that is informed by and influenced by politics and in )] TJ ET BT 34.016 615.653 Td /F1 12.0 Tf [(which politics also influences culture and the nation. It is indeed the presentation of the king and his image )] TJ ET BT 34.016 601.397 Td /F1 12.0 Tf [(within the contemporary multiple voices of culture. The book is located around a Restoration court that was )] TJ ET BT 34.016 587.141 Td /F1 12.0 Tf [(politicized in its many forms including its artefacts. The court contained ideas on kingship, on performance, )] TJ ET BT 34.016 572.885 Td /F1 12.0 Tf [(on faction and on contemporary disagreement, as well as the distrust of philosophies. It was also a )] TJ ET BT 34.016 558.629 Td /F1 12.0 Tf [(problematic space. Following the failed republic, the court was part of a much needed political stabilisation )] TJ ET BT 34.016 544.373 Td /F1 12.0 Tf [(in the period, but it was continually undercut by cultural interests that stressed negativity, advice and )] TJ ET BT 34.016 530.117 Td /F1 12.0 Tf [(challenge. This was significant. For argues Jenkinson the ?order and health of the nation was reliant on, )] TJ ET BT 34.016 515.861 Td /F1 12.0 Tf [(symptomatic of and a reflection of that of the royal court? \(p. 213\) Underneath the pleasurable veneer of the )] TJ ET BT 34.016 501.605 Td /F1 12.0 Tf [(Restoration court therefore stood both severe uncertainty and a ?lively interrogation? of the issues of the )] TJ ET BT 34.016 487.349 Td /F1 12.0 Tf [(court: ?virtue, love, loyalty, reason, authority and ? honour? had to be interrogated \(p. 236\) The monarch )] TJ ET BT 34.016 473.093 Td /F1 12.0 Tf [(who compromised these political/cultural elements was Charles II. The King, by his indulgence of both )] TJ ET BT 34.016 458.837 Td /F1 12.0 Tf [(himself and his courtiers, was in the end exactly what was not what was needed, for his reported actions only )] TJ ET BT 34.016 444.581 Td /F1 12.0 Tf [(emphasised the fears of disorder in the realm; the same fears, of course, that are primary to understanding )] TJ ET BT 34.016 430.325 Td /F1 12.0 Tf [(the early modern psyche.)] TJ ET BT 34.016 404.069 Td /F1 12.0 Tf [(Chapter two of the book goes on to explore the features of the court in the early Restoration, the first being a )] TJ ET BT 34.016 389.813 Td /F1 12.0 Tf [(rhetorical commitment to the law as evinced by the executions of the regicides. Jenkinson then examines the )] TJ ET BT 34.016 375.557 Td /F1 12.0 Tf [(role of churchmen at court and the role of the author John Crowne; he discusses the court wits in chapter five )] TJ ET BT 34.016 361.301 Td /F1 12.0 Tf [(and John Dryden in chapter six as a court poet \(though not in the sense that Rochester had been\), alongside )] TJ ET BT 34.016 347.045 Td /F1 12.0 Tf [(sections on Tory discontent at court, printed propaganda and the ?empty atmosphere? of the last days of the )] TJ ET BT 34.016 332.789 Td /F1 12.0 Tf [(court of Charles II after the ?second Restoration? of the 1680s. It is a rich and finely detailed mix for the )] TJ ET BT 34.016 318.533 Td /F1 12.0 Tf [(reader to interrogate and gives us a good understanding of the cultural ambience and the cultural )] TJ ET BT 34.016 304.277 Td /F1 12.0 Tf [(ambivalences of the court. If the entire Restoration court experience has, it is argued, implications for the )] TJ ET BT 34.016 290.021 Td /F1 12.0 Tf [(health of the body politic then indeed the ideas of ?words and meanings? of the courtiers and their king need )] TJ ET BT 34.016 275.765 Td /F1 12.0 Tf [(to be deconstructed.)] TJ ET BT 34.016 249.509 Td /F1 12.0 Tf [(In many senses therefore the historical work parallels that of the novel; it too is about ideas. The court )] TJ ET BT 34.016 235.253 Td /F1 12.0 Tf [(however has moved away from prurient interests in disorder and sexual libertinism that we find to some )] TJ ET BT 34.016 220.997 Td /F1 12.0 Tf [(extent in the novel, into something more. The court was the central organisation of the new state in the )] TJ ET BT 34.016 206.741 Td /F1 12.0 Tf [(1660s, and if it was dysfunctional then so was the state itself. As Jenkinson puts it, the court should be )] TJ ET BT 34.016 192.485 Td /F1 12.0 Tf [(viewed as ?a political institution to be taken seriously, whose vibrant cultural life could be used to navigate )] TJ ET BT 34.016 178.229 Td /F1 12.0 Tf [(contemporary political complexities? \(p. 7\). Here then is the nub of the issue: for while the historical novel )] TJ ET BT 34.016 163.973 Td /F1 12.0 Tf [(can in the end only ever deal with surface and story, the historical work can probe deeply into the heart of )] TJ ET BT 34.016 149.717 Td /F1 12.0 Tf [(the court?s problems. Yet, for all of this there is still arguably room for both versions, for used wisely the )] TJ ET BT 34.016 135.461 Td /F1 12.0 Tf [(one can provoke questions of the other. As Scott the author noted long ago:)] TJ ET BT 34.016 109.205 Td /F1 12.0 Tf [(?The stores of history are accessible to everyone; and are no more exhausted or impoverished by the hints )] TJ ET BT 34.016 94.949 Td /F1 12.0 Tf [(thus borrowed from them, than the fountain is drained by the water which we subtract for domestic purposes. )] TJ ET BT 34.016 80.693 Td /F1 12.0 Tf [(And in reply to the sober charge of falsehood, against a narrative announced positively to be fictitious, one )] TJ ET BT 34.016 66.437 Td /F1 12.0 Tf [(can only answer by Prior?s exclamation)] TJ ET endstream endobj 41 0 obj << /Type /Page /Parent 3 0 R /Annots [ 44 0 R 46 0 R 48 0 R 50 0 R 52 0 R 54 0 R 56 0 R 58 0 R 60 0 R 62 0 R 64 0 R 66 0 R ] /Contents 42 0 R >> endobj 42 0 obj << /Length 5982 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 64.016 772.469 Td /F1 12.0 Tf [(?Odzooks, must one swear to the truth of a song!?.)] TJ ET 0.000 0.000 0.800 rg BT 307.640 772.469 Td /F1 12.0 Tf [(\(8\))] TJ ET 0.24 w 0 J [ ] 0 d 307.640 771.075 m 321.632 771.075 l S 0.000 0.000 0.000 rg BT 34.016 725.571 Td /F3 18.0 Tf [(Notes)] TJ ET BT 48.816 694.954 Td /F1 12.0 Tf [(1.)] TJ ET BT 64.016 694.949 Td /F1 12.0 Tf [(Sir Walter Scott, )] TJ ET BT 147.344 694.949 Td /F2 12.0 Tf [(Peveril of the Peak)] TJ ET BT 238.988 694.949 Td /F1 12.0 Tf [( \(2 vols., 1836 ed.