Sir Walter Scott, masquerading both as ‘The Author’, as well as his pompous alter-ego, the historian ‘Dr Jonas Dryasdust’, inserted the following dialogue into the beginning of his historical novel of the Restoration period, Peveril of the Peak (1823):
The challenge in writing a comparative review of Kate Lowe’s fine study of early modern Italian convents Nuns’ Chronicles and Convent Culture with Sarah Dunant’s gripping novel Sacred Hearts is to find ways of making sense of the experience of reading both beyond stating the obvious.
Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.
In Western imaginations, the Chinese Cultural Revolution (1966–76) – in which one of the world’s oldest, most elaborate cultures began destroying itself, in which a successful, disciplined political organisation tore its own heart out, and in which colleagues and classmates turned murderously on each other – stands among the landmarks of the recent Chinese past.
Timothy Larsen’s purpose in writing A People of One Book is to demonstrate the extent to which the Bible dominated Victorian thought and culture. He claims that this has yet to be fully grasped, and endeavours to prove his thesis by offering a detailed examination of how Scripture was central to the experience of divergent groupings in Victorian England.
Historians have not been kind to Tejanos—at least until the present generation. Many have marginalized or maligned them to diminish their importance in Texas history, or to rewrite Texas history to emphasize Anglo achievements.
This readable and accessible book has secured an impact beyond the academic world, becoming the Guardian book of the week in March 2011 and drawing positive reviews in both the academic and non-academic press.
It is perhaps less true today than it was a decade ago that ‘an enormous number of early photographs of China lie largely ignored or unknown’, as Regine Thiriez, one of the pioneers of the field who has spent many years collecting and studying scattered and often very small albums, wrote in 1999.(1) During the last two decades the so-called ‘pictorial turn’ in the huma
This volume collects and revises a series of articles by Patrick Collinson, which were first published between 1994 and 2009. It therefore systematically assembles a number of previously independent arguments, in order to provide a coherent vision of the way 16th-century Englishmen – and most of Collinson’s subjects are men – imagined their nation.
In September of 1934, an incredulous (or perhaps simply amused) Dutch official wrote from Batavia to his mentor in Leiden telling of the most incredible journey made by a family of Sundanese from West Java.