%PDF-1.3 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 17 0 R 34 0 R 45 0 R 101 0 R ] /Count 5 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R >> /XObject << /I1 11 0 R >> >> /MediaBox [0.000 0.000 595.280 841.890] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Creator (DOMPDF) /CreationDate (D:20140922023602+01'00') /ModDate (D:20140922023602+01'00') /Title (Exhibition: Life and death in Pompeii and Herculaneum) >> endobj 6 0 obj << /Type /Page /Parent 3 0 R /Annots [ 12 0 R 15 0 R ] /Contents 7 0 R >> endobj 7 0 obj << /Length 5044 >> stream q 381.750 0 0 120.000 34.016 687.874 cm /I1 Do Q 0.000 0.000 0.000 rg BT 34.016 676.469 Td /F1 12.0 Tf [(Published on )] TJ ET BT 99.356 676.469 Td /F2 12.0 Tf [(Reviews in History)] TJ ET BT 190.016 676.469 Td /F1 12.0 Tf [( \()] TJ ET 0.000 0.000 0.800 rg BT 197.012 676.469 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 197.012 675.075 m 357.332 675.075 l S 0.000 0.000 0.000 rg BT 357.332 676.469 Td /F1 12.0 Tf [(\))] TJ ET 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 653.743 526.499 1.500 re S BT 34.016 615.321 Td /F3 18.0 Tf [(Exhibition: Life and death in Pompeii and Herculaneum)] TJ ET BT 34.016 373.115 Td /F1 12.0 Tf [(The monumental importance of the exhibition )] TJ ET BT 257.996 373.115 Td /F2 12.0 Tf [(Life and Death in Pompeii and Herculaneum)] TJ ET BT 474.644 373.115 Td /F1 12.0 Tf [( lies not least in )] TJ ET BT 34.016 358.859 Td /F1 12.0 Tf [(the staggering number of people it has reached. It can safely be called a blockbuster, having attained its )] TJ ET BT 34.016 344.603 Td /F1 12.0 Tf [(visitor goal for the six-month duration of the show ? a quarter million visitors ? after only three months.)] TJ ET 0.000 0.000 0.800 rg BT 532.304 344.603 Td /F1 12.0 Tf [(\(1\))] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 532.304 343.209 m 546.296 343.209 l S 0.000 0.000 0.000 rg BT 34.016 330.347 Td /F1 12.0 Tf [(At present the exhibition website warns ?Advance booking essential?, echoing a ticket calendar sold out )] TJ ET BT 34.016 316.091 Td /F1 12.0 Tf [(over a month in advance. Such a hungry public does not simply exist, of course, regardless of Pompeii?s )] TJ ET BT 34.016 301.835 Td /F1 12.0 Tf [(familiarity or even relative popularity among potential museumgoers; such enthusiasm must be made, and is )] TJ ET BT 34.016 287.579 Td /F1 12.0 Tf [(usually hard-won. Herein then the nub that makes this Pompeii show different from numerous others over )] TJ ET BT 34.016 273.323 Td /F1 12.0 Tf [(recent years. While the physical display is indeed spectacular, recreating a Roman house with all the )] TJ ET BT 34.016 259.067 Td /F1 12.0 Tf [(trimmings, this accounts only partially for its wild success. Of greater significance is the canny use of )] TJ ET BT 34.016 244.811 Td /F1 12.0 Tf [(current technologies to allow curious viewers to share, like, tweet, and download various components of the )] TJ ET BT 34.016 230.555 Td /F1 12.0 Tf [(exhibition, encouraging them to engage with the material and spread their enthusiasm as never before. These )] TJ ET BT 34.016 216.299 Td /F1 12.0 Tf [(media extend the show )] TJ ET BT 147.332 216.299 Td /F2 12.0 Tf [(outside)] TJ ET BT 182.000 216.299 Td /F1 12.0 Tf [( the museum walls, as well as enhancing it inside, where they transform the )] TJ ET BT 34.016 202.043 Td /F1 12.0 Tf [(usual gallery experience of encountering tangible objects. In achieving such a sophisticated, effective blend )] TJ ET BT 34.016 187.787 Td /F1 12.0 Tf [(of the digital and the physical, curator Paul Roberts, the British Museum, and the cooperating Italian )] TJ ET BT 34.016 173.531 Td /F1 12.0 Tf [(organizations have done an immensely good turn for the ancient world and its ongoing resonance in the )] TJ ET BT 34.016 159.275 Td /F1 12.0 Tf [(modern one.)] TJ ET BT 34.016 133.019 Td /F1 12.0 Tf [(Precisely this connection between ancient and modern life in fact underlies the whole exhibition. The )] TJ ET BT 34.016 118.763 Td /F1 12.0 Tf [(curators \(Roberts with Assistant Curator Vanessa Baldwin\) emphasize ?day-to-day existence, common )] TJ ET BT 34.016 104.507 Td /F1 12.0 Tf [(practice? in the ancient cities of Pompeii and Herculaneum, using this very mundanity to make a bygone )] TJ ET BT 34.016 90.251 Td /F1 12.0 Tf [(world more familiar to inhabitants of the present one. Questions as to the appropriateness and hazards of )] TJ ET BT 34.016 75.995 Td /F1 12.0 Tf [(such a tactic are debated among scholars of classical studies, and are briefly revisited below; but it should be )] TJ ET BT 34.016 61.739 Td /F1 12.0 Tf [(said outright \(and here I betray my own sympathies\) that empathy