Dr Chris A Williams undertakes an ambitious project in attempting to analytically discuss aspects of the development of a public institution over a 200-year period, within a publication limited to 242 pages.
In the latest of our occasional Reviews in History podcast series, Anthony McFarlane talks to Felipe Fernandez-Armesto about his new book, Our America: A Hispanic History of the United States.
Felipe Fernández-Armesto (born 1950) is a British historian and author of several popular works of revisionist history.
Empire’s Children is far from the now well-worn tale of imperial decline. It locates the shifting fortunes of the child emigration movement at the heart of the reconfiguration of identities, political economies, and nationalisms in Britain, Canada, Australia, and Rhodesia.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Claire Tomalin about her work as a historical biographer.
Claire Tomalin (born Claire Delavenay on 20 June 1933) is an English author and journalist, known for her biographies on Charles Dickens, Thomas Hardy, Samuel Pepys, Jane Austen, and Mary Wollstonecraft.
Michelle M. Strong has produced a very detailed analysis of educational tours by working-class travellers in the last four decades of the 19th century. The book consists of five chapters, four of which discuss travel to the Paris exhibitions of the second half of the 19th century, in 1861, 1867, 1878 and 1889 and to the Vienna exhibition in 1873.
Over the last 100 years, childbirth has become increasingly synonymous with the hospital. Around 1900, hospital births were the exception; within less than three generations, it was almost unheard of for women in most industrialised countries to have their babies anywhere else.
Historians of the British Indian army, with little exception, have argued that Indian soldiers, or Sipahis, were incapable of acting on their own: they were led into anti-British political activities by ‘outsiders’ (1), they were loyal because ‘others’ told them to be loyal (2), and they could not be disloyal to the British as the sol
In the blurb to The Story of Pain, Joanna Bourke provocatively asks 'Everyone knows what pain is, surely?' Every sentient person will experience a diverse range of pains throughout their lifetimes.
In When Hollywood Loved Britain Mark Glancy used a trove of fascinating archival material to examine the ways in which propaganda and economic expedience shaped the American film industry’s representation of Britain during the Second World War.(1) For his new book, Glancy returns to the history of British-American film culture, albeit with a rather different p
No exhibition can guarantee a museum a popular success, but the Vikings must surely offer a pretty good shot at it. Where often it is a challenge to establish the identity of an historical culture or phenomenon for a potential audience, absolutely no such problem exists for the Vikings, for everyone – even those who know nothing about history – knows about the Vikings.