In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Lady Antonia Fraser about her work as a historian and biographer.
Lady Anonia Fraser is British author of history, novels, biographies and detective fiction.
Daniel Snowman is a writer, lecturer and broadcaster on social and cultural history.
Jisc’s Historical Texts brings together for the first time three important collections of historical texts, spanning five centuries: Early English Books Online (EEBO), Eighteenth Century Collections Online (ECCO), and the British Library 19th-century collection.
Jan Machielsen’s book is ostensibly the first modern biography of the Jesuit scholar Martin Delrio (1551–1608), a man best known today as the author of the treatise on witchcraft Disquisitiones magicae (‘Investigations into magic’). However, to call this important book a biography does it an injustice, since it is so much more than this.
On the ninth of September, 1513, the reign of James IV, Scotland’s increasingly powerful and well-regarded Renaissance prince, came to an abrupt and unforeseen end near to the village of Branxton in Northumberland.
Serge Gruzinski compares Cortés’s actions in Mexico with suggestions for the invasion of China, adumbrated by Portuguese captives in Canton in 1522–3.
Over 40 years ago, in the preface to his The Columbian Exchange: Biological and Cultural Consequences of 1492, Alfred Crosby, a key figure among the first generation of environmental historians, emphasized that `Man is a biological entity before he is a Roman Catholic or a capitalist or anything else’ (p. xiii).
The study of fashion is acknowledged to require a composite methodology. Daniel Roche, in his influential The Culture of Clothing: Dress and Fashion in the ‘ancien régime’ (1) put forward five headings under which dress could be interrogated: the artefact, textiles, pictorial representation, social and economic sources, and philological sources.
In Kimono: A Modern History, textile historian Terry Satsuki Milhaupt encourages her readers to ‘reflect deeply and broadly on what the kimono has meant at various points in its long history’ (p. 287). In this ambitious project, she identifies ‘modern’ with the period from the 1850s onwards.
The study of Spanish dress and fashion in the early modern period has generated exciting, innovative, and interdisciplinary scholarship in the past several years, and complements recent work devoted to historical dress, fashion, and textiles from distinct geographical locations and time periods.
Fashion Prints in the Age of Louis XIV. Interpreting the Art of Elegance is the record of a symposium held in 2005, sparked by the Los Angeles County Museum of Art (LACMA)’s acquisition of a bound album of 190 hand-colored French fashion plates published between approximately 1670 and 1695.