and familiarity are powerful tools. In this )] TJ ET BT 34.016 584.699 Td /F3 12.0 Tf [(Review Number:)] TJ ET BT 34.016 570.443 Td /F1 12.0 Tf [(1479)] TJ ET BT 34.016 556.187 Td /F3 12.0 Tf [(Publish date:)] TJ ET BT 34.016 541.931 Td /F1 12.0 Tf [(Thursday, 12 September, 2013)] TJ ET BT 34.016 527.675 Td /F3 12.0 Tf [(Author:)] TJ ET BT 34.016 513.419 Td /F1 12.0 Tf [(Paul Roberts \(curator\))] TJ ET BT 34.016 499.163 Td /F3 12.0 Tf [(Price:)] TJ ET BT 34.016 484.907 Td /F1 12.0 Tf [(15.00)] TJ ET BT 34.016 470.651 Td /F3 12.0 Tf [(Publisher:)] TJ ET BT 34.016 456.395 Td /F1 12.0 Tf [(British Museum)] TJ ET BT 34.016 442.139 Td /F3 12.0 Tf [(Place of Publication:)] TJ ET BT 34.016 427.883 Td /F1 12.0 Tf [(London)] TJ ET BT 34.016 413.627 Td /F3 12.0 Tf [(Reviewer:)] TJ ET BT 34.016 399.371 Td /F1 12.0 Tf [(Stephanie Pearson)] TJ ET endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Italic /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /XObject /Subtype /Image /Width 509 /Height 160 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 3 /Columns 509 /BitsPerComponent 8>> /Mask [ 255 255 255 255 255 255 ] /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 3280>> stream x[EQ㎦fVttҒ +3O{?lGDQԯDrB^.ϯ%~'0۠/2>0AG_>0j0GCfE67>rB^}@  !&y+r?INp:erc b8f=rQC!~-Wf^^zF[)G 2ޯe7V_Go3Ke GEGOo8rώ#\1ZY~N6^H}yLxS-!:412V+u\-LSO?xVvZ|GjǮT_8EYJF=Tw^ 7GxfN/S:Ʌ~ʟtt?5n÷J'JcF-GVξx{rO~tJd;#a\7}|~y'>}c2C vR}f׈**h.)_&@pfzjsx:5;S\vKhM5j=!Cn+h"u]a EUN]jn=k<,:Ք>sU!ni~6EJ)¦72?G}[y}_vc$t?iSܟ2Zݞ,VN?_`='RFK1A2qv&X_lLRWY'%:I㢖zb_UEx\>&ɆBˏ~K@ \gYØU4}$8Dv!'Q'*+Εj(UCGo[#< 2Ja(sZi9fZKE Rn`u\9r^Zmɯ׹}mstO4uc~#'jEvۼ Dx[z ޏQ4KL5,5u3>i^uÒ-53ba ~,~/pyt1fMU'CVm:qv~=Y'Es"WsφG?l_kN5}],Ow7 uh`xƫ?zMl7ٻv$A(4Dl(wwH} ?=[=S;yC]^BK>㕪9`Z'Wj;E|:bf>kCԘ#RY,iv쵗~}n'"1u" *uO΄/2^Sxr(!/DD\~mJyZ!MmrA!#u[if|99WB WΡpp}w}sh#,\ &:%˳X?D3 %W0cC?o̲^} F3XLVn]Cߖiϧ!7}yZJ#P7]=)7Ρp;>> Ye^xx{Oafw{ ;>4gfLt ʊ:q%#r/)pv!O4wGh|dS ӣݽހ-gVUC'pBxrB^} 7JA^} /'8!`:r?}}],X  }6y!`/~Br?}Q< >k7vx"] ,' .3jn{-i}|~%-};b6#U)7繎kiEw 㤳:E}[޼c"rꬊ7Dc$~"/Y&zSd:tFȌCrʙ`7u .#[-<)j ?TGS(j~oTup(hjU4PlJ=}|it.ҽ@\wʨuXÞZcx18Wo<~ikOg,ވ\^?EneyZcc0[R١z|zv7_m:_n]a?osS3~j^ hD.a_X'KfBX6w wݶ"Oa:,bvhrWH[uCF-Xfc}>x+Rz)2N-B 7y^٨;[/vg? | |2Sve}=o䑰j[vWjF0{굦?VI~}xM(_TlG__+]:#к?S} c>GŸD7 !w{S{B =x7a?oE#)+Gz:o_4Q<;n?\tt7?mGCџQGu4kņOF>F?#} hP&ђߴM#u!.СtL2^#o nIk_i.~7tr@n 1P~3?.[]=S5b߮~Yo^HFH YBi8a4iom>CKgMy*;?zqEӕ` >zB9iFzC?XF?ޟIܰ펉A}{I5ᄊx%ez#Mp@rߎpi]IOVjzuJt\۰f׺u5><,J~PTJp1)}){9N {!`/> endstream endobj 12 0 obj << /Type /Annot /Subtype /Link /A 13 0 R /Border [0 0 0] /H /I /Rect [ 197.0117 675.3895 357.3317 687.2695 ] >> endobj 13 0 obj << /Type /Action /S /URI /URI (http://www.history.ac.uk/reviews) >> endobj 14 0 obj [6 0 R /Fit] endobj 15 0 obj << /Type /Annot /Subtype /Link /A 16 0 R /Border [0 0 0] /H /I /Rect [ 532.3037 343.5235 546.2957 355.4035 ] >> endobj 16 0 obj << /Type /Action >> endobj 17 0 obj << /Type /Page /Parent 3 0 R /Annots [ 20 0 R 23 0 R 26 0 R 29 0 R 32 0 R ] /Contents 18 0 R >> endobj 18 0 obj << /Length 8443 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(show they are eloquently deployed from the very first display case. Here an ensemble of three objects )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(introduces the visitor to the themes both explicit \(?daily life? and the titular ?life and death?\) and implicit )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(\(ancient life as a mirror for modern\): a painting of a couple reclining and drinking, a curving wooden table )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(like that in the painting, and the emblematic plaster cast of a dog who died struggling at his tether. )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(Immediately the viewer is invited to empathize with the human agency behind these things: the portrait of )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(delicious leisure, the pitiable pup, and the uncannily familiar table ? ?it looks like something you could buy )] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(off Ikea today?, as Baldwin commented.)] TJ ET 0.000 0.000 0.800 rg BT 228.308 710.933 Td /F1 12.0 Tf [(\(2\))] TJ ET 0.24 w 0 J [ ] 0 d 228.308 709.539 m 242.300 709.539 l S 0.000 0.000 0.000 rg BT 242.300 710.933 Td /F1 12.0 Tf [( These objects stand for towns which, because of ?their very )] TJ ET BT 34.016 696.677 Td /F1 12.0 Tf [(ordinariness,? reveal a world that ancient scholarly texts \(Cicero\) and feats of engineering \(the Pantheon\) )] TJ ET BT 34.016 682.421 Td /F1 12.0 Tf [(cannot.)] