John Dee is a name that often conjures up images of shady spells muttered in dark rooms with bubbling potions, but the exhibition at the Royal College of Physicians, titled Scholar, Courtier, Magician: the Lost Library of John Dee seeks to offer a view of Dee as an articulate, extremely well-read, educated man.
On entering Shakespeare in Ten Acts, the British Library’s contribution to the world-wide celebrations commemorating the 400th anniversary of the death of William Shakespeare, visitors are greeted by perhaps the most recognizable Shakespearean artefact: a copy of the 1623 First Folio.
Somewhat late in the day, Tate Britain has got around to an exhibition about the British Empire and its legacies.
In between small model spitfires and Sherman tank key rings, visitors browsing the shelves of the Imperial War Museum’s gift shop will find their gaze met by the reassuringly familiar smile of a round-faced rag doll, beaming from the side of a tote bag.
The funniest moment in the British Library’s wonderful Magna Carta: Law Liberty, Legacy exhibition comes towards its end, in a recent cartoon by Stephen Collins (sadly not reproduced in the excellent catalogue, but available
No exhibition can guarantee a museum a popular success, but the Vikings must surely offer a pretty good shot at it. Where often it is a challenge to establish the identity of an historical culture or phenomenon for a potential audience, absolutely no such problem exists for the Vikings, for everyone – even those who know nothing about history – knows about the Vikings.
The monumental importance of the exhibition Life and Death in Pompeii and Herculaneum lies not least in the staggering number of people it has reached.
When you walk in to the Propaganda: Power and Persuasion Exhibition at the British Library you are told that ‘propaganda is used to fight wars and combat disease, build unity and create division’. You then walk through a guard of honour of black mannequins that offer different definitions of the word ‘propaganda’.