The history of nakedness deserves a serious history. For organised nudism or ‘naturism’ was a conscious movement initiated by Europeans at the end of the 19th century that has exerted a significant influence over society and politics in the wider world. This book is not that serious academic history. In one respect its aim is much more ambitious.
In his new study of Anne Boleyn, George Bernard at no point defines the ‘fatal attractions’ to which his title refers. There is not even an assurance that no rabbits were harmed in the making of the book. Perhaps the title is deliberately polysemous, for we might think of at least six fatal, or metaphorically fatal, attractions exercised by the queen.
Wounds, Flesh, and Metaphor in Seventeenth-Century England is a wide-ranging study that examines the metaphor of woundedness within and across political, legal, religious and literary texts.
In recent years Ashgate Publishing has become one of the most dominant forces in the field of early modern studies, and the recent appearance of the impressive volume edited by Michael Hunter of Birkbeck College entitled Printed Images in Early Modern Britain: Essays in Interpretation (2010) is a case in point.
The title of Susan Whyman’s The Pen and the People: English Letter Writers 1660-1800 suggests two potentialities at once: The Pen and the People indicates a comprehensive study of popular letters and letter-writing practices during the long 18th century (1660–1800); yet the subtitle, English Letter Writers, implies focused and discrete analyses of specific letter
Tudor scholars and enthusiasts alike marked a significant anniversary on 21 April 2009: the quincentenary of Henry VIII’s accession to the English throne.(1) While this historical milestone highlights Henry VIII’s seemingly unassailable position in England’s national consciousness and its romantic imagination, it also marked the conclusion of an equally important – but
The term ‘early modern’ was introduced into mainstream historical analysis during the 1940s as a catch-all description for the changes that had occurred between the 16th and 18th centuries.
Bernard Capp has made an outstanding contribution to the social and cultural history of early modern England. This volume of 13 essays, by leading scholars Capp has inspired, is a fitting tribute. It is, at one level, a cabinet of curiosities, with studies of jokes, memories, miracles, insults, fairies, witches and bodily functions, each enticingly strange.
Reports of the death of the Mediterranean – on some accounts from pollution, on others from conceptual redundancy – have proved exaggerated. Conceptually, at least, ‘The Mediterranean’ flourishes as never before: an idea more than a sea. It seems ubiquitous on web sites and in book and journal titles as well as on conference posters, not to mention political action plans.
With edits by the editors Chris Cotton, Peter White and Stephen Brooks.