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(This apt observation \(and the examples\) is presented in a video which embodies the exhibition?s marriage of )] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(scholarly integrity and popular appeal. It appears on a large screen early in the sequence of rooms, making )] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(itself known as the strongly recommended introduction to the galleries to follow. Instead of the dark tone of )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(the promotional video, or the violent pseudo-eruption effects used in other Pompeii exhibition videos, this )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(video rather engages the viewer by energetic ?kinetic typography?. Pioneered by Hitchcockian movie titles )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(and long popular on YouTube, this text-based art form here shows what it can do in an educational venue )] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(?and triumphs. Words are represented on-screen in a font, colour, texture, and most importantly motion that )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(underscores their meaning; kinetic typography is the perfect coincidence of verbal and visual )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(communication. In this video, then, we learn about ?pyroclastic surges? by seeing these two words slide )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(down an invisible undulating slope. The ?VOIDS that would become moulds? for plaster body casts are )] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(figured forth in white block letters that gradually fill up with plaster-like granulation. The city walls of )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(Pompeii that ?INITIALLY? held back the ?flows of hot gas and rock? are conjured by the vertical )] TJ ET BT 34.016 485.093 Td /F1 12.0 Tf [(disposition of the first word, while the landslide of those following tumbles against the word-cum-barrier. )] TJ ET BT 34.016 470.837 Td /F1 12.0 Tf [(Carbonized ?WOOD, LEATHER, [and] FOOD? preserved by the eruption each take on the texture of their )] TJ ET BT 34.016 456.581 Td /F1 12.0 Tf [(referent. This video is a brilliant example of how kinetic text can be harnessed for pedagogy: its novelty, )] TJ ET BT 34.016 442.325 Td /F1 12.0 Tf [(showiness, and just plain fun mask what is in fact a valuable learning experience.)] TJ ET BT 34.016 416.069 Td /F1 12.0 Tf [(The multimedia presentation does not stop there. Leaving the video room, the visitor is thrust fully into the )] TJ ET BT 34.016 401.813 Td /F1 12.0 Tf [(ancient world: walls and even ceilings are erected to recreate the space of a Roman house. Painted wooden )] TJ ET BT 34.016 387.557 Td /F1 12.0 Tf [(panels hung on the walls imitate Third-Style fresco decor. Four massive columns define a typical Corinthian-)] TJ ET BT 34.016 373.301 Td /F1 12.0 Tf [(style atrium, while engaged half-columns line the garden space. Recessed display cases rather than )] TJ ET BT 34.016 359.045 Td /F1 12.0 Tf [(freestanding ones help preserve the illusion of a real house. A carefully coordinated sightline runs from the )] TJ ET BT 34.016 344.789 Td /F1 12.0 Tf [(front door to the back garden, traversing the ?beware of dog? mosaic, the herm portrait of a homeowner, the )] TJ ET BT 34.016 330.533 Td /F2 12.0 Tf [(impluvium)] TJ ET BT 84.680 330.533 Td /F1 12.0 Tf [( brimming with digital water, and the marble table set with silver. It is an immersive and erudite )] TJ ET BT 34.016 316.277 Td /F1 12.0 Tf [(delight. Heightening the illusion is a series of soundscapes tailored to each different space: overhead )] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(speakers in the ?Streets and commerce? gallery ventriloquize churning carts, laughing children, barking )] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(dogs, clanging metal, flowing water, singing birds. These last two feature also in the ?Hortus? as part of a )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(more relaxing refrain. It is a brilliant move to conjure daily life through sound, a feature integral to human )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(experience yet often overlooked.)] TJ ET BT 34.016 232.997 Td /F1 12.0 Tf [(A further set of media deployed is digital. Web content of all stripes is available to the visitor before, during, )] TJ ET BT 34.016 218.741 Td /F1 12.0 Tf [(and after his actual entry into the exhibition. The British Museum blog is no new news \(a medium used to )] TJ ET BT 34.016 204.485 Td /F1 12.0 Tf [(good effect also by the Getty\), but this is just the beginning.)] TJ ET 0.000 0.000 0.800 rg BT 321.668 204.485 Td /F1 12.0 Tf [(\(3\))] TJ ET 0.24 w 0 J [ ] 0 d 321.668 