%PDF-1.3 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 20 0 R 22 0 R 24 0 R 29 0 R 34 0 R ] /Count 6 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R >> /XObject << /I1 11 0 R >> >> /MediaBox [0.000 0.000 595.280 841.890] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Creator (DOMPDF) /CreationDate (D:20140417052026+01'00') /ModDate (D:20140417052026+01'00') /Title (The Inspirational Genius of Germany: British Art and Germanism, 1850-1939) >> endobj 6 0 obj << /Type /Page /Parent 3 0 R /Annots [ 12 0 R 15 0 R 18 0 R ] /Contents 7 0 R >> endobj 7 0 obj << /Length 4345 >> stream q 381.750 0 0 120.000 34.016 687.874 cm /I1 Do Q 0.000 0.000 0.000 rg BT 34.016 676.469 Td /F1 12.0 Tf [(Published on )] TJ ET BT 99.356 676.469 Td /F2 12.0 Tf [(Reviews in History)] TJ ET BT 190.016 676.469 Td /F1 12.0 Tf [( \()] TJ ET 0.000 0.000 0.800 rg BT 197.012 676.469 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 197.012 675.075 m 357.332 675.075 l S 0.000 0.000 0.000 rg BT 357.332 676.469 Td /F1 12.0 Tf [(\))] TJ ET 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 653.743 526.499 1.500 re S BT 34.016 615.321 Td /F3 18.0 Tf [(The Inspirational Genius of Germany: British Art and Germanism, )] TJ ET BT 34.016 593.937 Td /F3 18.0 Tf [(1850-1939)] TJ ET BT 34.016 237.683 Td /F1 12.0 Tf [(As Jan Rger suggested in his 2011 review article ?Revisiting the Anglo-German antagonism?, since 2000 )] TJ ET BT 34.016 223.427 Td /F1 12.0 Tf [(almost every aspect of the history of Anglo-German relations has been reassessed and re-examined as a story )] TJ ET BT 34.016 209.171 Td /F1 12.0 Tf [(not of increasing and inevitable antagonism, but of a much more complex process. Dozens of articles, )] TJ ET BT 34.016 194.915 Td /F1 12.0 Tf [(monographs and dissertations have appeared to challenge Paul Kennedy?s influential )] TJ ET BT 445.940 194.915 Td /F2 12.0 Tf [(Rise of the Anglo-)] TJ ET BT 34.016 180.659 Td /F2 12.0 Tf [(German Antagonism)] TJ ET BT 133.676 180.659 Td /F1 12.0 Tf [(, and to show how Britons did not conceive of Germany and the Germans as ?the )] TJ ET BT 34.016 166.403 Td /F1 12.0 Tf [(Other? until comparatively late, and continued to hold Germany in very high regard well into moments of )] TJ ET BT 34.016 152.147 Td /F1 12.0 Tf [(supposed diplomatic or military antagonism.)] TJ ET 0.000 0.000 0.800 rg BT 248.348 152.147 Td /F1 12.0 Tf [(\(1\))] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 248.348 150.753 m 262.340 150.753 l S 0.000 0.000 0.000 rg BT 262.340 152.147 Td /F1 12.0 Tf [( As such, Rger \(rather flippantly\) claimed that we now )] TJ ET BT 34.016 137.891 Td /F1 12.0 Tf [(know ?almost everything one could ever want to know about Anglo-German bakers and butchers, )] TJ ET BT 34.016 123.635 Td /F1 12.0 Tf [(industrialists and engineers, professors and students, gymnasts and footballers, missionaries and musicians, )] TJ ET BT 34.016 109.379 Td /F1 12.0 Tf [(hairdressers and waiters, bankers and managers, urban planners and architects, printers and publishers, poets )] TJ ET BT 34.016 95.123 Td /F1 12.0 Tf [(and novelists?.)] TJ ET 0.000 0.000 0.800 rg BT 105.344 95.123 Td /F1 12.0 Tf [(\(2\))] TJ ET 0.24 w 0 J [ ] 0 d 105.344 93.729 m 119.336 93.729 l S 0.000 0.000 0.000 rg BT 34.016 68.867 Td /F1 12.0 Tf [(To that list, Matthew C. Potter has added artists and works of art. He has therefore plugged one of the few )] TJ ET BT 34.016 54.611 Td /F1 12.0 Tf [(remaining gaps in the literature, and has done so in excellent style, with a very good sense of the broader )] TJ ET BT 34.016 563.315 Td /F3 12.0 Tf [(Review Number:)] TJ ET BT 34.016 549.059 Td /F1 12.0 Tf [(1414)] TJ ET BT 34.016 534.803 Td /F3 12.0 Tf [(Publish date:)] TJ ET BT 34.016 520.547 Td /F1 12.0 Tf [(Thursday, 9 May, 2013)] TJ ET BT 34.016 506.291 Td /F3 12.0 Tf [(Author:)] TJ ET BT 34.016 492.035 Td /F1 12.0 Tf [(Matthew Potter)] TJ ET BT 34.016 477.779 Td /F3 12.0 Tf [(ISBN:)] TJ ET BT 34.016 463.523 Td /F1 12.0 Tf [(9780719087127)] TJ ET BT 34.016 449.267 Td /F3 12.0 Tf [(Date of Publication:)] TJ ET BT 34.016 435.011 Td /F1 12.0 Tf [(2012)] TJ ET BT 34.016 420.755 Td /F3 12.0 Tf [(Price:)] TJ ET BT 34.016 406.499 Td /F1 12.0 Tf [(60.00)] TJ ET BT 34.016 392.243 Td /F3 12.0 Tf [(Pages:)] TJ ET BT 34.016 377.987 Td /F1 12.0 Tf [(320pp.)] TJ ET BT 34.016 363.731 Td /F3 12.0 Tf [(Publisher:)] TJ ET BT 34.016 349.475 Td /F1 12.0 Tf [(Manchester University Press)] TJ ET BT 34.016 335.219 Td /F3 12.0 Tf [(Publisher url:)] TJ ET BT 34.016 320.963 Td /F1 12.0 Tf [(http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719087127)] TJ ET BT 34.016 306.707 Td /F3 12.0 Tf [(Place of Publication:)] TJ ET BT 34.016 292.451 Td /F1 12.0 Tf [(Manchester)] TJ ET BT 34.016 278.195 Td /F3 12.0 Tf [(Reviewer:)] TJ ET BT 34.016 263.939 Td /F1 12.0 Tf [(Richard Scully)] TJ ET endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Italic /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /XObject /Subtype /Image /Width 509 /Height 160 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 3 /Columns 509 /BitsPerComponent 8>> /Mask [ 255 255 255 255 255 255 ] /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 3280>> stream x[EQ㎦fVttҒ +3O{?lGDQԯDrB^.ϯ%~'0۠/2>0AG_>0j0GCfE67>rB^}@  !&y+r?INp:erc b8f=rQC!~-Wf^^zF[)G 2ޯe7V_Go3Ke GEGOo8rώ#\1ZY~N6^H}yLxS-!:412V+u\-LSO?xVvZ|GjǮT_8EYJF=Tw^ 7GxfN/S:Ʌ~ʟtt?5n÷J'JcF-GVξx{rO~tJd;#a\7}|~y'>}c2C vR}f׈**h.)_&@pfzjsx:5;S\vKhM5j=!Cn+h"u]a EUN]jn=k<,:Ք>sU!ni~6EJ)¦72?G}[y}_vc$t?iSܟ2Zݞ,VN?_`='RFK1A2qv&X_lLRWY'%:I㢖zb_UEx\>&ɆBˏ~K@ \gYØU4}$8Dv!'Q'*+Εj(UCGo[#< 2Ja(sZi9fZKE Rn`u\9r^Zmɯ׹}mstO4uc~#'jEvۼ Dx[z ޏQ4KL5,5u3>i^uÒ-53ba ~,~/pyt1fMU'CVm:qv~=Y'Es"WsφG?l_kN5}],Ow7 uh`xƫ?zMl7ٻv$A(4Dl(wwH} ?=[=S;yC]^BK>㕪9`Z'Wj;E|:bf>kCԘ#RY,iv쵗~}n'"1u" *uO΄/2^Sxr(!