Revolution is a phenomenon that has haunted the pages of history, whether as reality or as a Spectre conjured up by Karl Marx. Of late it has traveled far and wide, and Fred Halliday has followed it to far-off places - Cuba, southern Arabia, Iran - in the quest of history in the making. Among the many revealing points he takes note of are the names that men have given to it (pp.
This volume is a collection of seven essays on Latin America by James Dunkerley, all written and published separately between 1992 and 1999. The most immediate question posed, given the wide and varied range in topic covered and in approach (no two essays being alike), is both how the essays work individually and, more pertinently, how coherently they hang together.
‘Look into his eyes: could you ever say “no” to a man like that?’ We were standing before a portrait of Emiliano Zapata; the woman who would have found it hard to say ‘no’ was a young, middle-class professional from Mexico City who had generously taken up the task of introducing her nation’s language and history to me.
Given the division of opinion over the nature of Cuban Revolution, it has always been hard to find a general work on the subject that does not merely tell half the story. However, Toni Kapcia has now provided us with a book which, while comprehensible to a general audience or a useful introduction for students, will nevertheless provide insights for the more specialist reader.
Over the last three decades, histories of popular politics in Latin America have proliferated. It is not hard to understand why. Elections and liberalism loomed large in the present, and so their history began to assume more importance. Larger trends in the discipline reinforced the shift, as historians tipped the interpretive scales away from socio-economic structures and towards agency.
Most canonical interpretations of the American Civil War revolve around some facet of the great national contest over the status and future of slavery in the western territories.
The Cry of the Renegade begins with the ending of the story. The book starts by mapping the procession that took place on 1 October 1920, when thousands took to the streets to pay their respects and say farewell to José Domingo Gómez Rojas, a poet, university student, and municipal clerk. In his narrative of the procession, Raymond B.
In 1833, after centuries of resistance and rebellion by enslaved people, decades of popularly-mobilized antislavery protests, and years of economic struggle on colonial plantations, England’s Parliament initiated the process of slave emancipation in the British Empire.