In this book Holger Hoock outlines the material and psychological investment of culture in the process of British identity-formation from the mid 18th to the mid 19th century. Studying the context of national consciousness Hoock draws on forms of aesthetics, war, literature and biography.
Introduction: trauma, modernity, and the First World War
The competition between religion and recreation in the Victorian period was pointed out by Brian Harrison as long ago as 1967, and at one level this book by Dominic Erdozain, Lecturer in the History of Christianity at King’s College, London, is an exploration of how the churches came to terms with their powerful rival.
Modern British nursing, based on formal training and skilled work, emerged within a tradition of religious sisterhoods (both Protestant and Catholic) and military reforms from the mid 18th century.
In his new study of Anne Boleyn, George Bernard at no point defines the ‘fatal attractions’ to which his title refers. There is not even an assurance that no rabbits were harmed in the making of the book. Perhaps the title is deliberately polysemous, for we might think of at least six fatal, or metaphorically fatal, attractions exercised by the queen.
In this book, Frank Mort, who holds a Chair in Cultural Histories at the University of Manchester, continues the work begun in Cultures of Consumption: Commerce, Masculinities and Social Space in Late Twentieth-Century Britain and in Dangerous Sexualities: Medico-Moral Politics in England since 1830.(1) This volume presents a cultural history of Londo
The formation of Mass Observation (1), conceived as a programme for the scientific study of human social behaviour in Britain or, in other words, as an ‘anthropology of ourselves’, was publicly announced in a letter printed in the New Statesman of 30 January 1937 and signed by Tom Harrisson (1911–76), Humphrey Jennings (1907–50) and Charles Madge (1912–96).
The ‘shock city’ of the 18th century , London was always interesting to onlookers, but between 1763 and 1776 it was particularly interesting. It was the capital city of one of the most successful Great Powers, one that had just emerged the winner in the war with France.
Wounds, Flesh, and Metaphor in Seventeenth-Century England is a wide-ranging study that examines the metaphor of woundedness within and across political, legal, religious and literary texts.
In recent years Ashgate Publishing has become one of the most dominant forces in the field of early modern studies, and the recent appearance of the impressive volume edited by Michael Hunter of Birkbeck College entitled Printed Images in Early Modern Britain: Essays in Interpretation (2010) is a case in point.