\), I, p.x?xi.)] TJ ET 0.000 0.000 0.800 rg BT 377.972 694.949 Td /F1 12.0 Tf [(Back to \(1\))] TJ ET 0.24 w 0 J [ ] 0 d 377.972 693.555 m 431.960 693.555 l S 0.000 0.000 0.000 rg BT 48.816 680.698 Td /F1 12.0 Tf [(2.)] TJ ET BT 64.016 680.693 Td /F2 12.0 Tf [(ibid)] TJ ET BT 82.688 680.693 Td /F1 12.0 Tf [(.,I, p.xii.)] TJ ET 0.000 0.000 0.800 rg BT 123.356 680.693 Td /F1 12.0 Tf [(Back to \(2\))] TJ ET 0.24 w 0 J [ ] 0 d 123.356 679.299 m 177.344 679.299 l S 0.000 0.000 0.000 rg BT 48.816 666.442 Td /F1 12.0 Tf [(3.)] TJ ET BT 64.016 666.437 Td /F1 12.0 Tf [(See Jerome de Groot, )] TJ ET BT 170.324 666.437 Td /F2 12.0 Tf [(The Historical Novel)] TJ ET BT 270.992 666.437 Td /F1 12.0 Tf [( \(Abingdon, 2010\).)] TJ ET 0.000 0.000 0.800 rg BT 362.984 666.437 Td /F1 12.0 Tf [(Back to \(3\))] TJ ET 0.24 w 0 J [ ] 0 d 362.984 665.043 m 416.972 665.043 l S 0.000 0.000 0.000 rg BT 48.816 652.186 Td /F1 12.0 Tf [(4.)] TJ ET BT 64.016 652.181 Td /F1 12.0 Tf [(One example would be Hilary Mantel, )] TJ ET BT 251.648 652.181 Td /F2 12.0 Tf [(Wolf Hall)] TJ ET BT 298.652 652.181 Td /F1 12.0 Tf [( \(London, 2009\).)] TJ ET 0.000 0.000 0.800 rg BT 379.976 652.181 Td /F1 12.0 Tf [(Back to \(4\))] TJ ET 0.24 w 0 J [ ] 0 d 379.976 650.787 m 433.964 650.787 l S 0.000 0.000 0.000 rg BT 48.816 637.930 Td /F1 12.0 Tf [(5.)] TJ ET BT 64.016 637.925 Td /F1 12.0 Tf [(Having said this, as so often in historical fiction the timescale within this novel jars to the historian?s )] TJ ET BT 64.016 623.669 Td /F1 12.0 Tf [(eye. The novel is set c.1660?7, but these years are telescoped and extended apparently to suit the plot.)] TJ ET 0.000 0.000 0.800 rg BT 64.016 609.413 Td /F1 12.0 Tf [(Back to \(5\))] TJ ET 0.24 w 0 J [ ] 0 d 64.016 608.019 m 118.004 608.019 l S 0.000 0.000 0.000 rg BT 48.816 595.162 Td /F1 12.0 Tf [(6.)] TJ ET BT 64.016 595.157 Td /F1 12.0 Tf [(Of course, in the end the novel is an entertainment and many reading it will be content with this )] TJ ET BT 64.016 580.901 Td /F1 12.0 Tf [(pleasure alone.)] TJ ET 0.000 0.000 0.800 rg BT 135.992 580.901 Td /F1 12.0 Tf [(Back to \(6\))] TJ ET 0.24 w 0 J [ ] 0 d 135.992 579.507 m 189.980 579.507 l S 0.000 0.000 0.000 rg BT 48.816 566.650 Td /F1 12.0 Tf [(7.)] TJ ET BT 64.016 566.645 Td /F1 12.0 Tf [(Modern approaches, both academic and popular, to Charles II can be found in R. Hutton, )] TJ ET BT 494.264 566.645 Td /F2 12.0 Tf [(Charles II: )] TJ ET BT 64.016 552.389 Td /F2 12.0 Tf [(King of England, Scotland and Ireland)] TJ ET BT 250.688 552.389 Td /F1 12.0 Tf [( \(Oxford, 1989\); R. Hutton)] TJ ET BT 380.012 552.389 Td /F2 12.0 Tf [(Debates in Stuart History)] TJ ET BT 64.016 538.133 Td /F1 12.0 Tf [(\(Basingstoke, 2004\), pp.132-170; T. Harris, )] TJ ET BT 277.328 538.133 Td /F2 12.0 Tf [(Restoration: Charles II and His Kingdoms, 1660-1685)] TJ ET BT 539.660 538.133 Td /F1 12.0 Tf [( \(St )] TJ ET BT 64.016 523.877 Td /F1 12.0 Tf [(Ives, 2005\); A. Keay, )] TJ ET BT 170.324 523.877 Td /F2 12.0 Tf [(The Magnificent Monarch: Charles II