This book is one of a series entitled The Making of Europe, which aims 'to address crucial aspects of European history in every field - political, economic, social, religious, and cultural' (p. xii).
The history of public health has been a flourishing field in the last three decades. Yet despite a spate of excellent monographs about various epidemic diseases and many good collections about health and disease in Africa, Asia, The Middle East, Latin America, as well as Europe and North America, the most recent textbook on the history of public health is four decades old.
Professor Spence is described on the dust-cover of this book as 'perhaps now the leading historian of China in the English-speaking world'. Without doubt he is the most imaginative and the most versatile scholar working in that field. The Gate of Heavenly Peace, first published in 1981, was a history of modern China as seen through the lives of Chinese writers and intellectuals.
How should we read the Crusades? The question begs a host of others, not least how do we read them, in the light of how we have read them in the past.
One of the most difficult, and under-rated, jobs undertaken by the historian is that of the synthesis. Text books covering long periods of historical time demand the exclusion of vast quantities of material.
In the introductory chapter to her engaging book, Ruth Watts remarks on the 'dissonance' between women and science and the seeming paucity of scholarly literature on the subject. Upon deeper investigation, however, Watts soon discovers that she is mistaken.
Euan Cameron, former Professor of Early Modern History at the University of Newcastle, now Henry Luce III Professor of Reformation Church History at Union Theological Seminary in New York, has written a fascinating and, in many ways, remarkable study.
What is a ‘Companion’ for?
The thesis and value of Andrew Elliott’s new study of ‘medieval film’ are neatly encapsulated by his reminding us at the end of the book’s preface that, in the medieval tradition, the Grail quest involved asking, not answering, the right questions.
Silence speaks as a visual conceit through the serene icon of Mary Magdalene, chosen to illustrate the dust jacket enfolding Silence: A Christian History, foreshadowing themes in Diarmaid MacCulloch’s magisterial study.