/DD\~mJyZ!MmrA!#u[if|99WB WΡpp}w}sh#,\ &:%˳X?D3 %W0cC?o̲^} F3XLVn]Cߖiϧ!7}yZJ#P7]=)7Ρp;>> Ye^xx{Oafw{ ;>4gfLt ʊ:q%#r/)pv!O4wGh|dS ӣݽހ-gVUC'pBxrB^} 7JA^} /'8!`:r?}}],X  }6y!`/~Br?}Q< >k7vx"] ,' .3jn{-i}|~%-};b6#U)7繎kiEw 㤳:E}[޼c"rꬊ7Dc$~"/Y&zSd:tFȌCrʙ`7u .#[-<)j ?TGS(j~oTup(hjU4PlJ=}|it.ҽ@\wʨuXÞZcx18Wo<~ikOg,ވ\^?EneyZcc0[R١z|zv7_m:_n]a?osS3~j^ hD.a_X'KfBX6w wݶ"Oa:,bvhrWH[uCF-Xfc}>x+Rz)2N-B 7y^٨;[/vg? | |2Sve}=o䑰j[vWjF0{굦?VI~}xM(_TlG__+]:#к?S} c>GŸD7 !w{S{B =x7a?oE#)+Gz:o_4Q<;n?\tt7?mGCџQGu4kņOF>F?#} hP&ђߴM#u!.СtL2^#o nIk_i.~7tr@n 1P~3?.[]=S5b߮~Yo^HFH YBi8a4iom>CKgMy*;?zqEӕ` >zB9iFzC?XF?ޟIܰ펉A}{I5ᄊx%ez#Mp@rߎpi]IOVjzuJt\۰f׺u5><,J~PTJp1)}){9N {!`/> endstream endobj 12 0 obj << /Type /Annot /Subtype /Link /A 13 0 R /Border [0 0 0] /H /I /Rect [ 197.0117 675.3895 357.3317 687.2695 ] >> endobj 13 0 obj << /Type /Action /S /URI /URI (http://www.history.ac.uk/reviews) >> endobj 14 0 obj [6 0 R /Fit] endobj 15 0 obj << /Type /Annot /Subtype /Link /A 16 0 R /Border [0 0 0] /H /I /Rect [ 248.3477 151.0675 262.3397 162.9475 ] >> endobj 16 0 obj << /Type /Action >> endobj 17 0 obj [6 0 R /Fit] endobj 18 0 obj << /Type /Annot /Subtype /Link /A 19 0 R /Border [0 0 0] /H /I /Rect [ 105.3437 94.0435 119.3357 105.9235 ] >> endobj 19 0 obj << /Type /Action >> endobj 20 0 obj << /Type /Page /Parent 3 0 R /Contents 21 0 R >> endobj 21 0 obj << /Length 7619 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(intellectual history of his chosen period. However, in producing this admirable and entertaining work, Potter )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(has essentially been working in parallel to the current trends in the historiography of Anglo-German )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(relations identified by Rger, rather than taking advantage of these to produce a more holistic history. Potter )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(is well-informed on the current state of art historiography ? and frames his book in those terms ? but, beyond )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(that, his bibliography is limited to the much older literature on British relations with Germany and the )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(Germans in the chosen time-period. Works by Rosemary Ashton and Paul Kennedy \(both first published in )] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(1980\) are taken as authoritative, despite the quite enormous shifts in the field since those foundational texts )] TJ ET BT 34.016 696.677 Td /F1 12.0 Tf [(appeared over three decades ago. This does not overly detract from what Potter has produced, but it does )] TJ ET BT 34.016 682.421 Td /F1 12.0 Tf [(make one wonder what he might have been able to achieve had he been more aware of work outside the )] TJ ET BT 34.016 668.165 Td /F1 12.0 Tf [(confines of his ?home? discipline.)] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(Potter begins with a simple, but very persuasive, premise; the kind of thesis which has animated so much of )] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(the recent literature on Anglo-German relations. This is that the turmoil of the two world wars of the 20th )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(century \(to which Potter adds the ?third? ? the Cold War\) has blinded artists and art-historians to the sheer )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(importance of the Anglo-German connections that existed before that period of antagonism, and particularly )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(in the 19th century. In a well-crafted and critical appreciation of the historiography, he points to the way )] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(Germany and German art were written out of the mainstream story of artistic development in the modern )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(period, in much the same way that the Victorians were deemed to be ?kitsch? \(p. 2\) rather than significant. )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(He pins this deliberate neglect of German art on a few notable critics and historians of the mid-century ? )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(notably Clement Greenberg and Roger Fry ? but also perceives the manner in which this dominant way of )] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(thinking has been problematised and destabilised by scholars of more recent times \(Elizabeth Prettejohn and )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(Paul Barlow\). Potter takes up the methods discerned by these more recent scholars and extends them into a )] TJ ET BT 34.016 485.093 Td /F1 12.0 Tf [(constructive historical project: simultaneously addressing the neglect of German art and aesthetic ideas, )] TJ ET BT 34.016 470.837 Td /F1 12.0 Tf [(rather than simply pointing out this neglect and the reasons for it.)] TJ ET BT 34.016 444.581 Td /F1 12.0 Tf [(What is most impressive about this introductory chapter is the way Potter situates his appreciation of art )] TJ ET BT 34.016 430.325 Td /F1 12.0 Tf [(history within the wider political, diplomatic, and intellectual history of Anglo-German interactions. As )] TJ ET BT 34.016 416.069 Td /F1 12.0 Tf [(such, the reader is piloted through the various keynotes of Anglo-German intellectual history, with Potter?s )] TJ ET BT 34.016 401.813 Td /F1 12.0 Tf [(skilled navigation of German Idealism, British periodical culture, Victorian empiricism and positivism, )] TJ ET BT 34.016 387.557 Td /F1 12.0 Tf [(intermingling with the more solidly artistic of his concerns. This holistic approach is both useful to the )] TJ ET BT 34.016 373.301 Td /F1 12.0 