and the Ceremonies of Power)] TJ ET BT 497.960 523.877 Td /F1 12.0 Tf [(\(London, )] TJ ET BT 64.016 509.621 Td /F1 12.0 Tf [(2008\) and Jenny Uglow, )] TJ ET BT 185.000 509.621 Td /F2 12.0 Tf [(A Gambling Man: Charles II and the Restoration)] TJ ET BT 421.988 509.621 Td /F1 12.0 Tf [( \(London, 2009\).)] TJ ET 0.000 0.000 0.800 rg BT 503.312 509.621 Td /F1 12.0 Tf [(Back to \(7\))] TJ ET 0.24 w 0 J [ ] 0 d 503.312 508.227 m 557.300 508.227 l S 0.000 0.000 0.000 rg BT 48.816 495.370 Td /F1 12.0 Tf [(8.)] TJ ET BT 64.016 495.365 Td /F2 12.0 Tf [(Peveril)] TJ ET BT 98.672 495.365 Td /F1 12.0 Tf [(, I, p.xii.)] TJ ET 0.000 0.000 0.800 rg BT 139.340 495.365 Td /F1 12.0 Tf [(Back to \(8\))] TJ ET 0.24 w 0 J [ ] 0 d 139.340 493.971 m 193.328 493.971 l S 0.000 0.000 0.000 rg BT 34.016 469.109 Td /F3 12.0 Tf [(Other reviews:)] TJ ET BT 34.016 454.853 Td /F1 12.0 Tf [(Stage)] TJ ET 0.000 0.000 0.800 rg BT 34.016 440.597 Td /F1 12.0 Tf [(http://www.thestage.co.uk/reviews/review.php/24066/restoration)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 439.203 m 345.980 439.203 l S 0.000 0.000 0.000 rg BT 348.980 440.597 Td /F1 12.0 Tf [([3])] TJ ET BT 34.016 426.341 Td /F1 12.0 Tf [(History Today)] TJ ET 0.000 0.000 0.800 rg BT 34.016 412.085 Td /F1 12.0 Tf [(http://www.historytoday.com/blog/books-blog/kevin-sharpe/culture-and-politics-court-charles-ii)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 410.691 m 497.300 410.691 l S 0.000 0.000 0.000 rg BT 500.300 412.085 Td /F1 12.0 Tf [([4])] TJ ET 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 407.359 526.499 1.500 re S BT 34.016 389.579 Td /F3 12.0 Tf [(Source URL:)] TJ ET 0.000 0.000 0.800 rg BT 104.672 389.579 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews/review/1176)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 104.672 388.185 m 328.316 388.185 l S 0.000 0.000 0.000 rg BT 34.016 363.208 Td /F3 12.0 Tf [(Links:)] TJ ET BT 34.016 348.808 Td /F1 12.0 Tf [([1] http://www.history.ac.uk/reviews/item/7829)] TJ ET BT 34.016 334.408 Td /F1 12.0 Tf [([2] http://www.history.ac.uk/reviews/item/7828)] TJ ET BT 34.016 320.008 Td /F1 12.0 Tf [([3] http://www.thestage.co.uk/reviews/review.php/24066/restoration)] TJ ET BT 34.016 305.608 Td /F1 12.0 Tf [([4] http://www.historytoday.com/blog/books-blog/kevin-sharpe/culture-and-politics-court-charles-ii)] TJ ET endstream endobj 43 0 obj [41 0 R /Fit] endobj 44 0 obj << /Type /Annot /Subtype /Link /A 45 0 R /Border [0 0 0] /H /I /Rect [ 307.6397 771.3895 321.6317 783.2695 ] >> endobj 45 0 obj << /Type /Action >> endobj 46 0 obj << /Type /Annot /Subtype /Link /A 47 0 R /Border [0 0 0] /H /I /Rect [ 377.9717 693.8695 431.9597 705.7495 ] >> endobj 47 0 obj << /Type /Action /S /GoTo /D 16 0 R >> endobj 48 0 obj << /Type /Annot /Subtype /Link /A 49 0 R /Border [0 0 0] /H /I /Rect [ 123.3557 679.6135 177.3437 691.4935 ] >> endobj 49 0 obj << /Type /Action /S /GoTo /D 19 0 R >> endobj 50 0 obj << /Type /Annot /Subtype /Link /A 51 0 R /Border [0 0 0] /H /I /Rect [ 362.9837 665.3575 416.9717 677.2375 ] >> endobj 51 0 