Jason Garner's monograph on the origins of the Federación Anarquista Ibérica (FAI) is an illuminating and much-welcomed addition to the inchoate body of English-language scholarship dealing specifically with pre-Civil War Spanish anarchism.
'Space and place are central to the strategies and meaning of protest’ (p. xi) reads the opening sentence of Katrina Navickas's latest study, Protest and the Politics of Space and Place 1789–1848.
Given the volume of recent works produced on the anti-slavery movement of the 19th–century Atlantic world, it was time for someone to create a new synthesis. Manisha Sinha’s The Slave’s Cause is a synthetic work that traces the long trajectory of the anti-slavery movement in the United States and places it into an international context.
The years from 1840 to 1890 constituted a ‘golden age’ of turn out in American elections. Although only white men were assured of their votes, this period saw the highest rate of political participation among the eligible electorate, with roughly 70–80 per cent of voters casting ballots in Presidential elections; as compared to today’s figure of about 55 per cent.
‘It was the best of times, it was the worst of times’, is how Charles Dickens began his stirring evocation of the French Revolution in A Tale of Two Cities. He had it about right. The first ten years of the French Revolution was a time of limitless hope and shattering violence.
On entering Shakespeare in Ten Acts, the British Library’s contribution to the world-wide celebrations commemorating the 400th anniversary of the death of William Shakespeare, visitors are greeted by perhaps the most recognizable Shakespearean artefact: a copy of the 1623 First Folio.
It is common for historians of the antebellum, civil war, and reconstruction-era United States to talk of ‘the Northeast’, ‘the South’, or ‘the West’ as offhand for a wide range of interests, like the Confederacy, slaveholders, or industrial capitalism.
The mention of the Southern plantation tends to bring to mind one of two competing images: either the white-columned antebellum mansion and its manicured grounds, or the desolate home of African-American sharecroppers in the post-Civil War era.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.