Phenomenology and its application to the writing of history have complex intellectual origins.
History is never the final word; we are too empirically sensitive these days to think otherwise. It would be fair to say that since the days of Karl Popper historians have been acutely aware that what they write or utter is never the final statement concerning the historical record. Their assertions are provisional, liable to a degree of tinkering.
David Cannadine’s title, with its reference to ‘the undivided past’, may seem to suggest some Platonic idea of a Rankean straw man who aspires to a consensual and ‘definitive’ history of a unitary past; but what we have here is something very different – something that might indeed be construed as a quite revolutionary gesture.
This book raises the intriguing question of genre. The history discipline admits a variety – not just academic forms (such as the learned article, the monograph, the edited collection), but also textbooks on the nature of history, student guides to historical skills and types of history, not to mention the theory of history, here dismissed in a sentence (p. xi).
In some ways it is a scandal that it has taken until now for an English-language book on the thought of Reinhard Koselleck to appear. Then again, as Olsen writes in the introduction to this work, Koselleck has always been somewhat of an outsider vis-a-vis the historical profession.
According to the blurb on the back of this book:
In his principal books on the philosophy of history, in particular Rethinking History (1991), On ‘What is History?’ (1995), Why History? (1999), Refiguring History, (2003) and At the Limits of History (2009), Keith Jenkins, the noted postmodern philosopher of history, displays a remarkable constancy of approach, involving a thoroughly sceptical/postm
A book-length examination of the work of Frank Ankersmit has been long overdue. Ankersmit occupies a curious position in regards to the various skirmishes taking place over the philosophy of history in the past 30 years or so.
In The Future of History Alan Munslow tackles the big problem facing historians in the 21st century, the problem of whether history as we know it has a future and, if not, what historians should do about that.
As Geoffrey Elton put it, ‘The future is dark; the present is burdensome; only the past, dead and finished, bears contemplation’.(1) We take the concept of ‘the past’ for granted, yet Schiffman argues that the notion of the past as a concept ‘began only fairly recently, during the Renaissance, and did not culminate until the eighteenth century, after which it acquired