Paul Ginsborg is probably the leading English language historian of contemporary Italy.(1) His first history of post-Fascist Italy (it starts neither in 1945, nor 1948, but, quite rightly, in 1943), was path-breaking.(2) Published in Italian and English, its historiographic approach was innovative for its placing of the family at the centre of
This collection of essays arises from a conference hosted by the Centre for Metropolitan History at the Institute of Historical Research on 13 April 2000 entitled ‘Revisiting the Livery Companies’.
Pornography used to be regarded as ephemeral, trivial and unimportant. Insofar as it had a history, it was as one aspect of the long battle for, and ultimate triumph of, free speech. Histories of literary censorship and legal obscenity by writers like H.
Writing in the weekly journal the New Statesman on 17 March 2003, the columnist Cristina Odone praised British troops in the Gulf for enduring the privations of active service without complaint. Quoting Henry Newbolt’s invocation of British chivalry in Vitai Lampada, in which British soldiers remember their schoolboy selves and resolve to 'Play up! Play up!
This substantial volume is about more and less than the title indicates. Jill Harsin, known to specialists of nineteenth-century France for her earlier book, Policing Prostitution in Nineteenth-Century France (Princeton University Press; Princeton, 1985) has here produced a detailed narrative of the role of Paris artisans in revolution and popular unrest between 1830 and 1848.
Tavern-going was as an important a part of the social fabric of early America as churchgoing. Even in the most obscure communities Americans visited a tavern regularly if not daily.
John Monro was not, I suspect, an interesting man.
This is an ambitious and in many respects singularly brave book which adds a further dimension to the growing understanding of middle-class life that has prompted the research of increasing numbers of historians in the last decade or so.
Not so long ago, Peter the Great was commonly portrayed by historians on both sides of the Iron Curtain as a proto-Homo Sovieticus: an icon of muscular masculinity, giant in both frame and achievement. According to this tradition, it was Peter's distinctive genius to drag a backward and xenophobic Muscovy, kicking and screaming, into the rational modern world.
For a long time after 1945, as Basil Fawlty famously discovered, it was almost impossible to avoid mentioning the war.