obj << /Type /Action /S /GoTo /D 22 0 R >> endobj 52 0 obj << /Type /Annot /Subtype /Link /A 53 0 R /Border [0 0 0] /H /I /Rect [ 379.9757 651.1015 433.9637 662.9815 ] >> endobj 53 0 obj << /Type /Action /S /GoTo /D 25 0 R >> endobj 54 0 obj << /Type /Annot /Subtype /Link /A 55 0 R /Border [0 0 0] /H /I /Rect [ 64.0157 608.3335 118.0037 620.2135 ] >> endobj 55 0 obj << /Type /Action /S /GoTo /D 28 0 R >> endobj 56 0 obj << /Type /Annot /Subtype /Link /A 57 0 R /Border [0 0 0] /H /I /Rect [ 135.9917 579.8215 189.9797 591.7015 ] >> endobj 57 0 obj << /Type /Action /S /GoTo /D 33 0 R >> endobj 58 0 obj << /Type /Annot /Subtype /Link /A 59 0 R /Border [0 0 0] /H /I /Rect [ 503.3117 508.5415 557.2997 520.4215 ] >> endobj 59 0 obj << /Type /Action /S /GoTo /D 36 0 R >> endobj 60 0 obj << /Type /Annot /Subtype /Link /A 61 0 R /Border [0 0 0] /H /I /Rect [ 139.3397 494.2855 193.3277 506.1655 ] >> endobj 61 0 obj << /Type /Action /S /GoTo /D 43 0 R >> endobj 62 0 obj << /Type /Annot /Subtype /Link /A 63 0 R /Border [0 0 0] /H /I /Rect [ 34.0157 439.5175 345.9797 451.3975 ] >> endobj 63 0 obj << /Type /Action /S /URI /URI (http://www.thestage.co.uk/reviews/review.php/24066/restoration) >> endobj 64 0 obj << /Type /Annot /Subtype /Link /A 65 0 R /Border [0 0 0] /H /I /Rect [ 34.0157 411.0055 497.2997 422.8855 ] >> endobj 65 0 obj << /Type /Action /S /URI /URI (http://www.historytoday.com/blog/books-blog/kevin-sharpe/culture-and-politics-court-charles-ii) >> endobj 66 0 obj << /Type /Annot /Subtype /Link /A 67 0 R /Border [0 0 0] /H /I /Rect [ 104.6717 388.4995 328.3157 400.3795 ] >> endobj 67 0 obj << /Type /Action /S /URI /URI (http://www.history.ac.uk/reviews/review/1176) >> endobj xref 0 68 0000000000 65535 f 0000000008 00000 n 0000000073 00000 n 0000000119 00000 n 0000000349 00000 n 0000000386 00000 n 0000000564 00000 n 0000000646 00000 n 0000003251 00000 n 0000003360 00000 n 0000003470 00000 n 0000003579 00000 n 0000007140 00000 n 0000007268 00000 n 0000007352 00000 n 0000007464 00000 n 0000015163 00000 n 0000015193 00000 n 0000015321 00000 n 0000015357 00000 n 0000015387 00000 n 0000015515 00000 n 0000015551 00000 n 0000015581 00000 n 0000015709 00000 n 0000015745 00000 n 0000015775 00000 n 0000015903 00000 n 0000015939 00000 n 0000015969 00000 n 0000016095 00000 n 0000016131 00000 n 0000016222 00000 n 0000022558 00000 n 0000022588 00000 n 0000022716 00000 n 0000022752 00000 n 0000022782 00000 n 0000022910 00000 n 0000022946 00000 n 0000023011 00000 n 0000030123 00000 n 0000030284 00000 n 0000036319 00000 n 0000036349 00000 n 0000036477 00000 n 0000036513 00000 n 0000036641 00000 n 0000036696 00000 n 0000036824 00000 n 0000036879 00000 n 0000037007 00000 n 0000037062 00000 n 0000037190 00000 n 0000037245 00000 n 0000037372 00000 n 0000037427 00000 n 0000037555 00000 n 0000037610 00000 n 0000037738 00000 n 0000037793 00000 n 0000037921 00000 n 0000037976 00000 n 0000038103 00000 n 0000038217 00000 n 0000038344 00000 n 0000038490 00000 n 0000038618 00000 n trailer << /Size 68 /Root 1 0 R /Info 5 0 R >> startxref 38714 %%EOF