Tf [(specialist art-historian, and an important means by which non-expert readers can gain an entre into the well-)] TJ ET BT 34.016 359.045 Td /F1 12.0 Tf [(established intellectual company through which Potter moves so effortlessly. A brief but comprehensive )] TJ ET BT 34.016 344.789 Td /F1 12.0 Tf [(foray into the importance of Thomas Carlyle, G. H. Lewes and George Eliot moves seamlessly into )] TJ ET BT 34.016 330.533 Td /F1 12.0 Tf [(discussion of the prejudices which informed Victorian-era reception of German thought and art, before )] TJ ET BT 34.016 316.277 Td /F1 12.0 Tf [(entering just as seamlessly into a discussion of what might be called ?the peculiarities of German history?, )] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(including an art-historical appreciation of the )] TJ ET BT 253.976 302.021 Td /F2 12.0 Tf [(Sonderweg)] TJ ET BT 307.304 302.021 Td /F1 12.0 Tf [( and its detractors \(p. 8 ff\). That this debate ? )] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(largely and to date confined to appreciations of socio-political and military understandings of German )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(history ? should be observed from the perspective of art and the reception of art \(each so quintessentially )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(bourgeois\) seems eminently reasonable and indeed refreshing. While Potter accepts that the exaggerations of )] TJ ET BT 34.016 244.997 Td /F1 12.0 Tf [(the )] TJ ET BT 51.680 244.997 Td /F2 12.0 Tf [(Sonderweg)] TJ ET BT 105.008 244.997 Td /F1 12.0 Tf [( have rightly been ?revised away? \(p. 10\) ? and his key assumption is that Germany and )] TJ ET BT 34.016 230.741 Td /F1 12.0 Tf [(Britain had much more in common in socio-political terms in the 19th century than many would care to )] TJ ET BT 34.016 216.485 Td /F1 12.0 Tf [(admit ? he nevertheless pinpoints many of the ?symptoms? of the ?special path to modernity? as still being )] TJ ET BT 34.016 202.229 Td /F1 12.0 Tf [(of worth to the art historian.)] TJ ET BT 34.016 175.973 Td /F1 12.0 Tf [(It is from this point that he proceeds to observe several case-studies in the appreciation and reception of )] TJ ET BT 34.016 161.717 Td /F1 12.0 Tf [(German art in Britain, occupying seven substantive chapters, beginning with the pre-Raphaelites and )] TJ ET BT 34.016 147.461 Td /F1 12.0 Tf [(concluding with the Weimar period. Each chapter therefore stands alone as a self-contained work of )] TJ ET BT 34.016 133.205 Td /F1 12.0 Tf [(scholarship, as well as a part of the overall picture of British artistic engagement with Germany, 1850?1939. )] TJ ET BT 34.016 118.949 Td /F1 12.0 Tf [(Short linking sentences and phrases keep the flow of the book together, though these would perhaps have )] TJ ET BT 34.016 104.693 Td /F1 12.0 Tf [(been better positioned not at the end of each chapter \(as they are\), but at the beginning of the succeeding )] TJ ET BT 34.016 90.437 Td /F1 12.0 Tf [(chapter. Potter pursues something of a biographical approach by focusing attention on one or two major )] TJ ET BT 34.016 76.181 Td /F1 12.0 Tf [(artists or movements, which is useful, but perhaps unnecessarily circumscribes his dealings with each given )] TJ ET BT 34.016 61.925 Td /F1 12.0 Tf [(period, and creates a periodisation that is perhaps a little too neat. But justifying this arrangement on his own )] TJ ET endstream endobj 22 0 obj << /Type /Page /Parent 3 0 R /Contents 23 0 R >> endobj 23 0 obj << /Length 8085 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(terms ? ?broadly sequential? \(p. 13\) ? Potter pursues his task very well in each case. That there is no )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(overarching conclusion, and that broad conclusions are therefore squeezed into the last few paragraphs of )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(chapter eight, is a disappointment. It would have been useful to tie matters together in a more concerted )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(fashion, not least with a view to Potter signposting the avenues for future exploration, and encouraging )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(further analysis of those questions still remaining, self-evident though these may be to the author.)] TJ ET BT 34.016 713.189 Td /F1 12.0 Tf [(The first substantive chapter \(chapter two\) continues the strengths of the introductory survey, and is a good )] TJ ET BT 34.016 698.933 Td /F1 12.0 Tf [(indicator of the approach of the subsequent case-studies. Potter begins with a strong, if brief, investigation of )] TJ ET BT 34.016 684.677 Td /F1 12.0 Tf [(the subject in context, with Ford Madox Brown?s 1840s emergence placed firmly within the social and )] TJ ET BT 34.016 670.421 Td /F1 12.0 Tf [(political environment of the ?Young England? \(1842?7\) and Young Germany \(1830?48\) movements. A )] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(historiographical challenge to William Holman Hunt?s version of Brown follows \(repositioning Brown as a )] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(central, rather than peripheral, influence on the pre-Raphaelites\), interspersed with reflections on the secular-)] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(religious interplay of the mid-to-late 19th century. Potter?s reflective style ? asking leading rhetorical )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(questions at the head of some paragraphs ? is initially somewhat off-putting. This is particularly the case )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(when Potter openly admits to a need to ?re-orientate the argument slightly?, when already a third of the