This is a curate’s egg book, good in parts but distinctly not in others.
For all historians of this last, most violent, century some concern with matters of war and peace has been unavoidable.
It was hardly to be expected that the sesquicentennial might come and go without the Civil War’s most preeminent historian offering his thoughts on the subject, and James McPherson has not let us down. Not that The War that Forged a Nation is in any direct sense a comment on or reaction to the sesquicentennial; it is neither.
The 70th anniversary of the Allied victory over the Nazi regime and of the liberation of the camps led to a renewed interest in the Nazi rule over much of Europe and, even more so, in the Holocaust. Unsurprisingly, a number of new studies were and still are being published, many of which discuss the meaning that the Holocaust holds for us today.
In between small model spitfires and Sherman tank key rings, visitors browsing the shelves of the Imperial War Museum’s gift shop will find their gaze met by the reassuringly familiar smile of a round-faced rag doll, beaming from the side of a tote bag.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Professor Roy Foster about his recent book, Vivid Faces: The Revolutionary Generation in Ireland, 1890-1923, as well as issues surrounding Anglo-Irish history, historiography and biography.
Just over a quarter of a century ago, it seemed, you couldn’t buy interest in the international history of the American Civil War. American scholars appeared especially uninterested in a subject that, as Don Doyle’s splendid new book reveals, is ripe with possibility.
Reviewing a historical dictionary is often a rather thankless task. Typically compiled from brief essays contributed by a variety of scholars they often lack a coherent perspective, leaving the reviewer to offer vague generalisations regarding the overall quality of the entries or selection of topics.
Although it is now a full 70 years since the close of the Second World War, there is little sign of a decline in either academic or public interest in the history of the war. In fact, there seems to have emerged a growing interest in the experiences not of those who held commands or public office, but rather of those who served and fought as ordinary soldiers and sailors.
In the introduction to his illuminating monograph The Italian Army and the First World War, John Gooch laments the state of the current historiography that has marginalised – and continues to marginalise – the so-called ‘minor’ theatres and ‘lesser’ armies of the Great War.