In the latest of our occasional Reviews in History podcast series, Jordan Landes interviews Darin Hayton about the latter's recent book on the use of astrology as a political tool in an early Renaissance court.
Darin Hayton is associate professor of history of science at Haverford College.
John Dee is a name that often conjures up images of shady spells muttered in dark rooms with bubbling potions, but the exhibition at the Royal College of Physicians, titled Scholar, Courtier, Magician: the Lost Library of John Dee seeks to offer a view of Dee as an articulate, extremely well-read, educated man.
It is surprising how frequently books appear on the subject of Adam, Eve and the Garden of Eden. The already extensive bibliography in this volume could easily be doubled or trebled (1), but it has to be said that this is a fascinating, original and impressive contribution to what we might term protoplastic studies.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Peter Burke about his background, career, influences and forthcoming book.
Peter Burke is is Professor Emeritus of Cultural History at the University of Cambridge.
Daniel Snowman is a writer, lecturer and broadcaster on social and cultural history.
Few authors are as well qualified as Paul Rouse to attempt this ambitious undertaking, the first scholarly overview of the history of sport in Ireland during the last millennium.
The first rigorous academic overview of witchcraft in Ireland, this publication is a very welcome addition to a growing corpus of scholarship on this relatively neglected aspect of Irish social and cultural history. For decades, St John D. Seymour’s Irish Witchcraft and Demonology (1) was the only academic text on the subject available to researchers.
Over the past 30 years a growing body of scholarship has sought to analyse the visual and material dimensions of British politics in the 18th and 19th centuries.
Thomas Dixon’s Weeping Britannia is a tour through six centuries of British tears, from ‘extreme weeper’ Margery Kempe to the televised ‘sob-fests’ of Britain’s Got Talent and The X Factor, via tear-stained judges, the emotionally extravagant novel of sensibility, supposedly stiff-upper-lipped politicians, and the bemused disdain of dry-eyed journalists observing the
Somewhat late in the day, Tate Britain has got around to an exhibition about the British Empire and its legacies.
Early in 2015, journalists reporting on US Democratic presidential candidate Bernie Sanders produced a potentially valuable nugget of opposition research: in 1985, Sanders visited Nicaragua as part of a delegation of US solidarity groups that was given a personal audience with Sandinista president Daniel Ortega.(1) In his first political memoir, published with Verso Bo