way )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(through his chapter, but the reasoning that follows from such questions and reassessments is first-class, )] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(particularly when there is a need to reconcile the idealist and realist tendencies that Potter discerns in an )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(artist like Brown \(whom Potter refers to as ?Madox Brown?, rather than simply ?Brown?, despite the latter )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(being more correct\). The reader feels more a part of a free-form conversation, an exploration of different )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(readings, rather than the recipient of an authorial and authoritative lecture on art history. Taking the story )] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(beyond simply Brown?s importance, and dealing with those he influenced ? such as William Bell Scott and )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(Franz Hueffer ? leads to some fascinating insights and asides. The ?intimate character sketch of the future )] TJ ET BT 34.016 485.093 Td /F1 12.0 Tf [(Kaiser Wilhelm II? given to Joseph Noel Paton in 1862 \(p. 41\) is one of these insights, which serve to make )] TJ ET BT 34.016 470.837 Td /F1 12.0 Tf [(the chapter of broader interest to other kinds of scholar, not merely the art historian.)] TJ ET BT 34.016 444.581 Td /F1 12.0 Tf [(Potter moves on from the Ford Madox Brown context of Germanism into a very strong chapter three indeed. )] TJ ET BT 34.016 430.325 Td /F1 12.0 Tf [(This focuses on the key role played by art critic Joseph Beavington Atkinson, who wrote for the )] TJ ET BT 497.948 430.325 Td /F2 12.0 Tf [(Art Journal)] TJ ET BT 34.016 416.069 Td /F1 12.0 Tf [(and )] TJ ET BT 54.344 416.069 Td /F2 12.0 Tf [(Blackwood?s Edinburgh Magazine)] TJ ET BT 223.004 416.069 Td /F1 12.0 Tf [(, in the important 1856?86 period. The importance of periodical )] TJ ET BT 34.016 401.813 Td /F1 12.0 Tf [(culture in the spreading of Germanist ideals and fashions ? Atkinson was the foil to John Ruskin, who was )] TJ ET BT 34.016 387.557 Td /F1 12.0 Tf [(ambivalent about, or even opposed to, Germanism ? is well-established by Potter. Indeed it is in chapter )] TJ ET BT 34.016 373.301 Td /F1 12.0 Tf [(three that Potter revisits in more detail many of the interpretive and historical contexts he established in his )] TJ ET BT 34.016 359.045 Td /F1 12.0 Tf [(introductory chapter, but uses them to shed light on Atkinson as a largely forgotten, but extremely important, )] TJ ET BT 34.016 344.789 Td /F1 12.0 Tf [(critic in his own right. Indeed, Atkinson pursued a single-minded \(and largely single-handed\) ?mission to )] TJ ET BT 34.016 330.533 Td /F1 12.0 Tf [(educate Britain in German art? \(p. 69\), launching a Samuel-Johnson-esque project on the lives of the chief )] TJ ET BT 34.016 316.277 Td /F1 12.0 Tf [(German artists \(for him\) of recent times. These appeared in the )] TJ ET BT 339.272 316.277 Td /F2 12.0 Tf [(Art Journal)] TJ ET BT 394.940 316.277 Td /F1 12.0 Tf [( in 1865, and laid the foundations )] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(for Atkinson?s )] TJ ET BT 108.008 302.021 Td /F2 12.0 Tf [(Schools of Modern Art in Germany)] TJ ET BT 276.992 302.021 Td /F1 12.0 Tf [(, of 1880, as well as a more extended biography of Johann )] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(Friedrich Overbeck, in 1882 \(which as Potter notes, remains the only English-language monograph on )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(Overbeck to date\). This chapter continues Potter?s trend of seamlessly integrating intellectual, political, and )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(other strands of history within the framework of his subject. The frequent allusion to important cultural )] TJ ET BT 34.016 244.997 Td /F1 12.0 Tf [(milestones ? such as the Munich exhibitions, the growing complexity of German art in the wake of )] TJ ET BT 34.016 230.741 Td /F1 12.0 Tf [(Unification, and the xenophobia and Francophobia of many in the German art world ? add many layers to a )] TJ ET BT 34.016 216.485 Td /F1 12.0 Tf [(rich portrait of a man in tune with his times.)] TJ ET BT 34.016 190.229 Td /F1 12.0 Tf [(Chapter four asks the rather bald question: ?Lord Leighton: Made in Germany??, which nevertheless leads )] TJ ET BT 34.016 175.973 Td /F1 12.0 Tf [(into a deep and interesting analysis of German influence on Britain?s pre-eminent artistic arbiter of the late )] TJ ET BT 34.016 161.717 Td /F1 12.0 Tf [(Victorian period. Again, Potter is picking up on another of the historiographical problems signalled in his )] TJ ET BT 34.016 147.461 Td /F1 12.0 Tf [(introduction: the general dismissal \(until recently\) of the Victorian academic tradition as unimportant or )] TJ ET BT 34.016 133.205 Td /F1 12.0 Tf [(unworthy. Potter is able to defend the epitome of Victorianism against his critics by not only focusing on )] TJ ET BT 34.016 118.949 Td /F1 12.0 Tf [(Leighton himself, but treating his )] TJ ET BT 197.348 118.949 Td /F2 12.0 Tf [(Addresses)] TJ ET BT 246.008 118.949 Td /F1 12.0 Tf [( seriously \(p. 118 ff.