To say that the lives of prominent political leaders are symbolic of the political culture of their time is, of course, a truism. Nelson Mandela is one of the handful of 20th-century leaders for whom this statement holds true in global terms, illustrated by the recent unveiling of his statue in London's Parliament Square.
The museums and historic sites of South Africa are a highly significant and revealing source of evidence for investigating how the country’s various communities have come to terms with their complex history and have chosen to project it publicly.
As we approach the 20th anniversary of the seizure of power by the current Ethiopian government – the Ethiopian People’s Revolutionary Democratic Front (EPRDF) – a government which has shown itself ever more determined to monopolise power indefinitely, it is increasingly apposite to examine the roots of political modernity in Ethiopia.
A History of Nigeria is an impressive book, the more so because its ambitions initially appear straightforward. Toyin Falola and Matthew Heaton describe their project as ‘a general background survey of the broad themes of Nigeria’s history from the beginnings of human habitation … to the early twenty-first century’ (p.
The past year has seen an embarrassment of riches for those interested in the history of slavery and abolition.
Eslanda Goode Robeson has lived under the shadow of her superstar singer, actor, and political pioneer husband, Paul Robeson for decades. However, Eslanda, known as Essie, was a dedicated activist intellectual, prolific writer, powerful orator, and world traveller.
Algeria was colonised and departmentalised by the French in the 19th century, and by 1954 around a million Algerians of European origin lived in the settler colony. Following a seven-and-a-half-year war against France, Algeria officially became independent in 1962.
Ten years after its publication, A History remains relevant. The epidemic continues to rage. The context of its historical and relational trajectories continues to shape both its evolution and the responses to it.
Given the volume of recent works produced on the anti-slavery movement of the 19th–century Atlantic world, it was time for someone to create a new synthesis. Manisha Sinha’s The Slave’s Cause is a synthetic work that traces the long trajectory of the anti-slavery movement in the United States and places it into an international context.