This is a deeply flawed book, although it is not completely without merit. Mayer, who died (in January 2014) as this book went to press, may have been an accomplished scholar of ecclesiastical history (1), but was a relative novice in Galilean scholarship.
In the latest of our occasional Reviews in History podcast series, Dr Jordan Landes talks to Professor Jan Plamper about his new work on the history of emotions, a subject which he has memorably described as a 'rocket taking off'.
Jan Plamper is Professor of History at Goldsmiths, University of London.
Jisc’s Historical Texts brings together for the first time three important collections of historical texts, spanning five centuries: Early English Books Online (EEBO), Eighteenth Century Collections Online (ECCO), and the British Library 19th-century collection.
Jan Machielsen’s book is ostensibly the first modern biography of the Jesuit scholar Martin Delrio (1551–1608), a man best known today as the author of the treatise on witchcraft Disquisitiones magicae (‘Investigations into magic’). However, to call this important book a biography does it an injustice, since it is so much more than this.
The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
In a letter of March 1693, the German polymath Gottfried Wilhelm Leibniz confessed to the ineffectiveness of his note-taking, sketching out a situation perhaps too familiar to many modern academics:
The study of fashion is acknowledged to require a composite methodology. Daniel Roche, in his influential The Culture of Clothing: Dress and Fashion in the ‘ancien régime’ (1) put forward five headings under which dress could be interrogated: the artefact, textiles, pictorial representation, social and economic sources, and philological sources.
We have a sense of living on in our children and their children, an endless biological chain of being. Or in our work, small or large, in our influence upon others; or in something we call spiritual attainment, some sort of religious idea or belief; or in the idea of eternal nature, which all societies symbolize in some way.
This is a useful contribution to the growing body of research on 19th-century Irish print media (it begins with a survey of academic literature on the subject).
Ephemeral City. Cheap Print and Urban Culture in Renaissance Venice is surely one of the most significant and impressive works on early modern European print culture to have been published in recent years. Its author, Rosa Salzberg, is an Assistant Professor of Italian Renaissance History at the University of Warwick.