\) for probably the first time. Drawing out )] TJ ET BT 34.016 104.693 Td /F1 12.0 Tf [(the Idealist references made in those )] TJ ET BT 211.964 104.693 Td /F2 12.0 Tf [(Addresses)] TJ ET BT 260.624 104.693 Td /F1 12.0 Tf [(, Potter firmly locates Leighton?s education and emerging )] TJ ET BT 34.016 90.437 Td /F1 12.0 Tf [(interests in the intellectual and cultural world established in his preceding two chapters, though providing a )] TJ ET BT 34.016 76.181 Td /F1 12.0 Tf [(self-contained exploration of Leighton?s specific experiences. The same effortless integration of the political )] TJ ET BT 34.016 61.925 Td /F1 12.0 Tf [(\(e.g. the 1848 Revolution in Frankfurt, where Leighton was studying\) with the artistic \(realism versus )] TJ ET endstream endobj 24 0 obj << /Type /Page /Parent 3 0 R /Annots [ 27 0 R ] /Contents 25 0 R >> endobj 25 0 obj << /Length 8365 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(allegory\) is evident here. The same rich evocation of a Germanist culture in British circles animates this )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(chapter as it does the preceding ones, and Potter?s linking of Leighton with George Eliot ? not merely as )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(illustrator of the latter?s )] TJ ET BT 152.000 767.957 Td /F2 12.0 Tf [(Romola)] TJ ET BT 189.332 767.957 Td /F1 12.0 Tf [( \(1862?3\), but as a kindred spirit and friend \(p. 110\) ? is a particularly )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(compelling fusion of Potter?s artistic subject-matter and the broader \(and better-known\) intellectual and )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(literary context. Leighton?s musicality \(p. 155\) ? which concept was inextricably linked to Germany in the )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(19th century ? is also dealt with here, bringing yet another cultural sphere into close analysis, and which is )] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(handled very well by the non-expert Potter. Our understanding of Leighton?s spiritual, emotional, and )] TJ ET BT 34.016 696.677 Td /F1 12.0 Tf [(intellectual life as a Germanist is therefore confirmed by Potter, and extended to an admirable degree.)] TJ ET BT 34.016 670.421 Td /F1 12.0 Tf [(The centrality of Bavaria to what Britons imagined ?Germany? to be is handled in chapter five, the focus of )] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(which is Hubert Herkomer \(1849?1914\). This man was, in Potter?s mind, ?the ultimate personification of )] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(late nineteenth-century Anglo-German artistic relationships? \(p. 144\), and given his active working life )] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(spanned the 1860s to 1914 ? the crucial period of Anglo-German relations ? it is difficult to argue against )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(this assertion. Potter makes Herkomer?s engagement with high politics ? and his willingness to paint )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(portraits of Kaiser Wilhelm II and the managerial board of Krupp ?something of a focus of the later part of )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(the chapter \(pp. 162?3 ff.\), and this does indeed illustrate the artist?s interconnection with the rising Anglo-)] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(German tensions late in the century. Even without this link, Herkomer?s life-story is fascinating to the )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(uninitiated \(this reviewer having heard little of him\), and Potter again deploys his cultural and political )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(knowledge to explore how Herkomer was equally preoccupied with ?the nature of beauty? and with national )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(identity \(p. 154\). That Herkomer was ? like so many in the British art world of the late 19th century ? also an )] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(artist of black and white \(he worked for )] TJ ET BT 227.300 513.605 Td /F2 12.0 Tf [(The Graphic)] TJ ET BT 288.296 513.605 Td /F1 12.0 Tf [(\) is also a means by which Potter is able to firmly )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(position him as a representative figure. In the discussion of etching, engraving, and other forms of black and )] TJ ET BT 34.016 485.093 Td /F1 12.0 Tf [(white art, Potter is also able to draw out the issue of modernism and anti-modernism that characterised )] TJ ET BT 34.016 470.837 Td /F1 12.0 Tf [(Herkomer?s ideas about art, though perhaps Potter here misses an opportunity to tie in his broader )] TJ ET BT 34.016 456.581 Td /F1 12.0 Tf [(understanding of the )] TJ ET BT 135.668 456.581 Td /F2 12.0 Tf [(Sonderweg)] TJ ET BT 188.996 456.581 Td /F1 12.0 Tf [( debate. Similarly, Potter?s focus on Herkomer?s mixture of German )] TJ ET BT 34.016 442.325 Td /F2 12.0 Tf [(Blutgefhl)] TJ ET BT 84.020 442.325 Td /F1 12.0 Tf [( and English )] TJ ET BT 147.020 442.325 Td /F2 12.0 Tf [(Bildung)] TJ ET BT 185.024 442.325 Td /F1 12.0 Tf [( calls to mind another, cultural exploration of the same issues in the same )] TJ ET BT 34.016 428.069 Td /F1 12.0 Tf [(period which is absent from Potter?s discussion: E. M. Forster?s )] TJ ET BT 345.992 428.069 Td /F2 12.0 Tf [(Howards End)] TJ ET BT 412.328 428.069 Td /F1 12.0 Tf [(. A re-reading of Herkomer?s )] TJ ET BT 34.016 413.813 Td /F1 12.0 Tf [(life with that great work in mind would undoubtedly serve very well Potter?s desire to explore the individual )] TJ ET BT 34.016 399.557 Td /F1 12.0 Tf [(within his cultural, political and artistic context.)] TJ ET BT 34.016 373.301 Td /F1 12.0 Tf [(One is struck again at the beginning of chapter six by the way that Potter?s individual case-studies fit so well )] TJ ET BT 34.016 359.045 Td /F1 12.0 Tf [(together, and the excellent linkage between them provided in his introduction. Again he returns to a )] TJ ET BT 34.016 344.789 Td /F1 12.0 Tf [(historiographical theme familiar from the introduction: the way the use of French \(or Belgian\) art historical )] TJ ET BT 