I find this an extremely difficult book to review fairly. McLaren has an enormous and infectious enthusiasm for her texts. And her work is important; she takes the discussion of a widespread form of historical writing well beyond the point at which it was left by a fine scholar, C. L. Kingsford.
This volume is dedicated to Barrie Dobson, whose work over four decades on the peculiar clerical institutions and communities of the fourteenth and fifteenth centuries has been a model of scholarship, broad vision and human sympathy.
This impressively erudite, well researched, and eloquently written book by Joan Pau Rubiés analyses the development of Iberian and Italian travellers' accounts of south India over three hundred years.
On 25 July 2001 Phoolan Devi was shot dead outside her home. Best known in the west through Shekhar Kapur's 1994 film Bandit Queen, Phoolan Devi's life had been remarkable. Born of low-caste, at the age of 11 she had been exchanged in marriage for a cow. Following beatings by her much older husband, she made her way home, but was regarded as a disgrace by her family.
Thanks to the survival of four high quality narratives from the tenth and eleventh centuries, Widukind of Corvey's Rerum gestarum Saxonicarum, Thietmar of Merseberg's Chronicon, Lampert of Hersfeld's Annales, and Adam of Bremen's Gesta Hammaburgensis ecclesiae pontificum, we know today much more about the Saxon gens, the newcomer to the Frankish realm, than o
Professor Orme's new and lavishly illustrated work on medieval children presents the lives and activities of children in England from the Anglo-Saxon to the late Medieval periods. Although many aspects of childhood in the medieval period have been covered by other writers, Professor Orme is the first historian to attempt to discuss the topic from before the Norman Conquest to the 16th century.
In a famous essay on the tenacity of the Burckhardtian conception of the Renaissance, Johan Huizinga wrote that '[A]t the sound of the word ‘Renaissance’ the dreamer of past beauty sees purple and gold.' After reading Carole Collier Frick’s engrossing, multi-layered book, Huizinga’s romantic dreamers will have to become far more nuanced in their visual imaginings of the past.
The study of masculinity as a specific topic (rather than an implicit element) is not utterly new: work in sociology in the 1980s, cultural studies in the 1990s, and concerns of feminist criticism from much earlier have laid the foundations for studying how men set about being men. Historians have also engaged with the topic, most notably in work on the nineteenth and twentieth centuries.
The two works under review are on broadly the same subject - writing by women in later medieval England - but could not be more different and are therefore difficult to compare directly. One author is an historian, the other a literary scholar.
Reflecting the place of the Bible as the bedrock of medieval culture, biblical imagery was ubiquitous in medieval England, yet it has not hitherto been the subject of a comprehensive modern monograph. Such precedents as there were – notably M. R. James’s The Apocalypse in Art (London: British Academy, 1931) and F. Wormald’s ‘Bible Illustration in Medieval Manuscripts’, in G. W. H.