It has been fashionable to downplay the importance of battles in medieval military history. 'Most campaigns did not end in battle largely because both commanders were reluctant to risk battle', was John Gillingham's verdict. He pointed out that Henry II never fought a battle, yet had a great military reputation.
How should we read the Crusades? The question begs a host of others, not least how do we read them, in the light of how we have read them in the past.
On 13 April 1204 the western or Latin armies participating in the Fourth Crusade conquered Constantinople, the capital of Byzantium. The approaching 800th anniversary of that event has generated renewed interest in the background, context and impact of that crusade, expressed in several new studies and in conferences.
This collection is a new addition to Blackwell’s 'Essential Readings in History' series, which reprints important academic articles on historical topics.
Many scholars have thought to write a full presentation of the relations between the Catholic West and the Mongol Empire during the Middle Ages. It is a demanding task. The author should be specialised in many areas, know many languages, and he or she has to fit his or her presentation into a world historical context.
This is a splendid book, weighty, richly documented and densely argued. The title might suggest a book of focused, perhaps rather limited scope.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
Fighting for the Cross introduces the subject of crusading by exploring the experiences and ideas of individual crusaders travelling to the Holy Land between 1095 and 1291.
Agatha Christie’s 1970 novel Passenger to Frankfurt might seem like an unusual place to start a history of the Children’s Crusade in 1212. To capture the radical youth-culture of the 1960s lying at the heart of her plot, Christie invoked the Children’s Crusade as a familiar symbol of misguided and ultimately dangerous youthful folly.