As Matthew McCormack makes clear right from the first line of this work, the militia was one of Georgian Britain’s most important institutions. The militia’s reform in 1757, whereby it became the New Militia, and subsequent mobilisation in the French wars of 1756–1815 were an essential component of the defence of Britain.
Susan Pedersen’s title misleads. The unwary might think that it deals generally with the League and imperialism, centring on the well-known paradox that an institution created primarily to ensure stability in Europe was undermined and then effectively destroyed by its failure to stop imperialist aggression in Asia and Africa.
This is a curate’s egg book, good in parts but distinctly not in others.
Who was the Welsh soldier of the late Middle Ages? What was the world from which he emerged, and for whom, and against whom, did he fight? Can it be claimed that he made a significant contribution to the way wars were fought during this period?
In 1984, Ernest May published Knowing One’s Enemies which examined intelligence assessments of enemies made by various nations before both the First and Second World Wars.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.
For all historians of this last, most violent, century some concern with matters of war and peace has been unavoidable.
It was hardly to be expected that the sesquicentennial might come and go without the Civil War’s most preeminent historian offering his thoughts on the subject, and James McPherson has not let us down. Not that The War that Forged a Nation is in any direct sense a comment on or reaction to the sesquicentennial; it is neither.
The 70th anniversary of the Allied victory over the Nazi regime and of the liberation of the camps led to a renewed interest in the Nazi rule over much of Europe and, even more so, in the Holocaust. Unsurprisingly, a number of new studies were and still are being published, many of which discuss the meaning that the Holocaust holds for us today.
The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla