In the latest of our occasional Reviews in History podcast series, Dr Jordan Landes talks to Professor Jan Plamper about his new work on the history of emotions, a subject which he has memorably described as a 'rocket taking off'.
Jan Plamper is Professor of History at Goldsmiths, University of London.
Philip Mendes has provided us with a truly comprehensive study of the historical relationship between Jews and leftist politics.
Reviewing a historical dictionary is often a rather thankless task. Typically compiled from brief essays contributed by a variety of scholars they often lack a coherent perspective, leaving the reviewer to offer vague generalisations regarding the overall quality of the entries or selection of topics.
The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
Ask Americans when their country became the world’s dominant power and chances are most will point to the hard-fought victory in the Second World War. But as Adam Tooze shows in his latest work, that shift occurred a generation earlier and before American forces had even fired a shot in what was once called the Great War.
Over 40 years ago, in the preface to his The Columbian Exchange: Biological and Cultural Consequences of 1492, Alfred Crosby, a key figure among the first generation of environmental historians, emphasized that `Man is a biological entity before he is a Roman Catholic or a capitalist or anything else’ (p. xiii).
A stitch up is a devious act that someone does to someone else. It may involve putting a person or organization, perhaps, in a position where they will be blamed for something they did not do or it might mean manipulating a situation, in unseen ways, to one’s own advantage.
In Kimono: A Modern History, textile historian Terry Satsuki Milhaupt encourages her readers to ‘reflect deeply and broadly on what the kimono has meant at various points in its long history’ (p. 287). In this ambitious project, she identifies ‘modern’ with the period from the 1850s onwards.
Book compilations can be a difficult genre. Comprised of varied essays and authorial voices, it takes a clear and well-defined theme, and a sure editorial hand to maintain focus and quality.
Lynn Hunt’s new book, Writing History in the Global Era, places an important question on the table: ‘Is globalization the new theory that will reinvigorate history? Or will it choke off all other possible contenders, leaving in place only the inevitability of modernization of the world on the Western model?’ (p.