The current trend in history publishing for a ‘one stop shop edition’ of essays on a particular subject, variously entitled ‘Handbooks’ or ‘Companions’, is a welcome addition for teachers and students of history alike.
In between small model spitfires and Sherman tank key rings, visitors browsing the shelves of the Imperial War Museum’s gift shop will find their gaze met by the reassuringly familiar smile of a round-faced rag doll, beaming from the side of a tote bag.
The historiography of the French Revolution is a diverse and ever expanding field. It is an eminently useful idea to produce a guide to it, though not one Oxford University Press is alone in having.
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
The mention of the Southern plantation tends to bring to mind one of two competing images: either the white-columned antebellum mansion and its manicured grounds, or the desolate home of African-American sharecroppers in the post-Civil War era.
Here is a textbook that lives up to the best ideals of the genre. The Long Sixties promises us ‘a brief narrative history of the 1960s – a quick trip, as it were, through a momentous decade’ [p. vi].
Since London’s Great Exhibition of 1851, world’s fairs and international expositions have been an important global cultural phenomenon that has defined progress and modernity for hundreds of millions of visitors.
In the latest of our occasional Reviews in History podcast series, Jordan Landes talks to Joanna Cohen about her new book and the role and nature of the consumer in the US throughout the nineteenth century.
Joanna Cohen is a Senior Lecturer in American History at Queen Mary University of London.