Dr Chris A Williams undertakes an ambitious project in attempting to analytically discuss aspects of the development of a public institution over a 200-year period, within a publication limited to 242 pages.
The author’s statement that he proposes to present a history of modern Poland which goes beyond martyrdom is dynamite. The very suggestion that martyrdom is something that a nation can and furthermore should transcend is not an idea with which many Poles, notably present day politicians, would like to advocate.
It has become a commonplace to assert that biographies are unfashionable these days. I’m not sure that’s entirely true, even for English history (female subjects certainly buck the trend), but there is no doubt that they are still the staple of Scottish history, particularly when it comes to the middle ages.
In the latest of our occasional Reviews in History podcast series, Anthony McFarlane talks to Felipe Fernandez-Armesto about his new book, Our America: A Hispanic History of the United States.
Felipe Fernández-Armesto (born 1950) is a British historian and author of several popular works of revisionist history.
W. B. Yeats’s famous poem, ‘Easter 1916’, is an ambivalent celebration of the new pantheon of heroes created when, through the means of a failed nationalist rebellion in Dublin, ‘a terrible beauty is born’.
In the recent years, queenship has interested and fascinated numerous scholars.(1) While some queens, notably British and French ones, have already received interest from historians, this study is keen on shedding light on the female rulers of the Mediterranean.
John Edwards’s new biography of Cardinal Reginald Pole, part of Ashgate’s Archbishops of Canterbury Series, is a magnificent example of first-rate historical scholarship. Reginald Pole is no easy subject.
Martin Hewitt’s study is a meticulously researched account of the mid-Victorian phase of the campaigns against press taxes.
Before opening this collection of 11 articles originally published elsewhere, attentive readers may have noticed the absence of a categorisation usually employed in studies on the Eastern Mediterranean between the 11th century and the 14th century.
‘Making is thinking’, according to the sociologist and philosopher Richard Sennett.(1) It has long been recognised that the humblest of craft objects, often (though not exclusively) produced using materials and methods which differ from those used in industrial production, have the potential to offer alternatives to the dominant culture and to challenge conventional wa