The Name of a Queen: William Fleetwood’s Itinerarium ad Windsor is a valuable piece of research, as it offers the publication of a very intriguing and little-studied source: William Fleetwood’s Itinerarium ad Windsor written in 1575. In analysing this source which is both considered as a ‘document and fiction’ (pp.
In London between 1918 and 1924, the social, economic, and – crucially – sexual freedoms of six young women became the conceptual battleground on which the outcomes of a series of high-profile criminal and civil trials for libel, murder, drug-taking, and divorce were determined.
In the late 19th century, the issue of infanticide captured the attention of a significant number of journalists, psychiatric and medical writers and social commentators. The act of intentionally killing an infant within 24 hours of its birth was by no means new to this period.
Claire Langhamer’s hotly anticipated new book is part of a new wave of scholarship on romantic love, including Simon May’s Love: A History, Lisa Appignanesi’s All About Love and William Reddy’s The Making of Romantic Love.(1) Langhamer has previously published several articles on the subject: ‘Love and courtship in mid-twentieth-century Engla
In recent years, historians have begun to explore the political experiences of Victorian women outside the well-trodden suffrage narrative. As a consequence, we have a far greater understanding of how certain women were able to negotiate, exploit and overcome the legal and ideological constraints society placed upon them.
Theresa Earenfight’s new book, Queenship in Medieval Europe, stresses that the medieval royal court could be a woman’s world as much as a man’s.
This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.
Rachel Beer first caught my attention some 20 years ago when I was trawling through Who Was Who looking for journalists. She was unusual because she was the editor of The Sunday Times in the 1890s, when no other national newspaper had a woman editor. She was also deeply conscious of her background, proud of being a member of the wealthy and important Jewish family of Sassoon.
The Female King of Colonial Nigeria is the story of a woman, Ahebi Ugbabe, who rose from the status of a local girl and commercial sex worker to that of a village headman, a warrant chief and a king. Ahebi was born in Enugu-Ezike, an Igbo community, in the late 19th century.