203.091 m 335.660 203.091 l S 0.000 0.000 0.000 rg BT 335.660 204.485 Td /F1 12.0 Tf [( A short video on the exhibition website )] TJ ET BT 34.016 190.229 Td /F1 12.0 Tf [(follows an Italian baker tasked with recreating ancient Roman bread in the shape of the carbonized loaf on )] TJ ET BT 34.016 175.973 Td /F1 12.0 Tf [(display in the galleries. The video and recipe can be downloaded or shared via Facebook and Twitter ? )] TJ ET BT 34.016 161.717 Td /F1 12.0 Tf [(through which the museum also broadcast a 24-hour, real-time retelling of the Vesuvian eruption ?using an )] TJ ET BT 34.016 147.461 Td /F1 12.0 Tf [(eyewitness account of the event alongside archaeological evidence?.)] TJ ET 0.000 0.000 0.800 rg BT 362.588 147.461 Td /F1 12.0 Tf [(\(4\))] TJ ET 0.24 w 0 J [ ] 0 d 362.588 146.067 m 376.580 146.067 l S 0.000 0.000 0.000 rg BT 376.580 147.461 Td /F1 12.0 Tf [( Cinema showings of a filmed tour )] TJ ET BT 34.016 133.205 Td /F1 12.0 Tf [(through the exhibition continue to play in theatres across the United Kingdom, reaching an estimated 35,000 )] TJ ET BT 34.016 118.949 Td /F1 12.0 Tf [(viewers, and will soon go global in over 1,000 theatres across 60 territories.)] TJ ET 0.000 0.000 0.800 rg BT 397.628 118.949 Td /F1 12.0 Tf [(\(5\))] TJ ET 0.24 w 0 J [ ] 0 d 397.628 117.555 m 411.620 117.555 l S 0.000 0.000 0.000 rg BT 411.620 118.949 Td /F1 12.0 Tf [( Finally, an app for Apple and )] TJ ET BT 34.016 104.693 Td /F1 12.0 Tf [(Android devices can be downloaded either in advance or by using the free Wifi at the exhibition.)] TJ ET 0.000 0.000 0.800 rg BT 498.920 104.693 Td /F1 12.0 Tf [(\(6\))] TJ ET 0.24 w 0 J [ ] 0 d 498.920 103.299 m 512.912 103.299 l S 0.000 0.000 0.000 rg BT 512.912 104.693 Td /F1 12.0 Tf [( Offering )] TJ ET BT 34.016 90.437 Td /F1 12.0 Tf [(numerous avenues for exploration, grouped into four basic sections, the app is ingeniously crafted for )] TJ ET BT 34.016 76.181 Td /F1 12.0 Tf [(navigating the multifarious material. The best example is the section ?Explore the cities,? which offers a )] TJ ET BT 34.016 61.925 Td /F1 12.0 Tf [(map of the cities marked with pins and highlights for various categories \(?Commerce?, ?Relaxing in )] TJ ET endstream endobj 19 0 obj [17 0 R /Fit] endobj 20 0 obj << /Type /Annot /Subtype /Link /A 21 0 R /Border [0 0 0] /H /I /Rect [ 228.3077 709.8535 242.2997 721.7335 ] >> endobj 21 0 obj << /Type /Action >> endobj 22 0 obj [17 0 R /Fit] endobj 23 0 obj << /Type /Annot /Subtype /Link /A 24 0 R /Border [0 0 0] /H /I /Rect [ 321.6677 203.4055 335.6597 215.2855 ] >> endobj 24 0 obj << /Type /Action >> endobj 25 0 obj [17 0 R /Fit] endobj 26 0 obj << /Type /Annot /Subtype /Link /A 27 0 R /Border [0 0 0] /H /I /Rect [ 362.5877 146.3815 376.5797 158.2615 ] >> endobj 27 0 obj << /Type /Action >> endobj 28 0 obj [17 0 R /Fit] endobj 29 0 obj << /Type /Annot /Subtype /Link /A 30 0 R /Border [0 0 0] /H /I /Rect [ 397.6277 117.8695 411.6197 129.7495 ] >> endobj 30 0 obj << /Type /Action >> endobj 31 0 obj [17 0 R /Fit] endobj 32 0 obj << /Type /Annot /Subtype /Link /A 33 0 R /Border [0 0 0] /H /I /Rect [ 498.9197 103.6135 512.9117 115.4935 ] >> endobj 33 0 obj << /Type /Action >> endobj 34 0 obj << /Type /Page /Parent 3 0 R /Annots [ 37 0 R 40 0 R 43 0 R ] /Contents 35 0 R >> endobj 35 0 obj << /Length 8323 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(luxury?, ?Food and drink?, etc.\). Objects in the exhibition are linked to points on the map. A simple concept, )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(perhaps, but this confluence of data is enough to make a professional Pompeianist swoon ? precisely this )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(tying of object to place has been sought by many at the mercy of labyrinthine Bourbon excavation records! )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(The ability to zoom in on the objects and hear the curator and other top scholars speak about them is icing on )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(the cake. Many of these elements are carried over to the rentable audio guide device, now reborn with a )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(visual component: no clunky plastic brick this, but a sleek full-colour touchscreen featuring thumbnails of )] TJ ET BT 34.016 710.933 Td /F1 12.0 Tf [(every object and the capacity to highlight certain details as it narrates.)] TJ ET BT 34.016 684.677 Td /F1 12.0 Tf [(All this attention to high-tech content has by no means drawn away from the print materials. The exhibition )] TJ ET BT 34.016 670.421 Td /F1 12.0 Tf [(catalogue is gorgeous and glossy, replete with crystal-clear photographs shot specifically for this show ? so )] TJ ET BT 34.016 656.165 Td /F1 12.0 Tf [(rich in both quality and number that a separate ?gift book? was created in order to showcase a few more, )] TJ ET BT 34.016 641.909 Td /F1 12.0 Tf [(foregoing text almost entirely in favour of ?page after page of exquisite details?. More souvenir than )] TJ ET BT 34.016 627.653 Td /F1 12.0 Tf [(reference work, the gift book is the popularizing pendant to the full-scale catalogue. This latter, for its part, )] TJ ET BT 34.016 613.397 Td /F1 12.0 Tf [(manages to be a novel contribution to the abundant literature on Pompeii and Herculaneum. As a catalogue it )] TJ ET BT 34.016 599.141 Td /F1 12.0 Tf [(is slightly unusual for being written entirely by a single author, and as a series of chapters without discrete )] TJ ET BT 34.016 584.885 Td /F1 12.0 Tf [(object texts; captions are certainly given, but full object information is wisely relegated to an appendix. A )] TJ ET BT 34.016 570.629 Td /F1 12.0 Tf [(cohesive voice is thus maintained throughout, a narrative achieved that remains tied to the objects. The text )] TJ ET BT 34.016 556.373 Td /F1 12.0 Tf [(is unfailingly considered and intelligent, sprinkled with endnote references to both primary and secondary )] TJ ET BT 34.016 542.117 Td /F1 12.0 Tf [(sources. These latter are blissfully up-to-date, nearly all dating from 2002 and later \(with the exception of )] TJ ET BT 34.016 527.861 Td /F1 12.0 Tf [(seminal works from the 18th through 20th centuries, largely publications by the site directors\). All these )] TJ ET BT 34.016 513.605 Td /F1 12.0 Tf [(factors, combined with a comfortable, at times conversational style of writing, result in an eminently )] TJ ET BT 34.016 499.349 Td /F1 12.0 Tf [(readable book ? one that could usefully serve in an introductory undergraduate class.)] TJ ET BT 34.016 473.093 Td /F1 12.0 Tf [(This exhibition excels on so many levels, from both an academic and popular perspective, that my )] TJ ET BT 34.016 458.837 Td /F1 12.0 Tf [(reservations about it are limited to two ? and constitute musings rather than criticisms. The first concerns the )] TJ ET BT 34.016 444.581 Td /F1 12.0 Tf [(place of dead bodies in museum displays. Squeamishness plays no part in my cavil; instead, a sense of )] TJ ET BT 34.016 430.325 Td /F1 12.0 Tf [(shyness about gratifying an attraction to the lurid. Certainly the curators intend all due respect to the )] TJ ET BT 34.016 416.069 Td /F1 12.0 Tf [(deceased Pompeians, but my question remains: must we examine their throes of agony in order to value their )] TJ ET BT 34.016 401.813 Td /F1 12.0 Tf [(lives? Perhaps my discomfort stems only from a misplaced sense of propriety. Indeed other exhibitions, not )] TJ ET BT 34.016 387.557 Td /F1 12.0 Tf [(only about Pompeii, have similarly juxtaposed cultural history with forensics.)] TJ ET 0.000 0.000 0.800 rg BT 407.000 387.557 Td /F1 12.0 Tf [(\(7\))] TJ ET 0.24 w 0 J [ ] 0 d 407.000 386.163 m 420.992 386.163 l S 0.000 0.000 0.000 rg BT 420.992 387.557 Td /F1 12.0 Tf [( In this show, however, )] TJ ET BT 34.016 373.301 Td /F1 12.0 Tf [(regardless of any personal feelings about displaying human remains, the inclusion of body casts sits uneasily )] TJ ET BT 34.016 359.045 Td /F1 12.0 Tf [(because of aesthetic and thematic considerations. Until the visitor encounters these images of Death, the )] TJ ET BT 34.016 344.789 Td /F1 12.0 Tf [(focus on Life reigns supreme; the nearly equal titular billing does not play out in the galleries. Thus the )] TJ ET BT 34.016 330.533 Td /F1 12.0 Tf [(transition is somewhat jarring.)] TJ ET 0.000 0.000 0.800 rg BT 180.008 330.533 Td /F1 12.0 Tf [(\(8\))] TJ ET 0.24 w 0 J [ ] 0 d 180.008 329.139 m 194.000 329.139 l S 0.000 0.000 0.000 rg BT 194.000 330.533 Td /F1 12.0 Tf [( A more integrated and, to my mind, successful segue was achieved by )] TJ ET BT 34.016 316.277 Td /F1 12.0 Tf [(various methods in other exhibitions: )] TJ ET BT 215.684 316.277 Td /F2 12.0 Tf [(Pompeii: Stories from an Eruption)] TJ ET BT 382.352 316.277 Td /F1 12.0 Tf [( took the disaster as its eponymous )] TJ ET BT 34.016 302.021 Td /F1 12.0 Tf [(theme, while )] TJ ET BT 99.008 302.021 Td /F2 12.0 Tf [(Pompeii the Exhibit: Life and Death in the Shadow of Vesuvius)] TJ ET 0.000 0.000 0.800 rg BT 405.332 302.021 Td /F1 12.0 Tf [(\(9\))] TJ ET 0.24 w 0 J [ ] 0 d 405.332 300.627 m 419.324 300.627 l S 0.000 0.000 0.000 rg BT 419.324 302.021 Td /F1 12.0 Tf [( recreated the fire-and-)] TJ ET BT 34.016 287.765 Td /F1 12.0 Tf [(brimstone event with video, surround sound, fog machine, and shaking floor before allowing the viewer to )] TJ ET BT 34.016 273.509 Td /F1 