34.016 330.533 Td /F1 12.0 Tf [(models fails to fully encompass the British engagement with Continental art, and how essential it is to put )] TJ ET BT 34.016 316.277 Td /F1 12.0 Tf [(Germany back into the story \(p. 175\). In this case, Potter focuses on British and German Symbolism. The )] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(reception of Arnold Bcklin \(a Swiss-German\), and his anti-modern response to modernity and modernism, )] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(is taken as a particularly important cultural moment that sat well with Victorian Britain?s reassessment of )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(classical myth and scholarship. Moreover, in exploring the chief ?receivers? of Bcklin in Britain ? Walter )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(Crane and G. F. Watts ? Potter is able to pursue something missing from his previous chapters, which is the )] TJ ET BT 34.016 244.997 Td /F1 12.0 Tf [(return influence of British artists on Germany. Crane?s cover illustration for the important liberal journal )] TJ ET BT 34.016 230.741 Td /F2 12.0 Tf [(Jugend)] TJ ET BT 68.672 230.741 Td /F1 12.0 Tf [( \(p. 199\) is a fine illustration of ?the international appeal of the British arts and crafts aesthetic? )] TJ ET BT 34.016 216.485 Td /F1 12.0 Tf [(merging with the local German tradition of graphic arts and illustration \(p. 198\). Just as in the analysis of )] TJ ET BT 34.016 202.229 Td /F1 12.0 Tf [(Herkomer, Potter is also able in his detailing of Crane and Watts to show the interconnection between art )] TJ ET BT 34.016 187.973 Td /F1 12.0 Tf [(and high politics. The difficulty in accepting Germanism that arose from Germany?s own commercial and )] TJ ET BT 34.016 173.717 Td /F1 12.0 Tf [(military challenge to Britain in the 1890s is overplayed by Potter \(p. 202 ff.\), who does not seem to be aware )] TJ ET BT 34.016 159.461 Td /F1 12.0 Tf [(of the broader historical scholarship that supports his own approach.)] TJ ET 0.000 0.000 0.800 rg BT 361.964 159.461 Td /F1 12.0 Tf [(\(3\))] TJ ET 0.24 w 0 J [ ] 0 d 361.964 158.067 m 375.956 158.067 l S 0.000 0.000 0.000 rg BT 375.956 159.461 Td /F1 12.0 Tf [( It is therefore perhaps a little ironic )] TJ ET BT 34.016 145.205 Td /F1 12.0 Tf [(that in penning such a clear challenge to the Kennedy grand narrative of a rise in Anglo-German antagonism, )] TJ ET BT 34.016 130.949 Td /F1 12.0 Tf [(he then relies on Kennedy \(and the rather simplistic popular historian Robert K. Massie, among others\) )] TJ ET BT 34.016 116.693 Td /F1 12.0 Tf [(\(p.216\). Nonetheless, Bcklin?s reception does reveal that high politics and diplomacy did colour even )] TJ ET BT 34.016 102.437 Td /F1 12.0 Tf [(critical reception of a key artist, and this is in keeping with Potter?s overall historiographical point.)] TJ ET BT 34.016 76.181 Td /F1 12.0 Tf [(Given the conclusion of chapter six, it is therefore more encouraging to see Potter begin chapter seven with a )] TJ ET BT 34.016 61.925 Td /F1 12.0 Tf [(sounder grasp of the cultural-diplomatic interplay between Britain and Germany around the turn of the 20th )] TJ ET endstream endobj 26 0 obj [24 0 R /Fit] endobj 27 0 obj << /Type /Annot /Subtype /Link /A 28 0 R /Border [0 0 0] /H /I /Rect [ 361.9637 158.3815 375.9557 170.2615 ] >> endobj 28 0 obj << /Type /Action >> endobj 29 0 obj << /Type /Page /Parent 3 0 R /Annots [ 32 0 R ] /Contents 30 0 R >> endobj 30 0 obj << /Length 7405 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(century. Despite diplomatic antagonism \(or at least, ambivalence\), ?artistic connections continued? between )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(Britain and Germany \(p. 219\), and \(for Potter\) the person of Wassily Kandinsky is the best illustration of )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(this. That Germanism was still possible even down to the eruption of 1914, is characterised as a form of )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(?repackaging? by Potter, evident in the )] TJ ET BT 224.312 753.701 Td /F2 12.0 Tf [(Burlington Magazine)] TJ ET BT 326.648 753.701 Td /F1 12.0 Tf [( and other publications, even as Anglo-German )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(competition ?encouraged rather than prevented Germanism? \(p. 222\). Potter calls this ?perverse?, but again )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(he is led to this conclusion by a lack of familiarity with the broader historiographical trends in Anglo-)] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(German relations of recent years \(as opposed to art-historiographical, on which he is very strong\). Despite )] TJ ET BT 34.016 696.677 Td /F1 12.0 Tf [(this relative ignorance, he nevertheless pursues here the same very strong integration of intellectual, )] TJ ET BT 34.016 682.421 Td /F1 12.0 Tf [(political, and art history that is evident in all his chapters. Discussions of Schopenahuer?s and Nietzsche?s )] TJ ET BT 34.016 668.165 Td /F1 12.0 Tf [(reception in Britain \(p. 224 ff.\), and the way ?artistic Germanism was part of a wider cultural enthusiasm for )] TJ ET BT 34.016 653.909 Td /F1 12.0 Tf [(Germany? \(p. 227\) are excellent, with key Germanist connections being discerned in literature as well as art-)] TJ ET BT 34.016 639.653 Td /F1 12.0 Tf [(criticism. It is interesting to see Potter eschew 1914 as an absolute caesura, and depict it more as a moment )] TJ ET BT 34.016 625.397 Td /F1 12.0 Tf [(of ?slippage?, as some ?good? Germanism survived, while associations with the ?bad? of Prussian )] TJ ET BT 34.016 611.141 Td /F1 12.0 Tf [(militarism did not \(p. 246\). Thereafter, the First World War ?inhibited the free flow of Germanism? which )] TJ ET BT 34.016 596.885 Td /F1 12.0 Tf [(had been evident in the previous half-century or more \(p. 252\).)] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(Potter concludes his collection of case-studies by taking the story of British artistic Germanism past the )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(upheavals of 1914?18 and observing how total war and the deliberate provocation of anti-German hatreds )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(?failed to enforce a moratorium on Germanism? \(p. 260\). In this, Potter again confirms what is already )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(known from the parallel historiography of Anglo-German relations, and it is hoped that some future cross-)] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(fertilization with the likes of Colin Storer or Angela Schwarz will shed even more light on the 1918?39 )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(period.)] TJ ET 0.000 0.000 0.800 rg BT 67.676 499.349 Td /F1 12.0 Tf [(\(4\))] TJ ET 0.24 w 0 J [ ] 0 d 67.676 497.955 m 81.668 497.955 l S 0.000 0.000 0.000 rg BT 81.668 499.349 Td /F1 12.0 Tf [( The important exchanges that were newly established \(or re-established\) in this period ? such as )] TJ ET BT 34.016 485.093 Td /F1 12.0 Tf [(the Anglo-German Club \(1931\) ? are highlighted as important means of maintaining artistic and cultural )] TJ ET BT 34.016 470.837 Td /F1 12.0 Tf [(interplay between Britain and Germany, and Potter also spends some time dealing with the unfortunate )] TJ ET BT 34.016 456.581 Td /F1 12.0 Tf [(flirtation of the likes of Wyndham Lewis with ?the German ideology?: National Socialism. The eventual )] TJ ET BT 34.016 442.325 Td /F1 12.0 Tf [(revulsion felt by Britons when confronted with Nazism and its anti-Semitic character did result in a retreat )] TJ ET BT 34.016 428.069 Td /F1 12.0 Tf [(from unfettered Germanism, but Potter points out that ?one last defiant gasp? \(p. 272\) of enthusiasm for )] TJ ET BT 34.016 413.813 Td /F1 12.0 Tf [(German art did occur, at the very end-point of this study: the Exhibition of Twentieth-Century German Art, )] TJ ET BT 34.016 399.557 Td /F1 12.0 Tf [(in London \(1938\). Here, Potter completes his historiographical reappraisal, by challenging the consensus )] TJ ET BT 34.016 385.301 Td /F1 12.0 Tf [(that the exhibition was not well-received, or that, if it was, this was owing to an officially-sanctioned policy )] TJ ET BT 34.016 371.045 Td /F1 12.0 Tf [(of Appeasement that extended to the art world. In fact, he shows that the exhibition was ?a positive response )] TJ ET BT 34.016 356.789 Td /F1 12.0 Tf [(to a specific type of German culture that was seen to be spiritually enriching? \(p. 280\). It is gratifying to see )] TJ ET BT 34.016 342.533 Td /F1 12.0 Tf [(a book that has been dedicated to the study of that positive British attitude to Germany conclude on such a )] TJ ET BT 34.016 328.277 Td /F1 12.0 Tf [(note.)] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(It is also gratifying to encounter fully 50 figures \(in black and white\) throughout the book, and to find that )] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(these are not merely illustrations, but integral parts of the analysis. That these include the key painted and )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(etched works of art, alongside such illuminating sketches and cartoons as John Hipkins?s ?Mr Ford Madox )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(Brown and Dr Hffer \(St Patrick?s Day, 1886\)? \(p. 35\), and F. Goedecker?s )] TJ ET BT 402.920 259.253 Td /F2 12.0 Tf [(Vanity Fair)] TJ ET BT 458.588 259.253 Td /F1 12.0 Tf [( portrait of Hubert )] TJ ET BT 34.016 244.997 Td /F1 12.0 Tf [(Herkomer \(p. 170\) is a further testament to Potter?s breadth of scholarship, and ability to see beyond the still-)] TJ ET BT 34.016 230.741 Td /F1 12.0 Tf [(present prejudice in his field in favour of ?high? art and against ?low? art. Perhaps my only criticism here is )] TJ ET BT 34.016 216.485 Td /F1 12.0 Tf [(the positioning of some of the images in relation to the text in which they are discussed \(always a problem\) )] TJ ET BT 34.016 202.229 Td /F1 12.0 Tf [(and the lack of emboldened text to assist the reader in identifying which artworks are included \(as ?figure )] TJ ET BT 34.016 187.973 Td /F1 12.0 Tf [(31?, ?32?, etc...\).)] TJ ET BT 34.016 161.717 Td /F1 12.0 Tf [(Potter has succeeded admirably in his stated aim: ?to bring to light the true importance of an international )] TJ ET BT 34.016 147.461 Td /F1 12.0 Tf [(tradition that has been neglected in British art history for reasons of historiography and politics? \(p. 14\). This )] TJ ET BT 34.016 133.205 Td /F1 12.0 Tf [(is a vibrant and engrossing work, and it is to be hoped that in future a fuller engagement by the author with )] TJ ET BT 34.016 118.949 Td /F1 12.0 Tf [(his parallel historiographical fellow-travellers will assist in developing and integrating British artistic )] TJ ET BT 34.016 104.693 Td /F1 12.0 Tf [(Germanism into the broader historical trends of recent years.)] TJ ET BT 34.016 69.795 Td /F3 18.0 Tf [(Notes)] TJ ET endstream endobj 31 0 obj [29 0 R /Fit] endobj 32 0 obj << /Type /Annot /Subtype /Link /A 33 0 R /Border [0 0 0] /H /I /Rect [ 67.6757 498.2695 81.6677 510.1495 ] >> endobj 33 0 obj << /Type /Action >> endobj 34 0 obj << /Type /Page /Parent 3 0 R /Annots [ 36 0 R 38 0 R 40 0 R 42 0 R 44 0 R ] /Contents 35 0 R >> endobj 35 0 obj << /Length 3999 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 48.816 796.474 Td /F1 12.0 Tf [(1.)] TJ ET BT 64.016 796.469 Td /F1 12.0 Tf [(Jan Rger, ?Revisiting