'From the Sea of Perpetual Gloom to the Holiday Cruise'
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
The thesis and value of Andrew Elliott’s new study of ‘medieval film’ are neatly encapsulated by his reminding us at the end of the book’s preface that, in the medieval tradition, the Grail quest involved asking, not answering, the right questions.
The slipperiness of just what Stuart Banner is addressing in American Property is one of his key themes. Property has meant different things to different people in different times; ideas about it ‘have always been contested and have always been in flux’ (p. 3).
The last decade has witnessed a flowering of interest in the history of women and cancer, alongside studies on the history of cancer and related topics.(1) While there might be historical trends that explain the attention paid to certain topics in medical history at particular times, the literature on the history of cancer deals with an inherently controversial disease
Passing under a tessellated ply-wood portcullis to enter ‘Revel Grove’ and attend the Maryland Renaissance Festival, held in the Baltimore suburb of Crownsville, crowds of eager 21st–century revelers are greeted by none other than a faux Henry VIII, six feet plus in height, twenty stone, fists at his hips, legs akimbo in colossus fashion, and dressed in as authentic Holbein garb as a theater co
This is a useful book, a troubling book, and a book tells us something about the strange state of contemporary publishing. I’ll try and deal with each of these in turn.
The first thing to note about this book is that it is about the American far left’s (that is by what Norwood sees as the American far left after 1920) engagement with Antisemitism and it is not about, or at least not just about, Antisemitism by the American far left.
The legal act of defining the ‘employee’ is about drawing lines. Those boundaries are often artificial, legally structured, and forged in an array of contests over power, ideology, and economics. They may be artificial, but they are powerful, demarcating who is in and who is out, who is us and who is them.
Tucked away in museums displaying and storing collections of dress and textiles there is often a subsidiary but significant collection of printed ephemera. This might encompass bills, trade cards, paper carrier bags, fashion plates and dressmaking patterns.