12.0 Tf [(enter the galleries of casts. Although I certainly do not wish to see such dramatics become the rule for )] TJ ET BT 34.016 259.253 Td /F1 12.0 Tf [(museum exhibitions, there they at least justified displaying the human remains; without such a palpable )] TJ ET BT 34.016 244.997 Td /F1 12.0 Tf [(disaster, the dead bodies make an incongruous coda. The strain appears too in the kinetic typography video, )] TJ ET BT 34.016 230.741 Td /F1 12.0 Tf [(where the attempt to intertwine life and death leads to jumping between vivid images of modern street life )] TJ ET BT 34.016 216.485 Td /F1 12.0 Tf [(and dispassionate line drawings of volcanic phases.)] TJ ET BT 34.016 190.229 Td /F1 12.0 Tf [(The second point of reflection has already been mentioned: the pedagogical method of personal )] TJ ET BT 34.016 175.973 Td /F1 12.0 Tf [(identification. This tack indeed defines this exhibition, focusing on ancient lived experience in order to )] TJ ET BT 34.016 161.717 Td /F1 12.0 Tf [(literally enliven the objects and thereby draw in the visitor. Some may find it unpalatable to think that we )] TJ ET BT 34.016 147.461 Td /F1 12.0 Tf [(must personally identify with the Romans in order to find them and their world worthy of our attention. )] TJ ET BT 34.016 133.205 Td /F1 12.0 Tf [(Highlighting commonalities between the ancient and modern worlds can also risk oversimplification and the )] TJ ET BT 34.016 118.949 Td /F1 12.0 Tf [(promotion of false parallels. Yet it is worth recognizing how astonishingly eager many visitors are to relate )] TJ ET BT 34.016 104.693 Td /F1 12.0 Tf [(to the Romans by drawing on their own experiences: during my visit, one visitor connected the ancient )] TJ ET BT 34.016 90.437 Td /F1 12.0 Tf [(measuring devices to the )] TJ ET BT 155.996 90.437 Td /F2 12.0 Tf [(tabula mensaria)] TJ ET BT 234.332 90.437 Td /F1 12.0 Tf [( in the Pompeian Forum, seen on her own trip there; another )] TJ ET BT 34.016 76.181 Td /F1 12.0 Tf [(enthused to her companion that the objects were familiar from ?those programs we watch?. An attentive )] TJ ET BT 34.016 61.925 Td /F1 12.0 Tf [(mother read aloud to her children several captions from the famous Tavern of Salvius frescoes, laughing, )] TJ ET endstream endobj 36 0 obj [34 0 R /Fit] endobj 37 0 obj << /Type /Annot /Subtype /Link /A 38 0 R /Border [0 0 0] /H /I /Rect [ 406.9997 386.4775 420.9917 398.3575 ] >> endobj 38 0 obj << /Type /Action >> endobj 39 0 obj [34 0 R /Fit] endobj 40 0 obj << /Type /Annot /Subtype /Link /A 41 0 R /Border [0 0 0] /H /I /Rect [ 180.0077 329.4535 193.9997 341.3335 ] >> endobj 41 0 obj << /Type /Action >> endobj 42 0 obj [34 0 R /Fit] endobj 43 0 obj << /Type /Annot /Subtype /Link /A 44 0 R /Border [0 0 0] /H /I /Rect [ 405.3317 300.9415 419.3237 312.8215 ] >> endobj 44 0 obj << /Type /Action >> endobj 45 0 obj << /Type /Page /Parent 3 0 R /Annots [ 47 0 R 49 0 R 51 0 R 53 0 R 55 0 R 57 0 R 59 0 R 61 0 R 63 0 R 65 0 R 67 0 R 69 0 R 71 0 R 73 0 R 75 0 R 77 0 R 79 0 R 81 0 R 83 0 R 85 0 R 87 0 R 89 0 R 91 0 R 93 0 R 95 0 R 97 0 R 99 0 R ] /Contents 46 0 R >> endobj 46 0 obj << /Length 10629 >> stream 0.000 0.000 0.000 rg 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d BT 34.016 796.469 Td /F1 12.0 Tf [(?they?re like a cartoon strip!? Identification and familiarity unquestionably prime the visitor?s engagement )] TJ ET BT 34.016 782.213 Td /F1 12.0 Tf [(with the objects ? inevitably so, an empiricist would say, since we necessarily perceive the world through the )] TJ ET BT 34.016 767.957 Td /F1 12.0 Tf [(lens of our own experience. A certain egotism in that perception is therefore unavoidable. In my opinion, )] TJ ET BT 34.016 753.701 Td /F1 12.0 Tf [(then, a pedagogy that conscientiously builds on this phenomenon does not cheapen or betray the material. In )] TJ ET BT 34.016 739.445 Td /F1 12.0 Tf [(the end, if a 21st-century visitor discovers a personal connection to ancient Rome through an iPhone app, we )] TJ ET BT 34.016 725.189 Td /F1 12.0 Tf [(cannot but revel in this bit of magic.)] TJ ET BT 34.016 690.291 Td /F3 18.0 Tf [(Notes)] TJ ET BT 48.816 659.674 Td /F1 12.0 Tf [(1.)] TJ ET BT 64.016 659.669 Td /F1 12.0 Tf [(Charlotte Higgins, ?British Museum has best spring ever,? )] TJ ET BT 347.996 659.669 Td /F2 12.0 Tf [(The Guardian)] TJ ET BT 415.664 659.669 Td /F1 12.0 Tf [(, 25 June 2013 < )] TJ ET 0.000 0.000 0.800 rg BT 64.016 645.413 Td /F1 12.0 Tf [(http://www.theguardian.com/culture/2013/jun/25/british-museum-best-spring-ever)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 644.019 m 460.652 644.019 l S 0.000 0.000 0.000 rg BT 463.652 645.413 Td /F1 12.0 Tf [([2])] TJ ET BT 477.644 645.413 