the Anglo-German antagonism?, )] TJ ET BT 335.984 796.469 Td /F2 12.0 Tf [(The Journal of Modern History)] TJ ET BT 486.644 796.469 Td /F1 12.0 Tf [(, 83, 3 )] TJ ET BT 64.016 782.213 Td /F1 12.0 Tf [(\(September 2011\), 579?617..)] TJ ET 0.000 0.000 0.800 rg BT 203.660 782.213 Td /F1 12.0 Tf [(Back to \(1\))] TJ ET 0.24 w 0 J [ ] 0 d 203.660 780.819 m 257.648 780.819 l S 0.000 0.000 0.000 rg BT 48.816 767.962 Td /F1 12.0 Tf [(2.)] TJ ET BT 64.016 767.957 Td /F1 12.0 Tf [(Rger, ?Revisiting the Anglo-German antagonism?, 584..)] TJ ET 0.000 0.000 0.800 rg BT 340.988 767.957 Td /F1 12.0 Tf [(Back to \(2\))] TJ ET 0.24 w 0 J [ ] 0 d 340.988 766.563 m 394.976 766.563 l S 0.000 0.000 0.000 rg BT 48.816 753.706 Td /F1 12.0 Tf [(3.)] TJ ET BT 64.016 753.701 Td /F1 12.0 Tf [(Even P. E. Firchow?s excellent, though now somewhat out-dated, )] TJ ET BT 382.976 753.701 Td /F2 12.0 Tf [(The Death of the German Cousin: )] TJ ET BT 64.016 739.445 Td /F2 12.0 Tf [(Variations on a Literary Stereotype)] TJ ET BT 234.680 739.445 Td /F1 12.0 Tf [( \(London, 1986\), does not feature in his bibliography. More recent )] TJ ET BT 64.016 725.189 Td /F1 12.0 Tf [(works include: John Ramsden, )] TJ ET BT 214.340 725.189 Td /F2 12.0 Tf [(Don?t Mention the War: The British and the Germans since 1890)] TJ ET BT 64.016 710.933 Td /F1 12.0 Tf [(\(London, 2006\); Thomas Weber, )] TJ ET BT 225.320 710.933 Td /F2 12.0 Tf [(Our Friend ?The Enemy?: Elite Education in Britain and Germany )] TJ ET BT 64.016 696.677 Td /F2 12.0 Tf [(Before World War I)] TJ ET BT 159.668 696.677 Td /F1 12.0 Tf [( \(Stanford, CA, 2008\); Petra Rau, )] TJ ET BT 323.984 696.677 Td /F2 12.0 Tf [(English Modernism, National Identity and the )] TJ ET BT 64.016 682.421 Td /F2 12.0 Tf [(Germans, 1890?1950)] TJ ET BT 168.008 682.421 Td /F1 12.0 Tf [( \(Farnham, 2009\). Some are, admittedly, too recent for Potter to have been aware )] TJ ET BT 64.016 668.165 Td /F1 12.0 Tf [(of: Philip Oltermann, )] TJ ET BT 169.352 668.165 Td /F2 12.0 Tf [(Keeping Up With the Germans: A History of Anglo-German Encounters)] TJ ET BT 64.016 653.909 Td /F1 12.0 Tf [(\(London, 2012\); Richard Scully, )] TJ ET BT 223.340 653.909 Td /F2 12.0 Tf [(British Images of Germany: Admiration, Antagnonism & )] TJ ET BT 64.016 639.653 Td /F2 12.0 Tf [(Ambivalence, 1860?1914)] TJ ET BT 185.996 639.653 Td /F1 12.0 Tf [( \(Basingstoke, 2012\)..)] TJ ET 0.000 0.000 0.800 rg BT 291.656 639.653 Td /F1 12.0 Tf [(Back to \(3\))] TJ ET 0.24 w 0 J [ ] 0 d 291.656 638.259 m 345.644 638.259 l S 0.000 0.000 0.000 rg BT 48.816 625.402 Td /F1 12.0 Tf [(4.)] TJ ET BT 64.016 625.397 Td /F1 12.0 Tf [(Colin Storer, )] TJ ET BT 129.020 625.397 Td /F2 12.0 Tf [(Britain and the Weimar Republic: The History of a Cultural Relationship)] TJ ET BT 481.028 625.397 Td /F1 12.0 Tf [( \(London, )] TJ ET BT 64.016 611.141 Td /F1 12.0 Tf [(2010\); Angela Schwarz, )] TJ ET BT 183.320 611.141 Td /F2 12.0 Tf [(Die Reise ins Dritte Reich. Britische Augenzeugen im nationalsozialistischen )] TJ ET BT 64.016 596.885 Td /F2 12.0 Tf [(Deutschland 1933?1939)] TJ ET BT 181.676 596.885 Td /F1 12.0 Tf [( \(Gttingen, 1993\)..)] TJ ET 0.000 0.000 0.800 rg BT 276.668 596.885 Td /F1 12.0 Tf [(Back to \(4\))] TJ ET 0.24 w 0 J [ ] 0 d 276.668 595.491 m 330.656 595.491 l S 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 580.159 526.499 1.500 re S 0.000 0.000 0.000 rg BT 34.016 562.379 Td /F3 12.0 Tf [(Source URL:)] TJ ET 0.000 0.000 0.800 rg BT 104.672 562.379 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews/review/1414)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 104.672 560.985 m 328.316 560.985 l S 0.000 0.000 0.000 rg BT 34.016 536.008 Td /F3 12.0 Tf [(Links:)] TJ ET BT 34.016 521.608 Td /F1 12.0 Tf [([1] http://www.history.ac.uk/reviews/item/46788)] TJ ET endstream endobj 36 0 obj << /Type /Annot /Subtype /Link /A 37 0 R /Border [0 0 0] /H /I /Rect [ 203.6597 781.1335 257.6477 793.0135 ] >> endobj 37 0 obj << /Type /Action /S /GoTo /D 14 0 R >> endobj 38 0 obj << /Type /Annot /Subtype /Link /A 39 0 R /Border [0 0 0] /H /I /Rect [ 340.9877 766.8775 394.9757 778.7575 ] >> endobj 39 0 obj << /Type /Action /S /GoTo /D 17 0 R >> endobj 40 0 obj << /Type /Annot /Subtype /Link /A 41 0 R /Border [0 0 0] /H /I /Rect [ 291.6557 638.5735 345.6437 650.4535 ] >> endobj 41 0 obj << /Type /Action /S /GoTo /D 26 0 R >> endobj 42 0 obj << /Type /Annot /Subtype /Link /A 43 0 R /Border [0 0 0] /H /I /Rect [ 276.6677 595.8055 330.6557 607.6855 ] >> endobj 43 0 obj << /Type /Action /S /GoTo /D 31 0 R >> endobj 44 0 obj << /Type /Annot /Subtype /Link /A 45 0 R /Border [0 0 0] /H /I /Rect [ 104.6717 561.2995 328.3157 573.1795 ] >> endobj 45 0 obj << /Type /Action /S /URI /URI (http://www.history.ac.uk/reviews/review/1414) >> endobj xref 0 46 0000000000 65535 f 0000000008 00000 n 0000000073 00000 n 0000000119 00000 n 0000000356 00000 n 0000000393 00000 n 0000000590 00000 n 0000000686 00000 n 0000005083 00000 n 0000005192 00000 n 0000005302 00000 n 0000005411 00000 n 0000008972 00000 n 0000009100 00000 n 0000009184 00000 n 0000009213 00000 n 0000009341 00000 n 0000009377 00000 n 0000009406 00000 n 0000009533 00000 n 0000009569 00000 n 0000009634 00000 n 0000017306 00000 n 0000017371 00000 n 0000025509 00000 n 0000025593 00000 n 0000034011 00000 n 0000034041 00000 n 0000034169 00000 n 0000034205 00000 n 0000034289 00000 n 0000041747 00000 n 0000041777 00000 n 0000041903 00000 n 0000041939 00000 n 0000042051 00000 n 0000046103 00000 n 0000046231 00000 n 0000046286 00000 n 0000046414 00000 n 0000046469 00000 n 0000046597 00000 n 0000046652 00000 n 0000046780 00000 n 0000046835 00000 n 0000046963 00000 n trailer << /Size 46 /Root 1 0 R /Info 5 0 R >> startxref 47059 %%EOF