Td /F1 12.0 Tf [(> [accessed 5 )] TJ ET BT 64.016 631.157 Td /F1 12.0 Tf [(August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 132.680 631.157 Td /F1 12.0 Tf [(Back to \(1\))] TJ ET 0.24 w 0 J [ ] 0 d 132.680 629.763 m 186.668 629.763 l S 0.000 0.000 0.000 rg BT 48.816 616.906 Td /F1 12.0 Tf [(2.)] TJ ET BT 64.016 616.901 Td /F1 12.0 Tf [(Vanessa Baldwin, ?Pompeii and Herculaneum at the British Museum, with Vanessa Baldwin,? )] TJ ET BT 64.016 602.645 Td /F2 12.0 Tf [(Classics Confidential)] TJ ET BT 167.036 602.645 Td /F1 12.0 Tf [(, 15 February 2013 <)] TJ ET 0.000 0.000 0.800 rg BT 268.124 602.645 Td /F1 12.0 Tf [(http://www.youtube.com/watch?v=Mracgq0X73U)] TJ ET 0.24 w 0 J [ ] 0 d 268.124 601.251 m 510.860 601.251 l S 0.000 0.000 0.000 rg BT 513.860 602.645 Td /F1 12.0 Tf [([3])] TJ ET BT 527.852 602.645 Td /F1 12.0 Tf [(> )] TJ ET BT 64.016 588.389 Td /F1 12.0 Tf [([accessed 5 August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 190.652 588.389 Td /F1 12.0 Tf [(Back to \(2\))] TJ ET 0.24 w 0 J [ ] 0 d 190.652 586.995 m 244.640 586.995 l S 0.000 0.000 0.000 rg BT 48.816 574.138 Td /F1 12.0 Tf [(3.)] TJ ET 0.000 0.000 0.800 rg BT 64.016 574.133 Td /F1 12.0 Tf [(http://blog.britishmuseum.org/2013/06/14/ad-79-in-hd-broadcasting-pompeii-live/)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 572.739 m 459.344 572.739 l S 0.000 0.000 0.000 rg BT 462.344 574.133 Td /F1 12.0 Tf [([4])] TJ ET BT 476.336 574.133 Td /F1 12.0 Tf [(> [accessed 5 )] TJ ET BT 64.016 559.877 Td /F1 12.0 Tf [(August 2013]; <)] TJ ET 0.000 0.000 0.800 rg BT 142.784 559.877 Td /F1 12.0 Tf [(http://blogs.getty.edu/iris/)] TJ ET 0.24 w 0 J [ ] 0 d 142.784 558.483 m 266.804 558.483 l S 0.000 0.000 0.000 rg BT 269.804 559.877 Td /F1 12.0 Tf [([5])] TJ ET BT 283.796 559.877 Td /F1 12.0 Tf [(> [accessed 5 August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 420.200 559.877 Td /F1 12.0 Tf [(Back to \(3\))] TJ ET 0.24 w 0 J [ ] 0 d 420.200 558.483 m 474.188 558.483 l S 0.000 0.000 0.000 rg BT 48.816 545.626 Td /F1 12.0 Tf [(4.)] TJ ET 0.000 0.000 0.800 rg BT 64.016 545.621 Td /F1 12.0 Tf [(http://www.britishmuseum.org/whats_on/exhibitions/pompeii_and_herculaneum/pompeii_live/eruption_timeline.aspx)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 544.227 m 632.348 544.227 l S 0.000 0.000 0.000 rg BT 64.016 531.365 Td /F1 12.0 Tf [([6])] TJ ET BT 78.008 531.365 Td /F1 12.0 Tf [(> [accessed 5 August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 214.412 531.365 Td /F1 12.0 Tf [(Back to \(4\))] TJ ET 0.24 w 0 J [ ] 0 d 214.412 529.971 m 268.400 529.971 l S 0.000 0.000 0.000 rg BT 48.816 517.114 Td /F1 12.0 Tf [(5.)] TJ ET 0.000 0.000 0.800 rg BT 64.016 517.109 Td /F1 12.0 Tf [(http://blog.britishmuseum.org/2013/06/14/ad-79-in-hd-broadcasting-pompeii-live/)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 515.715 m 459.344 515.715 l S 0.000 0.000 0.000 rg BT 462.344 517.109 Td /F1 12.0 Tf [([4])] TJ ET BT 476.336 517.109 Td /F1 12.0 Tf [( >[accessed 5 )] TJ ET BT 64.016 502.853 Td /F1 12.0 Tf [(August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 132.680 502.853 Td /F1 12.0 Tf [(Back to \(5\))] TJ ET 0.24 w 0 J [ ] 0 d 132.680 501.459 m 186.668 501.459 l S 0.000 0.000 0.000 rg BT 48.816 488.602 Td /F1 12.0 Tf [(6.)] TJ ET 0.000 0.000 0.800 rg BT 64.016 488.597 Td /F1 12.0 Tf [(http://www.britishmuseum.org/whats_on/exhibitions/pompeii_and_herculaneum/app.aspx)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 487.203 m 497.672 487.203 l S 0.000 0.000 0.000 rg BT 500.672 488.597 Td /F1 12.0 Tf [([7])] TJ ET BT 514.664 488.597 Td /F1 12.0 Tf [(> )] TJ ET BT 64.016 474.341 Td /F1 12.0 Tf [([accessed 5 August 2013]. A sample is available here: <)] TJ ET 0.000 0.000 0.800 rg BT 64.016 460.085 Td /F1 12.0 Tf [(http://www.theguardian.com/science/interactive/2013/feb/24/herculaneum-pompeii-british-museum-)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 458.691 m 547.952 458.691 l S BT 64.016 445.829 Td /F1 12.0 Tf [(archaeology-interactive)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 444.435 m 177.308 444.435 l S 0.000 0.000 0.000 rg BT 180.308 445.829 Td /F1 12.0 Tf [([8])] TJ ET BT 194.300 445.829 Td /F1 12.0 Tf [(> [accessed 5 August 2013].)] TJ ET 0.000 0.000 0.800 rg BT 330.704 445.829 Td /F1 12.0 Tf [(Back to \(6\))] TJ ET 0.24 w 0 J [ ] 0 d 330.704 444.435 m 384.692 444.435 l S 0.000 0.000 0.000 rg BT 48.816 431.578 Td /F1 12.0 Tf [(7.)] TJ ET BT 64.016 431.573 Td /F1 12.0 Tf [(Recently in the exhibition )] TJ ET BT 191.348 431.573 Td /F2 12.0 Tf [(Die Medici - Menschen, Macht und Leidenschaft)] TJ ET BT 425.636 431.573 Td /F1 12.0 Tf [( \(Reiss-Engelhorn-Museen, )] TJ ET BT 64.016 417.317 Td /F1 12.0 Tf [(Mannheim, Germany, 17 February - 28 July 2013\).)] TJ ET 0.000 0.000 0.800 rg BT 309.980 417.317 Td /F1 12.0 Tf [(Back to \(7\))] TJ ET 0.24 w 0 J [ ] 0 d 309.980 415.923 m 363.968 415.923 l S 0.000 0.000 0.000 rg BT 48.816 403.066 Td /F1 12.0 Tf [(8.)] TJ ET BT 64.016 403.061 Td /F1 12.0 Tf [(Yet the strict separation is intentional: as explained by Baldwin, ?The main crux of the exhibition is )] TJ ET BT 64.016 388.805 Td /F1 12.0 Tf [(their lives, and the life of the home, and the ordinary people who lived in the home. The death of the )] TJ ET BT 64.016 374.549 Td /F1 12.0 Tf [(cities is in its correct place, at the end.? \(Vanessa Baldwin, ?Pompeii and Herculaneum at the British )] TJ ET BT 64.016 360.293 Td /F1 12.0 Tf [(Museum, with Vanessa Baldwin?, )] TJ ET BT 231.332 360.293 Td /F2 12.0 Tf [(Classics Confidential)] TJ ET BT 334.352 360.293 Td /F1 12.0 Tf [(, Youtube, 15 February 2013 <)] TJ ET 0.000 0.000 0.800 rg BT 64.016 346.037 Td /F1 12.0 Tf [(http://www.youtube.com/watch?v=Mracgq0X73U)] TJ ET 0.24 w 0 J [ ] 0 d 64.016 344.643 m 306.752 344.643 l S 0.000 0.000 0.000 rg BT 309.752 346.037 Td /F1 12.0 Tf [([3])] TJ ET BT 323.744 346.037 Td /F1 12.0 Tf [(> [accessed 5 August 2013]\).)] TJ ET 0.000 0.000 0.800 rg BT 464.144 346.037 Td /F1 12.0 Tf [(Back to \(8\))] TJ ET 0.24 w 0 J [ ] 0 d 464.144 344.643 m 518.132 344.643 l S 0.000 0.000 0.000 rg BT 48.816 331.786 Td /F1 12.0 Tf [(9.)] TJ ET BT 64.016 331.781 Td /F2 12.0 Tf [(Pompeii: Stories from an Eruption)] TJ ET BT 230.684 331.781 Td /F1 12.0 Tf [( \(Field Museum, Chicago, 2005-2006\); )] TJ ET BT 421.676 331.781 Td /F2 12.0 Tf [(Pompeii the Exhibit: Life )] TJ ET BT 64.016 317.525 Td /F2 12.0 Tf [(and Death in the Shadow of Vesuvius)] TJ ET BT 243.344 317.525 Td /F1 12.0 Tf [( \(Discovery Center, New York, 2011\).)] TJ ET 0.000 0.000 0.800 rg BT 427.964 317.525 Td /F1 12.0 Tf [(Back to \(9\))] TJ ET 0.24 w 0 J [ ] 0 d 427.964 316.131 m 481.952 316.131 l S 0.000 0.000 0.000 rg BT 34.016 291.269 Td /F3 12.0 Tf [(Other reviews:)] TJ ET BT 34.016 277.013 Td /F1 12.0 Tf [(Guardian)] TJ ET 0.000 0.000 0.800 rg BT 34.016 262.757 Td /F1 12.0 Tf [(http://www.theguardian.com/artanddesign/2013/mar/26/life-and-death-pompeii-review)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 261.363 m 451.952 261.363 l S 0.000 0.000 0.000 rg BT 454.952 262.757 Td /F1 12.0 Tf [([9])] TJ ET BT 34.016 248.501 Td /F1 12.0 Tf [(Telegraph)] TJ ET 0.000 0.000 0.800 rg BT 34.016 234.245 Td /F1 12.0 Tf [(http://www.telegraph.co.uk/culture/art/art-reviews/9952882/Pompeii-exhibition-Life-and-Death-in-Pompeii-)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 232.851 m 556.280 232.851 l S BT 34.016 219.989 Td /F1 12.0 Tf [(and-Herculaneum-British-Museum-review.html)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 218.595 m 264.308 218.595 l S 0.000 0.000 0.000 rg BT 267.308 219.989 Td /F1 12.0 Tf [([10])] TJ ET BT 34.016 205.733 Td /F1 12.0 Tf [(Independent)] TJ ET 0.000 0.000 0.800 rg BT 34.016 191.477 Td /F1 12.0 Tf [(http://www.independent.co.uk/arts-entertainment/art/reviews/charles-darwent-on-art-life-and-death-in-)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 190.083 m 528.224 190.083 l S BT 34.016 177.221 Td /F1 12.0 Tf [(pompeii-and-herculaneum--the-day-that-death-hung-on-the-breeze-8555126.html)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 175.827 m 425.576 175.827 l S 0.000 0.000 0.000 rg BT 428.576 177.221 Td /F1 12.0 Tf [([11])] TJ ET BT 34.016 162.965 Td /F1 12.0 Tf [(London Evening Standard)] TJ ET 0.000 0.000 0.800 rg BT 34.016 148.709 Td /F1 12.0 Tf [(http://www.standard.co.uk/goingout/exhibitions/life-and-death-in-pompeii-and-herculaneum-british-)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 147.315 m 517.628 147.315 l S BT 34.016 134.453 Td /F1 12.0 Tf [(museum--exhibition-review-8550993.html)] TJ ET 0.24 w 0 J [ ] 0 d 34.016 133.059 m 239.000 133.059 l S 0.000 0.000 0.000 rg BT 242.000 134.453 Td /F1 12.0 Tf [([12])] TJ ET 0.502 0.502 0.502 RG 0.75 w 0 J [ ] 0 d 34.391 129.727 526.499 1.500 re S BT 34.016 111.947 Td /F3 12.0 Tf [(Source URL:)] TJ ET 0.000 0.000 0.800 rg BT 104.672 111.947 Td /F1 12.0 Tf [(http://www.history.ac.uk/reviews/review/1479)] TJ ET 0.000 0.000 0.800 RG 0.24 w 0 J [ ] 0 d 104.672 110.553 m 328.316 110.553 l S 0.000 0.000 0.000 rg BT 34.016 85.576 Td /F3 12.0 Tf [(Links:)] TJ ET BT 34.016 71.176 Td /F1 12.0 Tf [([1] http://www.history.ac.uk/reviews/item/76930)] TJ ET BT 34.016 56.776 Td /F1 12.0 Tf [([2] http://www.theguardian.com/culture/2013/jun/25/british-museum-best-spring-ever)] TJ 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